THINGS TO COME

One morning last week I decided
to plant myself at a busy intersection
and begin reading poetry, mostly
my own, I have to admit.

I was generally ignored, my usual
state, and that sadly of most poets,
when a scruffy, bearded young man
set up easel and paint next to me.

The morning seemed to relish
the stillness of this urban way station,
and we were easily ignored by the odd
pedestrian on her way to please not here.

As lunch hour approached, the streets
filled, and we were ready, this was
our moment, our world, until the
asylum escapee joined our duality

and preached loudly to those who
dared not avoid us, that the end
was nigh, and that we, artist and poet
were the living promise of heaven and hell.

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