It is Spring
and I press my ear
to still barren soil
to hear the hypnotic thrum
of sap reaching slowly skyward
engine straining against gravity
earthworms beginning
their tunneling, marshaling
armies for an exodus
through ever night soil.
I listen to the bud
its velour face
unfolding before
the stillborn sky,
a robin, breast unfurled
stares at me in wonder.


You say you appreciate occasional
gifts of symbols of love.
You expect me to bring you a rose
it’s satin petals gently curling
back at the edges, always
threatening to suddenly unfold,
alluring, drawing in the eye
promising warmth and release.
I bring you an onion, wrapped tightly,
it’s papered skin, the luminescence
threatening to break out but always
just one more layer down.
I help you peel back a layer,
it comes off reluctantly, as if
letting go of this secret
could be painful or exposing.
We, both of us, shed tears
and I wipe yours with the edge
of my thumb, you watch mine
roll down my cheek and hang
perilously on the edge of my jaw.
I bring you an onion and peel it
slowly, I lift the bit to your lips.
It is sweeter than you anticipated
but still it has a fierceness
that borders on passion,
and it will cling to your lips
long after this moment
has faded into memory.


You will, or may
see something today
that may surprise you.
It may reveal itself
in a quiet moment,
it may be nothing more
than a fleeting thought
or image, which you
are at first uncertain.
There won’t be Magi
not even magic, though
on reflection, it may
seem somehow magical.
It will happen openly,
but most will miss
its occurrence.
Only the rarest
among us will
contemplate its revelations,
but for those who look
too closely it
will be an empty feast.


He is looking for words. There are no words. He feels he needs to say something. There are no words. He feels deep pain. There are no words for his deep pain. Many are speaking. There are no words to speak. Everyone is looking for words. There are no words. Everyone wants to say something. There are no words to say. Everyone fears the silence. There are no words in silence. He accepts the silence. He stops looking for words.


Seen from a great distance
the rowboat is a speck
on a lake which appears far more
like an oversized pond.
You are so far off you cannot
see if there is a person in the boat
or it is merely floating about
free of its mooring,
imagining itself a water-lily
basking in the midday sun.
Your reverie is broken by the coo
of the dove flying over the fountain
in the garden, ever so careful
to have the water just caress her breast
before landing on the edge.
Seeing you, she preens,
dips her head in thanks
or simple acknowledgement of your presence
and lifts gracefully into the walnut
to join her impatient mate.

IN LOVING MEMORY (17 this time)

Just what will the puppet king say
or will he simply run and hide
as we are left to mourn and pray

Seventeen more are dead today,
we know better than to abide
just what will the puppet king say

more hollow words, for which they pay
“only more guns can stem the tide.”
As we are left to mourn and pray

children ask why there is a day
on which so many good friends died,
just what will the puppet king say,

what false compassion he’ll display.
As broken parents stand graveside,
as we are left to mourn and pray

we know the king dare not betray
those who bought him. We can’t decide
just what will the puppet king say
as we are left to mourn and pray.


Out of cycle, but coping takes many forms.


No one is certain who
painted the words on the wall.
No one knew when the painting occurred,
someone noticed the words
one morning and told others,
and the word spread through town.
People stopped to look at the words,
but few understood what they meant.
Soon there were pictures drawn
around the words, familiar faces,
and people would stop, add words
until the wall was a mural
that could not be forgotten,
only ignored by those
who simply wouldn’t understand.