LEFT HANGING

Why is it that so many songwriters
have an intense need, a desire really,
to leave the listener wondering
in frustration at how the story ends.

I can forgive Leonard Cohen for his
Hallelujah for no one is quite certain
how many verses he wrote, although
more than 80 seems to be the number,
so perhaps a missing one or ten
concludes the various stories
the song has told through time.

And Harry Chapin did give us
an ending of sorts to Taxi,
in his song Sequel, but even there
he left the door ajar, but he died
too young, so any subsequent sequels
went to the grave with him.

And one offender I cannot yet forgive
is the Ode to Billy Joe, since really,
he’s gone but that wasn’t enough
for brother, and you’d think
he would have a name since
he married Becky Thompson,
and what kind of store did they buy,
why in Tupelo, was she from there, and
what, if anything, do we know about her?

WORDS, WORDS, WORDS

They can have sharp edges
that wound on contact, some cuts
so deep they leave lasting scars.

They can get stuck in the throat
until you feel you can no longer
breathe, no longer cry out for help.

They can lie there, an
aggregate always acreting
and yet rejecting any meaning.

Or they can, carefully chosen
present great beauty, offer
hope, promise freedom.

They are the currency of poets
and writers, and they chronicle
our history and our lives.

PRAVDA

If I was in Russia I
would have no problem
finding a title for this poem
for it would be The Last.

I would write that I mourn
the children, men, and women
sacrificed to assuage his
warped need for domination.

I would write that I detest
his disregard of truth,
supplanting it with his lies
to justify his megalomania.

I would write that I stand
with the people of Ukraine
and for that I would pay with
my words, and perhaps my life.

WANTING

I wanted to write like Heaney
but of course he got there first
and could do it in two languages,
so that was out of the question.

I tried to write like other
of the greats only to find that
what set them apart from so many
set them rather far apart from me.

So I an left to write as myself,
which I find a bit boring for I
know myself all too well, and anything
I say or write I’ve heard before.

But I suppose you have not
heard it before so unless you are
the one who sneaks into my dreams
before I can capture them,

in which case would you return
the best of them, for in them
I know lies whatever better poems
I have yet to cast to paper.

LISTING

I suppose I should
make a list of the things
I don’t very much like.

I’m an optimist so the list
won’t be all that long, though
it grows the more I think about it.

I was going to put
my ex-wife on the list
but she doesn’t like me
and I have no feelings
for her either way.

So it’s down to
autocrats and would be
autocrats, and customer service
people who have no idea
of what that title entails.

Oh, yes, and lima beans
and cauliflower pizza crust.

BUT

On more than one occasion
someone has come up to me
after an open mic reading
to tell me that they love my work.

I am honored and tell them so
but curious as well, since I
only read two poems, which
hardly counts as my work.

I offer to sell them my book
at a substantial discount,
but they inevitably tell me
“Thanks, but I don’t read poetry.”

A SIMPLE TASK

You misunderstand me, he said,
I did not ask you to write a poem
about a flower, anyone can do that,
I asked you to write a poem with a flower.

Do not ask me what the poem
will be about, ask the flower, but
first you must learn to speak
the language of the flowers.

If you find this difficult, consult
the sky, it is fluent in almost all
species of plant life, mother to
them at one time or another.

When you have finished, cast it
to the morning breeze, that
it might find purchase somewhere
and sing its song to a new audience.