MOLDY

Say what you will about
this modern age, beset with,
well, it’s probably far easier
to list what it is not beset with,
but there are things from my youth
that I do not miss at all.
Like the copper molds that home
on the kitchen wall, one the shape
of a lobster, another an ornate ring.
They were strange but reasonably
decorative items, but when
they were taken down to serve
their intended purpose they
were the source of my chagrin
as mother carefully mixed the Jell-O
and poured it into the mold
never getting the proportions quite right,
leaving us to smile wantonly over
gummy cherry lobster bits
or lemon gel with some sort
of tasteless whipped topping.

HOW OLD?

People say that dogs can live
to well over 100 dog years,
but each of our years
is seven of theirs, so
our self-delusion feels complete.
We want old age for our dogs
to feel they have lived a full life,
something we also want for ourselves
and so we project on our pets.
The odd thing is that as we age
we wonder if our pets will
outlive us, and the older
we get, the more it begins to feel
that time is attempting
to behaves like dog time
the years seeming to pass
ever more quickly.

MARKING TIME

Life Is of limited duration but we
never know what that duration is
until the moment it ends, and then
we have no reason to care.
But as we age and that period
necessarily shrinks, some pause
and wonder what’s left, wonder
what they might have done differently,
where they would be today if they had.
But they don’t stop to consider that
every moment spent in the past
is a moment taken from the present
and stolen from what the future offered.
You want to keep your memories, but
the price of storage is great, so there
is a tenuous balance to maintain.
Still your past is a shadow that
follows you, and the question is
whether you want to spend ever
more precious time looking
over your shoulders rather
than engaging the world around you.

PFFFT

As I age now I am
aware that the tether
to my earliest memories
has grown thin, stretched
by time until I know it will,
of necessity, soon give way.

And so I spend spare
moments trying to sort
through my life as I recall
it, selecting those moments
that bear the effort of retethering
so that time would be better
served weakening others.

But the hidden beauty,
I know, is that when a memory
is gone, has fallen away, it often
takes its shadow along, so there
is no hint even of its prior existence,
and you don’t mourn what
you never had, even if you did.

BENT ARROW

He would never understand how time developed a flexibility that defied the laws of physics. An hour, a minute, a second, they were all standard measures. Each the same as every other. Yet lately they had changed, flexed. For the most part they had gotten shorter, shrunken. He knew that wasn’t possible until he remembered Einstein’s famous quote.* But perhaps that Einsteinian law applied only to those of a certain growing age, like his.

*Put your hand on a hot stove for a minute and it seems like an hour. Sit with a pretty girl for an hour, and it seems like a minute.

MIRROR MIRROR

The person I see each morning
looks vaguely familiar, perhaps
someone I once met in passing,
or maybe a distant relative.
But he was so much older
so he was difficult to place.

I do say hello each morning
but get only a nod, a gesture
in response, as if the person
is mute, for he smiles back
so it is not a silence born
of anger or displeasure.

I will of course keep trying
for I know that I will
one day recognize his all
too familiar face, and I
need to act now for he is
aging quickly so my time
is limited, and in any event
the mirror does need cleaning.

HERE-ISH, NOW-ISH

In this moment we, the two of us,
are here in this precise place
and there are an infinite number
of places we might be.
But we want to be here,
just here, nowhere else.
We are aging, but in this moment
we are exactly the right age
and to be younger or older
would do nothing for us.
When I curl against you
as the morning light struggles
to pierce the pulled blinds
and stroke your arm
my fingers are in the only
place my fingers want to be.
Here, now, together.

ROAMING

It is a sign of advancing age
or increasing love and passion
that I no longer imagine
chucking it all and wandering
off of some unplanned journey.

Next flight out please, I
don’t care where it is going,
so long as I have money left
for food and some basic lodging,
no baggage besides my carry on.

Of course today that would
land me in the interrogation
room or whatever TSA
calls it these days, for I must
be a terrorist or crazy person.

So I’ll stay here, visit friends
between visits to doctors,
salve my arthritis, degenerating
spine, failing eyes, and imagine
the places I might have gone.

LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

Blue Note, pardon
our construction
black painted
plasterboard
a hanging
air conditioning duct.

Grady Tate
sneering at the skins
growling at a high hat
hands shifting
deftly reaching in
picking a beat
and sliding it
over the crowd.

Jimmy Woode
blind to the lights
slides his fingers
over strings
and talks to the bass
resting on his shoulder.
It sings back
begging , pleading
demanding as his head
sways with an inner vision.

Junior Mance
sways slowly fingers
tentative on ivory plates
crawling through the alley
scurrying for cover
and strutting down Broadway
ablaze in neon
dancing through Harlem
and sliding into the East River.

Pete Candoli
white against the night
smiles as his horn
cries out, a siren
piercing the dark
reaching up grabbing
your throat, throttling
then caressing your face
until you fall
into your seat, spent.

Harry “Sweets” Edison
wrinkled jowls suck in
the city, smooth ebony balloon
shouting from balconies
to revelers below
and mourning a love,
crying in the streets
dashing out of a basement
flat, a child crying
mother screaming in birth
a young man
groaning in orgasm.

Benny Golson
hair tied back
swaying, runs up the stairs
pauses, and leaps out
into the air
and flies off
laughing at the city
huddled below
its collar turned
against the wind
off the river.

Frank Foster
sits on the stool
and strokes
his sax, coaxing it
peering out around
a corner, slipping inside
then running down the street
dancing between taxis,
then striding down
Bourbon Street
the pall bearers
strutting behind.

Al Grey, stands
arm waving, a manic
conductor, it whispers
beckoning, then hums
droning, then slowly
it moves the fan
giving a glimpse
dragging the boa
drawing all eyes
as she passes into the wings
sticking her head out
smiling at the cheers.

Hampton leans
on the vibraphone
seeking balance,
and old man bent
from age, lost amid children.
Mallets slowly rise and fall
gaining speed
rushing out
glissando of sound
his hands flashing
the crowd rises
and there comes
silence.

First Appeared in Pointed Circle, Issue 15, 1999.

JOSHU’S CYPRUS TREE

A young child
does not ask for meaning,
all things are
as they are
until they are not.
The foolishness of age
causes men to stare
in search of meaning
they will never find.
It is the blind man
who will find the diamond.

A reflection on case 119 of Dogen’s Shobogenzo (True Dharma Eye) Koans