DUSK

There is nothing like, no
words to adequately describe,
that moment when a cloud-
hazed sun lingers wishfully
just above the horizon, grasping
the sky with brilliant talons
of light, fearing becoming
lost in a darkness that will,
on this night of the new moon,
engulf us all in its inky shroud.

We know, or pray, the sun
will return in hours, just
as the sun knows its work
is never done so long as it
has light to give, hoping
that final collapse is eons away.

As it finally settles beyond
sight, we smile, retreat
to the table and consume
our dinner and wine, our
daily companion forgotten
until its dawning return.

DON’T BLAME ME

On the day after I die
there is a real possibility
that the sun will refuse
to rise, an appropriate
effort at mourning
which would be appreciated
if I were only there
to not see it.

So I will just take it
on faith, and as for those
of you who survive me
I will apologize in advance
for your day of darkness,
although we both know
you probably had it coming.

CURFEW

We sat in the cramped kitchen
huddled around the stove
the open oven door spreading
a faint warmth that barely
slid through the winter chill.
The bare bulb in the ceiling
strained and flickered
fighting to hold as the generators
were shut down, and darkness
enveloped our small world.
The sky was lit by the flares
and the odor of exploding shells
seeped through the towel
sealed windows covered
in the tattered bedsheets
too thin to afford warmth.
Ibrahim had been gone two weeks
sneaking out of the city
to join his brothers in Gorazde
or Tuzla, or wherever it was
that they were struggling
to save what little was left.
We huddled under the small table
and dreamed of the taste
of fresh bread, or even pork.
In the morning he would run
among the craters in the streets
in search of the convoy
and the handouts, which we
would raven as the sun set
over our war torn hell.

First published in Legal Studies Forum, Vol. XXX, No. 1 & 2, 2006

STRANGE BEAUTY

There is a strange beauty
in the slow loss of sight,
for there is a progressive
transition, a discovery
of much that went unheard,
unfelt, missing in the glare
of the need to see, to categorize
and organize, memories
neatly arranged in an array
of curated visual files.


But without sight what once
was cast aside as noise is
an intricate tapestry of sound
and undistracted, you begin
to see the individual threads
to see deeply into the art
and craft of the unknown weaver.


Without sight, you so often
store images in two dimensions
but now requiring touch,
everything is three dimensional
of necessity and the world is
infinitely more complex
and yes beautiful than you recalled.


And the darkness of night, which
marked a border that dared not
be fully crossed grows meaningless
and hours once lost may again
now demand to be lived.

First published in Bard and Prose, June 2022
https://bardandprose.com/category/poetry/

ALIVE IN THE NIGHT

I walked the city
in the heart of the night,
street lights casting the shadows
of ghosts of those long gone
to bed, unknowing
that the city has been
given over to ravening winds
that find no shelter.

I step into an alcove
and the fading light
of the flickering bulb overhead
urges me to move on
lest she bury me
in the darkness of her grave.

By day, this will all
be gone into hiding,
finding shelter we cannot see
and we forget that
when night again returns
the ghosts will dance
wildly in these streets.

REAL TIME

Reality is clearly something to be avoided
to be dressed up in tattery, tied in ribbons,
perfumed, yet its fetid stench
is always lurking in the background
waiting to pierce your nostrils
in an incautious moment until you retch
and bring up the bile that marks
the darker moments of your life,
the kind that lingers in the throat
which no chocolate can erase.
Reality is often ugly, so we ignore it
or hide it behind masks, or offer it
willingly to others, a gift in surfeit.
It sneaks up on you, and sets its hook
periodically, and thrashes you at will,
the barb tears through new flesh,
setting itself deeper, intractable.
You and I are dying, as I write,
as you read, an ugly thought
particularly lying in bed
staring into darkness,
no motion or sound from your spouse,
mate, paramour, friend, significant other
or teddy bear, where God
is too busy to respond at the moment
and sleep is perched in the bleachers,
held back by the usher for want
of a ticket stub, content to watch
the game from afar.
I cast ink to paper, an offer of reality
as though the divorce from the words will erase
the little pains and anguishes of our
ever distancing marriage, while
holding vainly onto the warm and sweet,
the far side of the Mobius of reality
(the skunk is at once ugly and soft and caring).
We write of pain, of ugliness, of anger
at terrible lengths, or weave tapestries
of words to cover the flawed, stained walls
of our minds, like so many happy endings,
requisite in the script. Basho
knew only too well that truth of beauty
should be captured in few syllables.

First Appeared in Chaminade Literary Review, Vols. 16-17, Fall 1995.

MASKING

The Air Force shaved our heads, was it
because of the heat of a San Antonio
summer or that we’ll all look equally like fools,
and easier for Sarge to maintain unit
cohesiveness in his rag tag band
of semi-successful Army avoiders.

Now we all wear masks and assume
we all look equally foolish, knowing
the virus cares nothing for cohesiveness,
and normal is insignia only to dreams
and at times life is shit on a shingle now.

We want our childhoods back, before
the war, before the barracks and bad
food, before expectations, and those few
imposed could be ignored at minimal
parental retribution, we want what
never really existed, it is our right.

We marched and sang “Suicide is Painless”,
never believed it for a moment, but now
we consider it in passing as we walk
down the shortening pier
into the ocean of darkness.

First published in Circumference, Issue 4, June 2021

ANGLE OF INCIDENCE

Dusk reflects dawn much as
dawn reflects dusk, and it is
our fear of night and deep need
for direction that sets them apart.

Imagine a photograph of the sun
hovering just over the horizon,
compass-less we do not know
what preceded, what will follow.

We prefer day and dawn, for
it is then we feel in control,
our thoughts leashed, our fears
locked away from sight and touch.

Dusk promises only night,
the darkness where our fears
find corners in which to hide,
only to spring out unwanted.

So we turn away from the sky,
unsinged by its flaming beauty,
hide ourselves from and in fear
as nature laughs at our foolishness.

EYES HAVE IT

It is the eyes that fall in love,
the heart that follows like
an always faithful shadow,
and the mind and reason that
are bound to darkness and silence.

That is what I learned in my dream
last night, or my recollection of it, for dreams
may fade in the sharp light of morning.

But dreams have a potent magic, a holiness
really, for there I can resurrect the dead
and if the mood is right, bend back
the arrow of time, render it dimensionless,
all the while I remain constant, but certain
with any luck, in someone else’s dream, I
may be a child, a young man, or any
of a thousand other roles I cannot imagine.

HAIL AND FAREWELL

On very dreary days
I like to drive through the cemetery
meandering among the stones
until I find a freshly dug grave.
I stop, under the vigilant eye
of the caretaker and carefully place
a cassette of Dvorak’s Slavonic Dances
or Smetana’s Die Moldau into the player.
As the melodies spill forth
I hope they lift the spirit
of the resting, bringing them a moment
of unabashed joy, a memory to carry
into an eternity, a lingering riff, sweet
as the juice of the strawberry trickling
down the chin, a chocolate
slowly melting on the tongue.
Night will come soon enough
bringing a darkness in which they can see
their dreams take form
and seep away to mingle in the void.

First appeared in Aura Literary Arts Review Vol. 26, No. 1 (2000) and reprinted in Legal Studies Forum, Vol 30, Nos. 1-2 (2006)