DAIJI’S INNER CULTURE 鐵笛倒吹 十語

Eyes can look within
and discover a boundless universe
but the tongue alone
can speak only sounds
that go false
as they dance away unseen.

The silence of zazen
speaks the dharma,
the teisho is offered mutely.

The space between
eye and tongue
is but three inches
or an unbridgeable void.

A reflection on Case 15 of the Iron Flute Koans.

KENSHO

Tonight, if all goes well, I will be
a monk in a good-sized Buddhist temple.
I am hoping it will be in Nara,
at Todai-ji perhaps, or Asakusa
at Senso-ji, or better still somewhere
in Kyoto, although it might well be
in the Myanmar jungle or somewhere
deep within the Laotian highlands.

One problem with that world is
that I have no control over it, which,
come to think of it, leaves it
like the waking world which
has never hewn to my direction.

I’ve had this desire for weeks
on end, and I suspect tonight
will be no different, and I will spend
eight hours sorting files, writing
cease and desist letters and trying
to convince myself that even that
is a form of mindful meditation
and abiding kensho will arrive
in the next rapid eye movement.

MINDFUL(L)

The Buddha said that any task you do
if done mindfully is a sort of meditation.
We assume he said it, we’ve been told
he did, but no one I know was anywhere
near that bodhi tree, so we take it on faith.
When it comes to things like chopping
large quantities of onions, or roasting
coffee beans I totally get it, it does
seem like meditation, and deep at that.
Walking the dog makes the list, and
perhaps convincing the cat to do anything
she didn’t think of by out waiting her.
I can even accept washing the car
or the dishes, but washing the dog
is only so on rare occasions and only
if I medicate her first, and the cat, forget it.
But even Buddha would have to concede
that no matter how totally mindful
you are, driving anywhere in either
Broward or Miami-Dade counties is
as far from meditative as opting
to commit sepuku with a butter knife.

DOGO’S GREATEST DEPTH 鐵笛倒吹 六十六

If you walk into the room
and many are meditating
how will you know which
is the teacher, which the students?

If one sits on a higher platform
will you assume him teacher
and ask the depth of his Zen.
If he comes down to you
and says he has no depth to offer
do not think him a fool.
When you sit at the bottom
of the ocean and look down
the water beneath you is shallow
but the surface of the sea
cannot be seen.

A reflection on Case 66 of the Iron Flute Koans

DUGO AND UNGAN MEET

 

When your mind is raging
thoughts flowing, eddying
when you enter the zendo
what do you do in sitting?

Do you take your stick
and measure the water
to insure a safe fording,
or do you sit amid the stream
and let the flood
wash over and around you
dry and silent within?

A reflection on Case 36 of the Iron Flute Koans

IDEOGRAPHING MIND 鐵笛倒吹 四十六

If you will mark your gate
what word will you use,
what for the door, what
for the window?
The gate knows quite well
what it is, as to door and window
and need no marking.

Even the fool knows
through each you
may enter the house,
but even the wise man
cannot tell you
how the house may enter you.

A reflection on case 46 of the Iron Flute Koans

ISAN’S SUMMONS 鐵笛倒吹 三十一

When the master
calls for a novice
do you answer?
When the inkin
bell is struck
do you begin
or end zazen?
As you follow your breath
when do you leave
your body, and who
returns when you next inhale?

Search instead
for an answer
that has no question.
Who is the novice now?

A reflection on case 31 of the Iron Flute Koans

SEPPO REJECTS A MONK 鐵笛倒吹 七十三

If you find the answer
and rush to tell your teacher
why are you surprised
when he turns away from you,
saying that is yesterday’s answer.

If you want to impress your teacher
paint the answer
on the surface
of the raging river
or accept scorn
with equanimity.


A reflection on case 73 of the Iron Flute Koans

SEPPO CUTS TREES 鐵笛倒吹 二十三

Will you spend
all of your time
sharpening the blade
or will you use it on the tree
and if you strike the pith
what will you say then?

To speak of the sap
flowing freely from
the wound of the axe
is utter foolishness
it has no taste on the finger
better to feel
the blow of the stick.


A reflection on Case 23 of the Iron Flute Koans

RINZAI’S ENLIGHTENMENT 正法眼蔵 二十七

If you ask your question
you will find an answer
but ask another and the stick
will respond each time.
If you seek another teacher
will you change the question
or the answer, and does it matter.
Take up the stick, who
will you strike, your teacher
or yourself, and is there
any real difference?


A reflection on Case 27 of the Shobogenzo (Dogen’s True Dharma Eye)

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