The evening slowly enters Warsaw — along Aleje Solidarnosci a lumbering truck backfires — some old ones cringe — thoughts collapsing — into rail cars — lightening bolts on stiff black wool uniforms — polished jackboots — a wrought iron gate — Arbeit Macht Frei
The evening slowly enters Warsaw along Aleje Solidarnosci a truck backfires a sudden flock of sierpowka Eurasian Collared Doves rises gracefully from the trees each carrying another lost in the ghetto ’43 in the revolt ’44
Night settles on Warsaw – there is solitude
First appeared in Pitkin in Progress, Vol. 3, No. 1 (2002)
You want something. Tell me what it is. Don’t hedge, be open and honest. I may not give it to you. I may not have it to give. I may have it and give it freely. I may have and not want to part with it. I may not have, can get it and give it. Or not. You will not know until you ask for it. I may seek a reason you want it. I may not care. I may seek a reason while not caring. That is my prerogative. I don’t expect you to like that. I may or may not care whether you like it or not. But first you must tell me what it is. I will not guess but I will wait. I am very patient. Or perhaps I am not and you have already missed your opportunity. Life is difficult. You didn’t ask for it to be.
He should have known that the day was doomed from the moment he woke to see his alarm clock in pieces on the floor by his bed, the cat grinning at him from the place where the clock had always sat.
Finally arriving at the office, he was no sooner at his desk when the fire alarm bell rang. Within moments of reentering after the all clear, it rang again, and his own, very private Chinese fire drill was under way.
The day calmed until, after lunch, the Regional Manager arrived, gathered everyone at the great round conference table, and demanded to know who had made a simple error, and watched as the inevitable circular firing squad began.
He can spend hours on the wooden bench in the small square in the center of the village. There he is but a statue, staring up at the giant clock face that looms over the square from the turret of the Village Hall. He likes to watch the long hand, arrowlike, make its slow, but inevitable movement, circling the blank outward gaze of the numerals. He does not care much for time, has too much of it some say, too little left, he knows. But here, as he stares fixedly, it stops. There is no motion in that instant, there is only the instant of time. It is no longer real, it is a thought lost or forgotten, and there is only the single moment in which he sits on the wooden bench in the center of the village.