It happens every day, when I arise from the cushion and look, I see myself there. If you look, you say you see me as well. It will happen one day that when I arise from the cushion and look I will not see myself. If you look, you will say you see me, and I will nod in agreement. Each day when I see myself, I know that it is I who I am seeing. But each day I see an illusion, masquerading as I, a delusion, and I see you seeing me, a delusion. Each day you see me, you see a delusion, but a different delusion. Consider how strange this is, for on the day I do not see myself I see no delusion, but you see me and see a delusion, but I do not see you, for there is no me to see you, and just then I am free of delusion.
A reflection on Case 94 of the Blue Cliff Record (碧巌録, Hekiganroku)
It was a certain rhythm that he loved he felt it in total silence, it faded in the presence of sound, a doumbek of the soul he would describe it.
He remembered how it was before their one God rendered him and his kind mere mythological creatures fit only for poetry and dusty library shelves.
He would have his revenge some day, would condemn their God to a corner of the heavens, an eternity to reconsider the rashness of his narcissism, but
in the meanwhile he would continue to rest in the heart of this constellation hoping to go unnoticed, happy just to listen to the rhythm of the universe.
When I stood in Hemingway’s study in Key West, I was certain that the old Underwood portable probably had at least one if not more great novels in it, and I would gladly be the one to unburden it. Then I paused to wonder wouldn’t Ernest have taken his Underwood portable with him to Ketchum, Idaho, and how could Mary be sure none of his blood was splattered on to it, and if so the one in the study in Key West was probably bought at an antique store sold to them by some failed writer who had given up on it, or on writing, with no great literary works lying in wait, just the mundane, and I have long mastered that alone.
People wondered why I traveled to a remote part of Wales for a writing workshop when there were a limitless supply at home or in touristy places in the US. I could tell them I was impressed with the two teachers, I could say I was to be in Lloyd George’s home. I could say all of that, but in truth although I didn’t know it when I registered for the week living in as close to a monastic cell as I ever want to get, the real reason was to have an afternoon sitting on a window bench in the conservatory looking out in the distance at the Irish sea a house cat curled in my lap, my notebook slowly filling as my pen ran dry.
This night in cold moonlight earth rises up clouds float down ghosts walk the margin. Old ones sing now shall be then older ones still sing then shall be once to wolf and coyote. In this season of north winds sun’s heat barren spirits rise up dreams descend man lies interspersed. Women sing we are bearers men sing we are sowers.
This afternoon the vulture couple sit stoically on the limbs of the long dead tree in the preserve.
The rain was torrential as we watched from the dry confines of our home, they stood soaked to the feathers with nowhere to hide, knowing they couldn’t out fly or out climb the purging clouds, so they set soaking wet and stared at us.
And then I knew, just looking at them, that while I felt sorry for them perched in a downpour they felt the same for us, we unable to know the joy of flight.
We are lovers of novelty, we want all that is new or clinging to what we imagine are our roots. It has long been this way, you need only look at the map. Hampshire, York, Jersey, and for that matter Brunswick and Mexico. We crave innovation, we always want to be on the cutting edge, forgetting that all too soon it will become the bleeding edge, and we will curse its failures, its shortcomings. So ask yourself if those who live in Hampshire, York, Jersey, and Brunswick, Scotia, and Mexico think they live in a place that is no longer new, left behind in an endless search for something other than what we have right now.
If you ask your teacher to show you the Dharma he will look at you and remain silent. If you ask nothing of your teacher he will show you the whole of the Dharma.
A reflection on Case 33 of the Book of Equanimity (Shoyoroku 従容錄)
As I age, I more willingly accede to the sirens call of sleep for as night washes over me pulling up its blanket of stars she takes me on a voyage to destinations she will not disclose until our arrival. The journey may be pleasant or the seas of night can be roiling, but her grip is firm. But in her never certain world age can slough off, fall away until my body and its increasing frailties and limitations slip away and my youth is no longer a memory, but on this night or that, it is my new if transient reality. But I dare not cling to it, for the sun will intercede again and drag me back to the body I so willingly escape each night.