CELESTIAL RHYTHM

It was a certain rhythm that he loved,
one he felt it in total silence, yet it faded
in the presence of sound, a doumbek
of the soul he would describe it.

He remembered how it was before
their one god rendered him and his kind
mere mythological creatures fit only
for poetry and dusty library shelves.

He would have his revenge some day,
would condemn their God to a corner
of the heavens, an eternity to reconsider
the rashness of his narcissism, but

in the meanwhile he would continue
to rest in the heart of this constellation
hoping to go unnoticed, happy just
to listen to the rhythm of the universe.

STRANGE BEAUTY

There is a strange beauty
in the slow loss of sight,
for there is a progressive
transition, a discovery
of much that went unheard,
unfelt, missing in the glare
of the need to see, to categorize
and organize, memories
neatly arranged in an array
of curated visual files.


But without sight what once
was cast aside as noise is
an intricate tapestry of sound
and undistracted, you begin
to see the individual threads
to see deeply into the art
and craft of the unknown weaver.


Without sight, you so often
store images in two dimensions
but now requiring touch,
everything is three dimensional
of necessity and the world is
infinitely more complex
and yes beautiful than you recalled.


And the darkness of night, which
marked a border that dared not
be fully crossed grows meaningless
and hours once lost may again
now demand to be lived.

First published in Bard and Prose, June 2022
https://bardandprose.com/category/poetry/

GENSHA’S THREE VEHICLES 正法眼蔵 四十語

Describe this moment
without use of word or sound –
see where you are
with eyes pressed tightly closed,
hear a song with utter silence,
taste the pure mountain air
reach out and touch
that which has no shape
or form, no essence
and you sit
in the middle
of reality.

A reflection on case 45 of Dogen’s Shobogenzo Koans (True Dharma Eye)

HOFUKU’s BLOCKING OF THE EYES

Do not pity the blind man
for he can see much,
and do not be sad for the deaf
for they can hear you.
Your eyes see nothing
your ears do not
discern the quietest sound.
Rest your mind and taste
the peace of blindness
and silence.

A reflection on Case 113 of Dogen’s Shobogenzo (True Dharma Eye) Koans

YAKUSAN’S DISCOURSE

When the master takes his seat
what do you expect of him?
Do you watch his posture
or how his hands are set.
Do you stare at his lips
and what do you hear
when they move, but no sound
comes from his throat.
Listen carefully, for here
the dharma unfolds
like the first chrysanthemum.

A reflection on Case 79 of the Shobogenzo (Dogen’s True Dharma Eye)

SHE

She surely should have known better. Selling sea shells by the sea shore is a short sighted career path. Anyone can pick up the shells on the seashore, selling shells is simply silly, and she should see that. But each day she sets up her stand, sets out the shells, and sits waiting to see who will shop for her sea shells. No one does, of course, but she is certain she will sell some soon if only to sailors shortly setting sail. So sad, really, but she certainly does not seem to mind.

JIZO’S BUDDHISM 鐵笛倒吹 四十八

In setting along the path
do you follow Hofuku
covering your eyes so as
not to see evil, ears so
as not to hear it
and close your mind
to wandering ideas
or is Jizo’s path
yours as well?

With eyes shut tight
the mind will still see,
with ears covered sound
will echo, growing louder
with no hope of escape.
With open eyes
light is reflected, with ears
open fully, sound passes
freely and flitters away
and the empty bowl
is filled with potential.

A reflection on Case 48 of the Iron Flute Koans.

APART-IAL EXPLANATION

It is all to often debated
what sets humans apart
the other species, and that
will not be agreed any time soon
(which a cynic would note
is one such thing itself).

Freud would claim it is only
our ego, our sense of self,
which may explain why people
are so capable of being self-
ish, and I suspect he was
certain he was wholly correct
but I would give him only partial credit.

It is far simpler than that: record
your voice, record a Sandhill
crane and play them back
and I assure you that you
will say you sound nothing
like what the recorder heard
while the crane will nervously
look all around for his unseen kin.

DAIJI’S INNER CULTURE

Eyes can look within
and discover a boundless universe
but the tongue alone
can speak only sounds
that go false
as they dance away unseen.

The silence of zazen
speaks the dharma,
the teisho is offered mutely.

The space between
eye and tongue
is but three inches
or an unbridgeable void.


A reflection on Case 15 of the Iron Flute Koans.