CORNFLOWER

This morning, as I do most mornings,
I took my paints and painted the sky blue.
Today for some reason, I opted for Cornflower,
it seemed to fit my mood and the neighbors cat,
after considering it for a few moments
seemed to agree with my choice, though she
suggested tomorrow might be better served
by either Carolina Blue or Iceberg, but
if I don’t sleep all that well tonight,
I suspect I will just go with Cool Gray.
The Cardinal says anything darker than
Dark Pastel blues is unacceptable since
it takes away from his beauty, but that vanity
aside, it takes too long to sweep aside
the clouds to do the second coat
the brighter blues all demand.

THOSE WHO CAN’T DO (OR TEACH)

“You know,” she said, “it is the critics,
they are the real problem, all holy
and self-proclaimed arbiters of taste,
deciding what is and is not art, as if
God spoke late one night and declared
to each one that he or she and only
he or she would determine what is art.”
I wanted to argue with her, but I
was standing in a gallery where
the signs requested silence, that
and I really had no argument
with what she said, for I knew
that taste was personal, that art
had no hard metrics, this is, this isn’t,
there is no ruler, no gauge, no scale.
Add to that the fact that I
truly love exotic mushrooms, morels,
enoki, the odder the better, and she
finds all fungus disgusting, belonging
in its earthly grave, and though wrong,
it is her taste after all, so there it is.

FIFTY-EIGHT MINUTES, MORE OR LESS

In a bit less
than an hour
a new exhibit
will open
empty space will
be occupied
with moving
bodies of artist
and viewer,
universes will form
a thousand children
will be born
an old man in
a distant city
will slip away
a contented look
pressed into
his face
world leaders
will ask why
and have
no answers,
but all of that
is not now,
but in a bit
less than
an hour.

WORDS

“Suppose,” he says
“words may be used
only once, after that
they disappear.”
“You mean in a poem”
she replies, “or life itself?”
Even four stanzas
can challenge most
except perhaps Basho.
Haiku would replace sonnets,
villanelles, sestinas
suddenly gone,
anaphora is self-contradiction.
“Imagine,” the young girl mused
“sloganless politicians,
talking heads struck mute,
hushed generals
fighting silent wars,
all poets condemned
to write blank verse.”

ART

As you walk through
this particular space
will you see a small
child perched on a stool,
crayons in hand, a small
rectangle of paper
on the top of the desk
laughing, creating
a world you could
never hope to understand,
or an older woman, leaning
on her walker, staring
into the canvas, struggling
to see each brush stroke
and three workmen
white hard hats, retractable
rules and laser levels,
measuring the gallery
against the blueprint
which are artists —
which is art —
does it matter?