10,000 origami cranes floated down over Tokyo each bearing the soul of one gone in nature’s recent fury. Each crane cried freely the tears flowing into the Sumida forming a wave that washes back to the sea, replenishing its loss. We, too, shed our tears and look skyward sad in the knowledge that with each passing day still more cranes will fill the sky more tears seep back to the still angry sea.
In setting along the path do you follow Hofuku covering your eyes so as not to see evil, ears so as not to hear it and close your mind to wandering ideas or is Jizo’s path yours as well?
With eyes shut tight the mind will still see, with ears covered sound will echo, growing louder with no hope of escape. With open eyes light is reflected, with ears open fully, sound passes freely and flitters away and the empty bowl is filled with potential.
It should be easy, my friend said, to imagine yourself a character in a novel you particularly like, like I’ve found myself in any number of Tom Clancy novels, since I can easily become a CIA agent, it fits me.
I know I’d shoot myself in the foot or worse, and I’d keep no secrets if you even threatened to torture me, and the odds of me finding my own Doctor Watson are slim, harder still since I abhor even the thought of opium, and I gave up my pipe years ago when the girls found it odd or disgusting, not the cool I sought.
So I’m left with being a young Japanese woman negotiating life in modern Tokyo, or the countryside, but I’m nit sure Banana Yoshimoto would buy me as her protagonist, so I suppose I could do a quick deep dive into ballet and try and pass for Shimamura, but I know I’d opt for Yoko and that wouldn’t suit Kawabata at all
Come to think of it, I have a hard enough time being myself, and even as my own author, I find that I would never accept myself as my protagonist, so that role is still available if you would care to audition.
When a leaf leaves the tree it falls precisely where it should. When a flower petal is carried off on a strong wind it comes to rest in the proper place. When you smell the sweet aroma of next summer’s roses use the nose you had before your parents were born.
A reflection on case 32 of Dogen’s Shobogenzo (The True Dharma Eye) Koans
Tonight, if all goes well, I will be a monk in a good-sized Buddhist temple. I am hoping it will be in Nara, at Todai-ji perhaps, or Asakusa at Senso-ji, or better still somewhere in Kyoto, although it might well be in the Myanmar jungle or somewhere deep within the Laotian highlands.
One problem with that world is that I have no control over it, which, come to think of it, leaves it like the waking world which has never hewn to my direction.
I’ve had this desire for weeks on end, and I suspect tonight will be no different, and I will spend eight hours sorting files, writing cease and desist letters and trying to convince myself that even that is a form of mindful meditation and abiding kensho will arrive in the next rapid eye movement.