an old writer and his words

  • ABOVE IT ALL

    The cat likes nothing betterthan to sit atop the kitchen cabinetswithin easy reach of the ceiling. We thought at first it wasa place of safety, less to fearin a new home, new people. We know better now, for shegoes to high places, cabinetsbookcases, when the meditation bell rings., She’ll climb down afterthe ending bell rings,…

    Lou Faber

  • DON’T MIND

    Both the great ape and the chimpanzeesay they have been horribly malignedby Buddhist teachers of all people. They point out that they have beenmeditating since the Buddha satbeneath the bodhi tree and was enlightened. They are capable of deep thought,are clearly as sentient as people, they claim with some evidence in support. Why is it, they…

    Lou Faber

  • DAIJI’S INNER CULTURE 鐵笛倒吹 十語

    Eyes can look withinand discover a boundless universebut the tongue alonecan speak only soundsthat go falseas they dance away unseen. The silence of zazenspeaks the dharma,the teisho is offered mutely. The space betweeneye and tongueis but three inchesor an unbridgeable void. A reflection on Case 15 of the Iron Flute Koans.

    Lou Faber

  • KENSHO

    Tonight, if all goes well, I will bea monk in a good-sized Buddhist temple.I am hoping it will be in Nara,at Todai-ji perhaps, or Asakusaat Senso-ji, or better still somewherein Kyoto, although it might well bein the Myanmar jungle or somewheredeep within the Laotian highlands. One problem with that world isthat I have no control…

    Lou Faber

  • MINDFUL(L)

    The Buddha said that any task you doif done mindfully is a sort of meditation.We assume he said it, we’ve been toldhe did, but no one I know was anywherenear that bodhi tree, so we take it on faith.When it comes to things like choppinglarge quantities of onions, or roastingcoffee beans I totally get it,…

    Lou Faber

  • DOGO’S GREATEST DEPTH 鐵笛倒吹 六十六

    If you walk into the roomand many are meditatinghow will you know whichis the teacher, which the students? If one sits on a higher platformwill you assume him teacherand ask the depth of his Zen.If he comes down to youand says he has no depth to offerdo not think him a fool.When you sit at…

    Lou Faber

  • DUGO AND UNGAN MEET

    When your mind is ragingthoughts flowing, eddyingwhen you enter the zendowhat do you do in sitting? Do you take your stickand measure the waterto insure a safe fording,or do you sit amid the streamand let the floodwash over and around youdry and silent within? A reflection on Case 36 of the Iron Flute Koans

    Lou Faber

  • IDEOGRAPHING MIND 鐵笛倒吹 四十六

    If you will mark your gatewhat word will you use,what for the door, whatfor the window?The gate knows quite wellwhat it is, as to door and windowand need no marking. Even the fool knowsthrough each youmay enter the house,but even the wise mancannot tell youhow the house may enter you. A reflection on case 46…

    Lou Faber

  • ISAN’S SUMMONS 鐵笛倒吹 三十一

    When the mastercalls for a novicedo you answer?When the inkinbell is struckdo you beginor end zazen?As you follow your breathwhen do you leaveyour body, and whoreturns when you next inhale? Search insteadfor an answerthat has no question.Who is the novice now? A reflection on case 31 of the Iron Flute Koans

    Lou Faber

  • SEPPO REJECTS A MONK 鐵笛倒吹 七十三

    If you find the answer and rush to tell your teacher why are you surprised when he turns away from you, saying that is yesterday’s answer. If you want to impress your teacher paint the answer on the surface of the raging river or accept scorn with equanimity. A reflection on case 73 of the…

    Lou Faber