He wants to know why
we draw a distinction
between dreams and what
we like to call reality,
as if the former is
somehow less than real.
We want to laugh at him,
but we listen anyway.
If all my senses end up
in my mind then all
that is real is real
only in my mind.
But my dreams exist
in my mind as well,
so they are just as real
as my daytime reality.
And, he added, with
a smirk, nothing is real
at all, but both dreams
and reality are equally real,
and with that, he
closed his eyes and we
all ceased to exist.
“You know,” she said, “it is the critics,
they are the real problem, all holy
and self-proclaimed arbiters of taste,
deciding what is and is not art, as if
God spoke late one night and declared
to each one that he or she and only
he or she would determine what is art.”
I wanted to argue with her, but I
was standing in a gallery where
the signs requested silence, that
and I really had no argument
with what she said, for I knew
that taste was personal, that art
had no hard metrics, this is, this isn’t,
there is no ruler, no gauge, no scale.
Add to that the fact that I
truly love exotic mushrooms, morels,
enoki, the odder the better, and she
finds all fungus disgusting, belonging
in its earthly grave, and though wrong,
it is her taste after all, so there it is.
The screen, a shade of blue you have come to hate,
stares back at you defiantly.
You expected something like this,
though there is never good reason for it.
You check your calendar and clear
the next two days of all non-critical items.
You adjust the chair carefully, for it
will be your home for countless hours,
and you only wish that you could drink
before 5 PM or invoke the “it’s 5 PM somewhere” rule,
but you know your tolerance is limited,
less so in situations such as this,
so you dig in for the long haul.
You know this won’t be the last time
you will face this problem, only the current one,
and you know in the end it will be fine,
so you suppress your anger and frustration
and prepare to do battle, yet again
with the seeming evil demons of Microsoft.
Before you wish for immortality
carefully consider all the consequences.
It’s true you will avoid the fires of hell
and the lawyers and politicians who
make up a surprising portion of the populace,
but you’ll also never pass through the pearly gates,
to languish in the esteemed company
of poets and musicians who will,
at the drop of a request, regale you.
And those wars you so often decried,
you’ll have those of generations without end,
for the one skill mankind has mastered is war.
But worst of all, you must realize
that you will be subjected to an infinite
number of wait staffs gathered around
your table doing off-key but well intended
renditions of Happy Birthday to You
as other diners wish you had never been born.
It was inside Nara
that it finally slipped away.
Its tether had grown
ever weaker, the first slip
was decades before, a book,
an answerless question.
It stretched further
in Tokyo, basin incense
under the watchful
and hung perilously
by fewer and fewer threads
until, with the monks’
gentle bow, it broke
and I found home.
You must pause
and marvel, if you will,
that only the flute –
from the simple wooden
to the most elegant metal –
when played by skilled hands,
can transport the listener.
Some would say to heaven,
others to hell,
and often at
exactly the same moment.
If you very much want something
you must ask for it clearly, but
if you ask for it, it will be denied to you.
If you do not ask for it, you
may be certain you will not get it
no matter how much you want it.
If you sit and think about this,
you will miss out on living.
It is only when you don’t want it,
when you allow the silence without
question, without need or desire,
that you will discover that you
have had it all along, right beside you.