After years of going to live jazz
I’ve honed my skills to a fine level.
I still know next to nothing
about the intricacies of the music,
five years of classical piano and
I barely understand Bach and Mozart.
But I know where to look, who
bears watching in the combo,
and it isn’t the trumpeter, he
with his ballooning cheeks, some
clownish bellows, or the bassist
always striving hard to develop
scoliosis, the sax player with
the rubber spine swaying.
I watch the percussionists, piano
and drums, careening from
sadness to joy and hitting
a glissando of emotions, the pianist
staring at the keys, lecturing them
on expectations for us well met,
for her falling short, and the music
slides into the background of life
in the process of being lived.
The kid is late again today, but that
is sadly not unusual, the old man said.
I ought to get rid of him, but I know
he needs the job to feed his family.
In the meanwhile, I’ll now have
to hobble down to the meadow
and hope my collie, who’s as old as I,
is up to the job of herding sheep still.
And I know that he will only shrug
when I threaten to dock his pay
for the loss, hell, even just the profit
I lost on the corn the cows consumed.
I get that he’s tired, those late night
gigs at club in town, and I hear that
he’s thinking of joining a trio in Chicago,
though I have no idea how they ever
heard his playing out here in fly-over-ville,
but I guess I’d better let him get his rest,
for if he becomes a star, maybe he’ll
remember me in his first CD’s liner notes.
blood of streets
laughter of old men
on a spit valve
e l e c t r i c
onto a page.
Some say Miles said
it’s the space
between the notes –
that’s where the music is.
We heard him, we smiled,
we anticipated the next
note and the next.
Outside my window
a blue jay
recites his morning prayer,
the child’s laugh
breaks the frozen sky
and shivers the maple.
Then all is silence –
even the wind
holds its breath
not in anticipation
but to create the void
that nature craves.
If we allow ourselves
in, Miles blows
the song of God