TE SHAN CARRYING HIS BUNDLE

Enter the room slowly and look carefully,
since you are here to find something.
There is much within this room, but you
can see nothing save the old man,
sitting calmly, staring at nothing, staring
through you at nothing in particular.
You know he is the teacher, the one
for whom you have been searching,
Still, he ignores you, staring at nothing.
You walk around the room, from end
to end to end to end and he does
not move or speak, and so you leave.

He has given a great lesson, do you
appreciate what he has taught you?
You walk away angrily, say that he
is no teacher at all, that you are no
closer to enlightenment leaving
than when you entered, for you
found nothing but yourself.
As you leave the old man bows
as teachers do to Buddhas.

A reflection on Case 4 of the Hekiganroku {BLue Cliff Record)

ABOVE IT ALL

The cat likes nothing better
than to sit atop the kitchen cabinets
within easy reach of the ceiling.

We thought at first it was
a place of safety, less to fear
in a new home, new people.

We know better now, for she
goes to high places, cabinets
bookcases, when the meditation bell rings.,

She’ll climb down after
the ending bell rings, when we
emerge from our home Zendo, look

at us to see how our sitting went,
toss her head to indicate that she
came this close to kensho

or perhaps, she notes quickly
it was merely a brief nap, for we
cats are given to both in equal measure.

WOODEN PILLOW 鐵笛倒吹 六十

If, sitting at your meal
you hear the song of a bird,
what do you do?
You may tap your chopstick rest,
and perhaps he will answer
and repeat his sweet song.
If you tap a second time
and there is only silence
is the bird rejecting you
or offering his song to another,
flown from your window.

Perhaps you should tap again
and hear the sweeter song
of silence that echoes
over the garden and zendo.
On a distant limb
the small songbird smiles.

A reflection on Case 60 of the Iron Flute Koans.

JOSHU MEASURE THE WATER

When your mind is raging
thoughts flowing, eddying
when you enter the zendo
what do you do in sitting?

Do you take your stick
and measure the water
to insure a safe fording,
or do you sit amid the stream
and let the flood
wash over and around you
dry and silent within?

A reflection on case 47 of the Iron Flute Koans

ECHU EXPELS A DISCIPLE 鐵笛倒吹 語十三

If you come upon Echu napping
do not disturb him
but retreat to the zendo
or walk in the small garden
where enlightenment may be found.

If the search is successful
leave quickly, tell no one,
for it is very fragile
and the tongue
is sharper than the sword
and infinitely more deadly.


A reflection on case 53 of the Iron Flute Koans

YAKUSAN SOLVES A PROBLEM 鐵笛倒吹 三十三

If you want to ask
of the path, do so,
only without breaking
the silence of the zendo.
Seek the answer
in a library without books,
take sustenance
from an empty bowl.

Bodhi is a glittering gem
that cannot be seen
that cannot be held—
do not stumble over it.


A reflection on Case 33 of the Iron Flute Koans

SHUZAN’S SHIPPEI 無門關 四十三

Osho holds up a staff
and cradles a small
long haired dog. What
do you call these, he asks
the gathered assembly
in both fact and reality?

A chattering din brings
the hall to silence,
until the ghost of Joshu
unfolds himself, strides
to the zendo door, and
while bowing, shouts
MU!


A reflection on Case43 of the Mumonkan (Gateless Gate)

 

HOFUKU’S TEMPLE 鐵笛倒吹 語十一

Standing outside the Temple
there is much to see.
Enter the Temple zendo
prostrate three times before
the golden Buddha
what do you see?
Can you see nothing?
Outside the Temple, Buddha
inside the Temple, Buddha
but only when you see nothing.
Outside the mind, nothing,
inside the mind, nothing.
All Buddha.


A reflection on case 51 of the Iron Flute Koans.

ROSO FACES THE WALL

Come before the Master.
If he turns from you
and faces the wall
he honors you.
If the Master enters your room
and you turn to the wall
you will deserve his stick.

As you cannot sit
in the Master’s seat
he may not sit in yours,
but all seats are one seat,
no wall is all walls
and neither of you
should give a damn.


A reflection on Case 56 of the Iron Flute Koans

NANSEN’S REJECTIONS 鐵笛倒吹 四十四

 

If you come before Master Nansen,
will you come holding the posture
of a monk or a lay person,
and when Nansen turns you away,
how will you exit the room?

Nested hands
and gassho hands –
both are so easily manacled –
why leave the room at all?


A reflection on case 44 of the Iron Flute (Tetteki tōsui 鐵笛倒吹)