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YOU OF COURSE, OR NOT
Someone, at a reading, asked me“who do you write for?”I avoided the obvious answer,“You” since he was there lesthe say someone dragged him alongmost unwillingly and my readingconfirmed his initial reluctance.The honest answer is that I writefor those who might stumbleacross my words, might seethem online browsing, or comeacross them in a coffee shopwhere I…
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QUANDRY
There is an excellent reason that zazenis a largely silent practice.It is said you must be in the momentbut there is no other possible momentyou can be in at any given moment.If you think about being in the momentthe moment is lost to your thoughtsso you were never really in that moment.So perhaps you can…
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ET TU
As kids every couple of weekswe’d take our allowances,go down to the variety storeand buy the latest DC comic. Larry and I would spendthat afternoon imaginingwe were whatever superherowas featured in our new,and now most prized book. Jimmy was with usall the way, but admittedhe wanted to be Lex Luthor oror the Joker, or better…
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BUT
On more than one occasionsomeone has come up to meafter an open mic readingto tell me that they love my work. I am honored and tell them sobut curious as well, since Ionly read two poems, whichhardly counts as my work. I offer to sell them my bookat a substantial discount,but they inevitably tell me“Thanks,…
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WE ARE SORRY, BUT
I will take it,the aging poet saidto the ever more sparsecrowd at the weeklyopen mic,as a recognitionis the growthin the qualityof my writingthat I continuebeing rejectedbut now by amuch higherquality ofliterary journals.
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YOU, REALLY
Would it surprise you to learnthat like most writers, Ihave spent more than a littleguilty time trying to imaginewhat you look like, what you knowyou should be doingwhile you are reading this poem. And I do wish I couild seeyour face as you read it, knowingit is a conversation whereyou want to speak, to tell…
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LOST LYRICS
It is strange knowing that your visionis not what it was, not what youwant it to be, not necessarily yoursin the long run, one eye alreadysemi-useless for reading and distance. You adapt, get bigger monitors, a tabletto read the news, a magnifierwhen you need to hold newsprint in hand,a large screen television (okay, youwanted that…
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BOOKSHOP
Charing Cross Road booksellers woven amid theatres cramped sagging shelves an out of print Christine Evans, slim, collected works of those long forgotten never noticed a damp chill enfolds old leather as the door opens and shuts on a late February. Morning, my purchases sink in the plastic bag dancing as I walk to…

