WIDOWER

In the cold night
of another winter
he stares out
across the barren fields
which have long forgotten
the taste of the sun.
He watches carefully
for a sign
but the naked branch
denies the breeze.
He remembers
how it once was
in the heat
of the dying fire
the sweetness of her lips
lingering on his tongue.
She is gone, has been
so long, her face
is hidden
by the gauzy veil
of time.
He awaits
the edge of dawn
that sleeps eternally
beyond the horizon.

First appeared in North of Oxford, May 2023
https://northofoxford.wordpress.com/2023/04/10/two-poems-by-louis-faber/

SO TO SPEAK

One of the obvious problems
with growing older is the tendency
to begin using phrases you always detested
when young: “back in the day,” and it’s
equivalents maddened you in your youth
and are now a common element of your vernacular.

Worse still is the knowledge that the days
which you seem to lovingly recall
weren’t all that good as you lived them,
rendered less so, you then believed, by
your parents’ endless references
to the good old days, when you knew
that days were fixed periods, an astronomical
phenomenon, and there was nothing
the least bit good or bad about them.

But you stop and take solace that
the grimaces of your grandchildren’s faces
when you use the expression will one day,
soon enough, be given over to their use.

OUT OF HIDING

The hidden joy of youth, and its
inevitable disappointment, is
in finding that special person.
Each time it is the birth of true love,
eventually, save in rare circumstances,
it is the death of an illusion
and the aching pain accompanying the loss.

The certainty of youthful emotion
is a bondage that is most often inescapable,
and there is no desire to leave early on.
It is only the passage of time, the growth
of two, each at his or her own pace,
that yields a force capable of breaking
the chains of desire that, to that moment,
successfully masqueraded as love.

Old now, and certain of love, I can
reflect on the foolishness of youth,
the mistakes made, the consequences
to myself and others, and I can regret them
but always with the knowledge that I
am here in joy, very much because of them.

SANSHO’S GOLDEN CARP

When you sit
before your teacher
if you ask him a question
he will return only silence.
If you listen
to his silence closely
the dharma
will be revealed to you.
A large stone
that rolls easily
may not be lifted.

A reflection on Case 33 of the Book of Equanimity (従容錄, Shōyōroku)

UNUSUAL

I recall it wasn’t as cold as usual
that early November evening, I
was standing nervously on the small deck
in front of the Indian restaurant.
This was going to be my fourth
first date of my lifetime, not
surprising in the abstract, unless
you realize that put me on an average
of one every twelve years.
Fast forward almost three years
and I am standing on the wood floor
of the grand hall of a once great mansion
slowly reciting my vows, looking
at what I assumed was as close
as I would come to seeing heaven.
That was nineteen years ago
and as I stand here there is nothing
I would have done differently
save doing it all so very,
very, very much sooner.

FORGIVE ME

There is always a certain level
of guilt when the Amazon
package arrives, as they did
almost daily, since I
mostly avoided stores
during the pandemic.
My guilt arises at the sight
of the face of the driver
rushing to leave the package,
leaping back on the truck,
knowing he is graded on
the speed at which he
completes the far too long run,
relieving himself in a bottle.
I wouldn’t take his job
for any pay, but I will
expect to see him tomorrow
when the item I could
have lived without arrives
only a day late, to my frustration.

EVER FAITHFUL

We are, after all, merely human
so we are fraught with questions
and lacking answers, willing
to take things on faith on occasion.

Take God, for example, although
some say He is uniquely exemplary,
we want to know if God is a he,
a she, or to cover all our bases, a they.

And when we ask for a sign we
often look to the heavens as if
God only operates locally, even
Moses knew a bush would suffice.

Actually we hunger for signs now,
in a world gone mad, cursing free
will, wanting proof, when all we
need do is marvel at nature around us.

SONG OF THE UNIVERSE

It was a certain rhythm that he loved
he felt it in total silence, it faded
in the presence of sound, a doumbek
of the soul he would describe it.

He remembered how it was before
their one God rendered him and his kind
mere mythological creatures fit only
for poetry and dusty library shelves.

He would have his revenge some day,
would condemn their God to a corner
of the heavens, an eternity to reconsider
the rashness of his narcissism, but

in the meanwhile he would continue
to rest in the heart of this constellation
hoping to go unnoticed, happy just
to listen to the rhythm of the universe.

UNDERWOOD

When I stood in Hemingway’s study
in Key West, I was certain that
the old Underwood portable probably had
at least one if not more
great novels in it, and I
would gladly be the one to unburden it.
Then I paused to wonder
wouldn’t Ernest have taken his
Underwood portable with him
to Ketchum, Idaho, and how could
Mary be sure none of his blood
was splattered on to it, and if so
the one in the study in Key West
was probably bought at an antique store
sold to them by some failed writer
who had given up on it, or on writing,
with no great literary works lying
in wait, just the mundane, and I
have long mastered that alone.