• SHUZAN’S SHIPPEI 無門關 四十三

    Osho holds up a staff and cradles a small long haired dog. What do you call these, he asks the gathered assembly in both fact and reality? A chattering din brings the hall to silence, until the ghost of Joshu unfolds himself, strides to the zendo door, and while bowing, shouts MU! A reflection on…


  • JOSHU INVESTIGATES AN OLD WOMAN 無門關 三十一

    In searching for the path to the holy mountain you may ask directions of the old tea lady sitting still at its base and she may point but placing one foot ahead of the other stare closely at the tea leaves for they, too, know the Way. A reflection on Case 31 of the Mumonkan…


  • THE GOVERNMENT OFFICIAL 鐵笛倒吹 六十九

    Standing at the window looking down on the street is the passing man enlightened? Call out this question to him. If he looks upward and says yes what do you know of his enlightenment? Looking at a flower is it different than its seed. If you hold a seed in your hand what can you…


  • THAT LOOK

    She stares at the menu, her eyes incandesce brighter than an eight year old’s should be able. And I can eat everything on the menu, she says to herself, her smile broadening, as she thinks and they may enjoy it too, and I can move them one more step in the right direction. She has…


  • BELIEF

    He will tell you he’s agnostic, once he would’ve set atheist, but put to the test, he knows he couldn’t disprove the existence of that which could not be seen. He believes it will, must, get better eventually, he has infinite faith that it will, he says to anyone who will listen, in faith is…


  • ABRIDGED STORY

    On our first visit to Prague it was almost hard to imagine that this bridge was built to ferry people and traffic across the River. Now it is jammed with tourists and those for whom tourists are a ubiquitous market, and anyone needing to expeditiously cross the cranky water that every now and again must…


  • TOZAN’S THREE BASKETS 鐵笛倒吹 四十一

    Tozan said the whole of knowledge can be expressed in a single letter. Hakuun, the great Master set to writing verse. You, who hold the brush with shaking hand, what will you write in answer to Tozan. Think carefully of each stroke and imagine Joshu’s endless smile. A reflection on case 41 of the Iron…


  • AMONG THE MISSING

    We can sit for a time, and speak of our pains, how they cause us to stop and look inward while the world proceeds on it’s axis, in a slow march through time and space, and we share the anger and anguish of our too fallible bodies which time reclaims in slow progression. We do…


  • BALANCE

    It is a precarious balance, really, more and exercise in tottering and hearing than in standing still. Some prefer stasis, others, I included, find it leads inevitably to a loss of energy, to an entropy from which it is difficult to escape. I don’t walk along the edge of the precipice, but I do peer…


  • ISAN’S SUMMONS 鐵笛倒吹 三十一

    When the master calls for a novice do you answer? When the inkin bell is struck do you begin or end zazen? As you follow your breath when do you leave your body, and who returns when you next inhale? Search instead for an answer that has no question. Who is the novice now? A…