The room is awash
in words, they pile up
in corners, form untidy stacks
that perpetually threaten collapse,
strewing consonants like shards
of ill broken glass.
It might not be this way, for
words need order, a rubric
in which they are forced to operate.
But here, in a room of poets,
anarchy is the sole grammar,
and in the face of order
someone throws a Molotov cocktail
as we are all consumed
in the flame of self passion.
Autumn came on hard today
the drop in temperature not
unexpected in these climes, but still
unwanted, forcing the closing of windows.
Still, as the afternoon faded, I shouted
toward the window a reminder
not to go gently into night to fight
the soon approaching dark.
The squirrel on the lawn outside
the window stood, forepaws held
together as if deep in prayer and stared
back at me, seemingly incredulous,
so I loudly repeated my entreaty.
He shook both head and tail, then said,
“For God’s sake man, if you want
to be the next Dylan Thomas have
several more drinks, and please
next time try and get the lines right!”
He turned and headed up the old maple.
blood of streets
laughter of old men
on a spit valve
e l e c t r i c
onto a page.
My muse sits quietly
on the shelf over the counter
in the Café Espresso
at Barnes and Noble
nestled between 12 ounce bags
of Colombian Supremo and Kenya AA,
in the shadow of the plant
whose leaves reach out
to caress her cheek.
She whispers to me
between notes from the guitarist
performing on the edge
of the Music Department
hawking his new CD
to an audience there more
for the coffee and tea.
The philodendron scandens
as I carefully tuck her
into the pouch
of my fleece jacket
for the long drive home.
Richard Wilbur lives in Massachusetts
and in Key West, Florida according
to his dust jackets. If you set sail westward
from San Diego you may find your dream
of China, of the endless wall which draws
the stares and wonder more foreboding
more forbidden even than the city,
which you visit to sate yourself of lights,
sirens and the blood heat of steam grates.
It is far easier than digging and far less
dirty, and the walls of the sea rise
more slowly. Once it was a risky journey
the danger of the edge looming over the horizon,
but then digging was no option, pushing deeper
with your crude shovel, knees bloody,
until, at last, you broke through
with dreams of the dragon as you fell
into the limitless void. Now you sail
with dreams of the Pacific sky, although
water has no need of names. The poet
has grandchildren now, and it is to them
to dream of the China that was.
First appeared in Midnight Mind, Number Two (2001) and again in The Right to Depart, Plainview Press, (2008)
Charing Cross Road
cramped sagging shelves
an out of print
slim, collected works
a damp chill
enfolds old leather
as the door opens
and shuts on
a late February.
Morning, my purchases
sink in the plastic bag
dancing as I walk
to the tube
at Leicester Square
with my new gems
destined to cause
in my bookcase.
I write letters
to dead heroes
beginning each Dear __________:
I apologize for the intrusion
but in your next life
will you do the same,
give up the desk
in the patent office
for dreams of brothers
twins, one moving
one fixed, stand
before a jury, no testament
to the Lower East Side.
I carefully fold each letter
and put on proper postage
but delivery across
the curtain of mortality
is slow and your
responses have not
but I will
continue to write
for there are always
more with whom