THIS TIME AROUND

He says that in his prior life,
this being second he knows of,
he was Japanese, although he did
have a cousin in China, but he
doesn’t know his name anymore.
He wasn’t there for the war
with Okinawa, but he knows
that karate was developed then,
and it’s why, in this life
he studies karate, because
it’s part of his heritage.
He says he has many more stories
to tell of his prior life, he
remembers it quite well,
but that’s all he will tell us
today, for a six-year-old
needs to dole out stories slowly.

MU

If you ask me whether
a dog has buddha nature
I will stare back at you
in total silence.
If you ask again,
or implore an answer
I will smile at you,
offer gassho and a bow.
If you ask yet again,
I will turn away
and you will be left
with a box into which
you dare not look
lest you find
Schroedinger’s cat.


Musing on Case 1 of the Mumonkan

UNGAN’S SWEEPS THE GROUND

As you stoop
to pick up fallen leaves
are you cleaning spring,
summer or autumn?
What seasons are deep
within the winter branch?
How does your work
and that of the tree
truly differ, and
what leaves
do you shed?


A reflection on Case 83 of the Shobogenzo (True Dharma Eye)

MUSING (4 HAIKU)

Out the plane window
a lake or a sea of clouds
Why does it matter?

 

during an eye blink
the butterfly spreads its wings
galaxies collapse

 

Cats curl in furred sleep
the moon crawls across the sky
a monk awakens

 

leaves cling to the trees
the rivers flow more slowly
the stone is unmoved

SEPPO’S WOODEN BALL 鐵笛倒吹 八十九

The teacher rolls
a wooden ball
past the students seated
around his feet.
Will you pick it up
and return it to him?

The teacher rolls
a wooden ball
past the students seated
around his feet.
I sit still
and let it pass.

Which of us
deserves the stick,
which a silent smile.
Buddha is killed
by a student
along the road
as both are enlightened.


A reflection on Case 89 of The Iron Flute koans.

SUSHI

We sit around the Tatami table
thankful for the leg well
redemption for aging knees,
and socks without holes.
We drink the sake warm
and cold, and the Sapporo
from the oversized bottles
each pouring for the other
as a proper host must.
Several recall nights
on Roppongi, or earlier
on the Ginza, moments
lucid in drunken clarity.
One remembers a hostess
with endless legs
but little more,
although it still brings
a childlike smile.
Empty bottles
are quickly replaced
each at increased decibels
until the final uni
ends up on my plate
alongside the quail egg.
The night air
is unsteady
or is it merely
the sea urchin
exacting his revenge.

SOZAN’S FOUR DON’TS 鐵笛倒吹 九十二

You may seek to follow
the path of the dove,
for a fool knows many roads.
You may wrap yourself
in fine linen, an infant
wears only his skin
and knows this moment
is already gone.

Think long before you speak
of how to walk
along the path, of where it leads.
The baby says nothing,
will not speak of where
he has been,
where he is going, for to him
there is only here,
and silence
is descriptive enough.


A reflection on Case 92 of The Iron Flute koans.