STATUS OF LIBERTY

Do us a favor
hold back
on your tired, your poor.
We’re no longer real hot
on those yearning to be free.
We left it on the plaque
but no one’s supposed
to read them anyway.
Take the hint,
we closed the Island,
made it a museum
that ought
to tell you something.
Emma’s dead, get it,
and Lazarus, well
just read your Bible.
We closed the sweatshops
and shipped out
all those menial jobs
to Mexico and the Far East
so you’re of little good
to us now.

So stay home
at least until you’re fluent
and can speak at least
one Scandinavian language.

First appeared in 45 Poems of Protest,Eleventh Transmission, 2019
https://waxpoetryart.com/eleventh/2019/faber.html

HUP TWO

He grew fed up with the Army. He had put in 25 years, but the last five had been totally discombobulated, one snafu after another. Everything was FUBAR and he grew wholly disgruntled with it all. He knew it was time to go, to bail out, and no one tried to stop him, to change his mind. He shipped his uniforms off to Goodwill, grew a beard. He learned to speak vernacular English again, not the military version with its own weird argot. He would be happy, he knew, with this new life. But he wanted more, he wanted to be gruntled, to be fully combobulated, to hell with Merriam-Webster who said he couldn’t because they didn’t exist.

NEWOLOGY

I have decided it is now time
and I am establishing a new
field of study that blends
mathematics and political science,
which I have named idiometry.

Simply put, idiometry allows one
to measure just how close one can
take the statements or promises
if any politician and square
them with the actual facts.

Then you repeat this for all
of the statements of that politician
and you inevitably find the square
unattainable, there simply are
no perfect squares yet achieved
in idiometry, for no politician
ever seen on a public stage
hews perfectly to facts, always
veering off into self interest
or blatant ideology, so perhaps
idiometry isn’t worth it, telling us
what we already knew full well.

THE OLD ROCKER

I reached the point in life
where I know the Byrds were right,
I was so much older then,
I’m younger than that now, and
for good measure Jethro Tull knew
I was too old to rock ‘n’ roll
but far too young to die.
And yet I am still inchoate,
a product of the Big Bang, stellar
dust accreted temporarily.
And the Webb Space Telescope
has given me the next best thing
to immortality, for when the time comes
and I hope it isn’t all that soon,
when my body is cremated, that
momentary heat signature will
be seen in some planet in a galaxy
at the edge of the universe
some 13 billion years later,
long after my ashes will have
returned to the cosmos,
from where I came.

WRITTEN

It was written for all to see
but went unseen as no one
entered the portal willingly,
never sufficient curiosity
to offset the foreboding.
Everyone knew what it said
but knowing and seeing are
separated by an unbridgeable chasm.
It remained an imposed solitude,
an isolation inherent in location,
implicit in a world spinning
off its moral axis, time extended
and compressed, an irregular pulse.
It was written in a long
forgotten language, a warning
etched into the walls of time
faded from inattention, left
to stare out knowing the outcome
they would never see until it arrived.

THEATER OF THE ABSURD

If Aristophanes were suddenly
to arrive here, he would no doubt
pause, but with the eye he had,
would soon discover such a treasure
trove of material, he could produce
comedies to last several lifetimes.

The problem would be in finding
the right audience, for here we have
little taste and patience for the sort
of comedy at which he was so adept,
and wit in language has long been
forgotten in our blunt, in your face
world of entertainment, and his
natural audience in ancient Greece
would never imagine a world
so badly screwed up that even
Kubrick would be hard pressed
to bring Dr. Strangelove into the present.

UNGAN SWEEPS THE GROUND

When you are cleaning,
what becomes of the dirt?
When you are bathing,
what becomes of the water?
When you exhale,
what becomes of the breath?
When the moon disappears
is the moon truly gone?
When you ask your teacher,
what becomes of the question?
If you sit quietly on the mat
and do not think of this,
what becomes of you?

A reflection on Case 21 of the Book of Equanimity ( 従容錄, Shōyōroku)

AT THE CAFE

We sit across
from each other
separated by
the small table
that teeters,
her cappuccino
licking at the rim.
My toes dance
against hers
and she looks up
quizzically.
I smile and reach
for her hand
touching her fingers
feeling the fine silver
of the rings on each.
She pulls her hand
back and looks
into the rich
brown sheen.
I stare out the window
at the odd car
looking
for a space
in the overfull lot,
then pulling
back onto
the road.
As my mocha latte
slowly cools
I feel her ankle
slide along
my calf.
She stares
at the ceiling fan
just stretching
she says
and I smile.

First appeared in Flora Fiction, Vol. 3, Issue 4, Winter 2022
https://florafiction.com/literary-magazine/volume-4/

DO AS I SAY

Eat your vegetables,
Don’t ever run with scissors,
Clean your room,
Always wear clean underwear,
Comb your hair every morning,
Always say please and thank you,
Always listen to adults, they know more,
Be nice to animals and small children,
Clean your room,
Don’t go in the water for an hour after eating,
Polish your shoes,
Don’t play with sticks, you could put an eye out,
Clean your room,
Clear the dishes off the table,
Get plenty of sleep,
Clean your room.

And despite so very often not
listening mother, here I am
still getting by in this world,
although my room is still messy.

WORDS, WORDS, WORDS

They can have sharp edges
that wound on contact, some cuts
so deep they leave lasting scars.

They can get stuck in the throat
until you feel you can no longer
breathe, no longer cry out for help.

They can lie there, an
aggregate always acreting
and yet rejecting any meaning.

Or they can, carefully chosen
present great beauty, offer
hope, promise freedom.

They are the currency of poets
and writers, and they chronicle
our history and our lives.