• CHU TI’S ONE-FINGER CH’AN

    When you believe you have found your teacher, ask him a question. If he gives you an answer, be certain that he is not your teacher. But if he holds up just a single finger, will you pause in false anticipation, or do you gaze at his raised finger and carefully consider the answer. A…


  • HUANG PO’S GOBBLERS OF DREGS

    You have heard that when the student is ready the teacher appears, and you believe you are ready, but no teacher has appeared. I can tell you that you are ready, that you will never be ready, that I am not the teacher, that the teacher is here, that the teacher will never appear. The…


  • A FLUTE PLAYED BACKWARD : THREE CASES (100 – 98) FROM TETTEKI TŌSUI

    ISAN’S TEN FOOT SQUARE 鐵笛倒吹 百 Ten thousand words what do they mean – with which will you compose a poem for the wall of your room. Leave the room, does the poem remain? Enter the room is this the same poem? Write them on the wind with a pointed leaf, that is a fine…


  • LISTENING TO THE FLUTE

    YAKUSAN HOLDS IT         鐵笛倒吹 十  Sit just above the peak of the highest mountain and reach up with open fingers, what will you grasp? Walk slowly across the floor of  the deepest sea, what do you see below you? If you have three daughters is any one less beautiful than the others?   JOSHU COVERS…


  • FINDING TEACHER

    He had been searching for . . . well it was impossible to say for how long, even he could not remember when he began the search, but he was sure it was some time ago. People would seem him searching, most would ignore him, either afraid to interrupt the search or afraid of him, probably…