He wants to have his
midlife crisis in peace and quiet.
He has penciled it in his calendar
for at least five years now.
Something always comes up,
something that demands he
be in public, and he simply
will not have a crisis
in that setting, no matter what.
He’s sure he supposed to have one
although as time goes by
he isn’t sure what purpose
it would serve, it isn’t
that his life isn’t half over,
merely that he has what he wants
and the crisis is best used
as an excuse to get something
utterly unnecessary and useless,
and that, for him,
is so five years ago.
Along the shore, this morning,
the clouds piled up, refusing entry
to the promised sun, which hung back forlorn.
The waves charged onto the sand
like so many two-year-olds
in full tantrum, banging against
all in sight and retreating,
only to charge again, pushing away
any and all in their path.
The wind pummels the sand,
and as we walk along the street
the wind-borne sand tears against our skin
urging us to take shelter,
reminding us that nature does
not bend to the weatherman, and will
from time to time play havoc
with their forecasts because
nature speaks, she never listens.
First appeared in Active Muse, Varsha 2019 Issue
The trees seem to know
that we are leaving,
why else would they
shed their leaves
so early, the only tears
they are allowed to cry.
It cannot be a blight,
or so we think it,
just our departure
that has caused
this premature pining
for a winter we all know
will arrive too soon
any arrival being that.
We rake them gently,
lift them into bags
their once homes,
waiting for the truck
to move our lives,
anther to take them away.
The Royal Poinciana is in full bloom,
its brilliant flame has led the sun
to take jealous refuge in the clouds
but we know not to be complacent.
Mother nature it is said, and we
are loathe to argue, can be at times
the most fickle of bitches and we
suspect that it will not be long
before she brings forth still another
tropical storm, a tantrum in which
the jacaranda’s beauty must cede
to her repressed envy, scattered
at our feet, a warning, perhaps,
but nonetheless a moment of beauty
that even nature cannot deny us.
It is said that
a picture is worth a thousand words,
a pictograph usually
five or fewer, and
a word, but a single one
by definition, while
a word, with two exceptions,
has at least two letters,
and with the same
two exceptions, a letter
is always wordless
but can be symbolic.
The Hawaiian language
has only fourteen letters
which may explain why
native Hawaiians are
rarely wordy, but
fails utterly to account
for their deep love
Last week it was hers
but we felt it ours, and wondered
why her furniture, her life
was impinging on this “our-ness.”
Today it is ours and empty,
and it has a deep sense
of “whose-ness,” where we can
see how easily “ours-ness” might return.
Next week it will be our home
and we will impose our us-ness on it
and it will bend to our will
as we will bend to its,
in the marriage will be complete.
You must be home now,
or somewhere you can answer
my call, and the busy signal
or disembodied voice, purporting
to be you can only mean that this
very moment if you are calling me
the busy signal or disembodied voice
purporting to be me is giving you
a momentary frustration rivaling my own.
This must be the state of the world
for otherwise you failure to answer
could mean but one thing, and I
can no more accept the preposterous idea
that you might actually be speaking
to someone else rather than awaiting
my call with bated breath, and
certainly not that you are sleeping,
your phone switched off, never mind
that where you are, it is well past midnight.