I have no reason to venture to Tahiti
for Gaugin took me there years ago,
and again on a visit to Chicago and one
to New York, or was it Cleveland, it hardly
matters, for I know that the Tahiti of my
experience no longer exists, touristed
to death, itself at constant risk of drowning.
I did have reason to go to Arles, and there
searched far and wide for the sky
that Vincent promised, or the flowers,
but the few stars visible through
the lights and pollution of the city were
pale imitations of the brilliant lights I know
were there aj century ago.
Now I sit in my yard and watch
the comings and goings of
a thousand birds who deserve
to be painted and not captured merely
in pixels, for memory, human and
electronic, fades with time, while
art if not artists can be immortal.
He watched as the flame
licked at the lip
of the candle, the wax
slowly conceding and falling
in, forming the cradle
on which the flame danced.
He wondered how something
as simple as a wax cylinder
could have an inherent knowledge
of beauty and simplicity
and yet he stared at it
certain the knowledge was there.
He dared not put out the flame
for he could not deprive
the night of this momentary beauty
when it’s love, the moon
had chosen to retreat leaving the stars
to mock their small, immature brother.
It is said that
a picture is worth a thousand words,
a pictograph usually
five or fewer, and
a word, but a single one
by definition, while
a word, with two exceptions,
has at least two letters,
and with the same
two exceptions, a letter
is always wordless
but can be symbolic.
The Hawaiian language
has only fourteen letters
which may explain why
native Hawaiians are
rarely wordy, but
fails utterly to account
for their deep love
She is sifting through photo albums
deciding which pictures to keep, which
to discard, questioning why she kept some
in the first place, blurred, ill composed.
She sets very high standards now
wondering why some were taken, the sun
she says, all wrong here, the background
in that one just swallows the subjects.
I left my photos behind when I moved out,
so many of the woman I was leaving after
finally admitting to myself that she said
she had left me emotionally two years earlier.
Now I sit here and sift through memories,
deciding which to keep, which I wish
I could discard, questioning why I remember
certain things in the first place.
She will have far fewer albums
with only the best pictures when she’s done,
I will carry a mind full of memories
that absolutely refuse to be discarded.
I do some
of my best thinking
when I think
of nothing at all.
Did you know
that if not
for the Babylonians
would be cubes.
In fact they were
It’s like sex
it’s best when
you are celibate.
But then again
are no longer
and taro is best
First appeared in the May 2019 Issue of The Broadkill Review
You were born 128 years ago,
not a long time in the history of the planet
and a blink in the life of the universe
but two good lifetimes on the day
you came into the world, not knowing
what would become your place in it.
We celebrate you today, as we celebrated you
during your life, a rare feat for it
is usually one or the other, either
reason enough to have lived.
I still recall the great windows,
the larger-than-life paintings
that brought Moses into my age,
and I imagine you recalling the stories
you learned at the feet of your grandfather,
so I practice what I will tell my grandchildren
of the immense passion of the small museum
tucked away on a hill overlooking Nice.
She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
It is deeper than the image below which
it lies trapped, and wider, imbued with a meaning
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptor’s hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.