THE ONE-EYED MAN

He’s heard the expression
“the silence is deafening”
and he could never understand it.
Today they studied his eyes,
he staring into the the equipment,
lights changing and flashing,
they sitting, repeating “Blink.” 
Soon he understood what it was.
to be “blinded by the light”, and while
he waited for his eyes to undilate,
he imagined blindness, and
understood for the first time
in is life how a deaf person
might crave noise of any sort.

WHAT DO YOU READ, MY LORD?

There is probably much that could be said,
a bit less that should be said, but I
I’m not the person to say it, and remain silent.
You are surprised by the silence — it is
not what you expect of me, and that
you find disconcerting and a bit unnerving.
If I asked you what you would have me say,
I doubt you could find anything in particular.
It is more the sound of my voice you expect,
not the words I choose to utter or retain.
It all comes down to words, doesn’t it?
And yet they fail us with such regularity,
we each must wonder why we speak at all.

REAL TIME

Reality is clearly something to be avoided
to be dressed up in tattery, tied in ribbons,
perfumed, yet its fetid stench
is always lurking in the background
waiting to pierce your nostrils
in an incautious moment until you retch
and bring up the bile that marks
the darker moments of your life,
the kind that lingers in the throat
which no chocolate can erase.
Reality is often ugly, so we ignore it
or hide it behind masks, or offer it
willingly to others, a gift in surfeit.
It sneaks up on you, and sets its hook
periodically, and thrash as you will
the barb only tears through new flesh,
setting itself deeper, intractable.
You and I are dying, as I write,
as you read, an ugly thought
particularly lying in bed
staring into darkness,
no motion or sound from your spouse,
mate, paramour, friend, significant other
or teddy bear, where God
is too busy to respond at the moment
and sleep is perched in the bleachers,
held back by the usher for want
of a ticket stub, content to watch
the game from afar.
I cast ink to paper, an offer of reality
as though the divorce from the words will erase
the little pains and anguishes of our
ever distancing marriage, while
holding vainly onto the warm and sweet,
the far side of the Mobius of reality
(the skunk is at once ugly and soft and caring).
We write of pain, of ugliness, of anger
at terrible lengths, or weave tapestries
of words to cover the flawed, stained walls
of our minds, like so many happy endings,
requisite in the script. Basho
knew only too well that truth of beauty
should be captured in few syllables.


First appeared in Chaminade Literary Review Vols. 16-17 (1995)

GOING BANANAS

She examines each banana
looking at it from all sides,
looking down its shaft
as though sighting a rifle.
Each banana, in turn, she gently
places back on the pile.
My patience grows thin,
but I smile and ask her
if I might approach the bin,
grab a small bunch of bananas,
be done with my shopping.
I see five with skins
are a uniform yellow, no
dark spots to be seen.
She frowns a bit and I say,
“Did you want these?”
“Oh no,” she says, “I don’t
want those — like most
the curvature is all wrong.”

WORD

archetypes
symbols arrayed
arranged
precise
meanings elusive
multiplicative
hearer dependent
no Carrollean wishes
fortresses erected
below the tide line
await waves
minor etchings
Durer or trivial
seen or ignored
Lot cast
either diamond
or salt pillar
eroded by rain
adrift torn
by tongues
cast to ash.


First appeared in Eureka Literary Magazine Vol. 5, No. 2 (1997)

TEMPORAL LOGIC

Once upon a time
isn’t such a timeless expression
if you take time to consider
that time doesn’t actually fly
nor does it march on,
and if it is truly on our side
we wouldn’t need to buy it.
I don’t need it to smell the roses
and it doesn’t wait for me,
although I am still human
and just killing it,
but perhaps
neither of us
have time for this.