ECHU EXPELS A DISCIPLE 鐵笛倒吹 語十三

If you come upon Echu napping
do not disturb him
but retreat to the zendo
or walk in the small garden
where enlightenment may be found.

If the search is successful
leave quickly, tell no one,
for it is very fragile
and the tongue
is sharper than the sword
and infinitely more deadly.


A reflection on case 53 of the Iron Flute Koans

YAKUSAN SOLVES A PROBLEM 鐵笛倒吹 三十三

If you want to ask
of the path, do so,
only without breaking
the silence of the zendo.
Seek the answer
in a library without books,
take sustenance
from an empty bowl.

Bodhi is a glittering gem
that cannot be seen
that cannot be held—
do not stumble over it.


A reflection on Case 33 of the Iron Flute Koans

SHUZAN’S SHIPPEI 無門關 四十三

Osho holds up a staff
and cradles a small
long haired dog. What
do you call these, he asks
the gathered assembly
in both fact and reality?

A chattering din brings
the hall to silence,
until the ghost of Joshu
unfolds himself, strides
to the zendo door, and
while bowing, shouts
MU!


A reflection on Case43 of the Mumonkan (Gateless Gate)

 

HOFUKU’S TEMPLE 鐵笛倒吹 語十一

Standing outside the Temple
there is much to see.
Enter the Temple zendo
prostrate three times before
the golden Buddha
what do you see?
Can you see nothing?
Outside the Temple, Buddha
inside the Temple, Buddha
but only when you see nothing.
Outside the mind, nothing,
inside the mind, nothing.
All Buddha.


A reflection on case 51 of the Iron Flute Koans.

ROSO FACES THE WALL

Come before the Master.
If he turns from you
and faces the wall
he honors you.
If the Master enters your room
and you turn to the wall
you will deserve his stick.

As you cannot sit
in the Master’s seat
he may not sit in yours,
but all seats are one seat,
no wall is all walls
and neither of you
should give a damn.


A reflection on Case 56 of the Iron Flute Koans

NANSEN’S REJECTIONS 鐵笛倒吹 四十四

 

If you come before Master Nansen,
will you come holding the posture
of a monk or a lay person,
and when Nansen turns you away,
how will you exit the room?

Nested hands
and gassho hands –
both are so easily manacled –
why leave the room at all?


A reflection on case 44 of the Iron Flute (Tetteki tōsui 鐵笛倒吹)

ULTIMATE TRUTH 鐵笛倒吹 四十三

When the stick is raised
a truth hovers nearby,
will you accept it?

When the student is struck
does truth leave
the polished wood, sinking
into the student’s shoulder
or does it rise up
within the student
to meet the falling stick?

Sitting zazen do you ask
directions to the zendo?


A reflection on Case 43 of The Iron Flute (Tetteki tōsui)

MORE MUSIC OF THE FLUTE

SANSHO MEETS A STUDENT                               鐵笛倒吹 十二

One goes to the gate
to welcome the new student
and with a broad smile
turns his back
in silence, offering nothing.
Another will not leave
the Zendo, sitting in stillness
at the sound
of the bell at the gate
and offers silent
teaching and compassion.

Are Sansho and Koke
two or merely one?
How can you tell?

 

ZENGEN’S PAPER SCREEN                                         鐵笛倒吹 十三

If Zengen sits
behind a paper screen
will you enter
and what will you say.

Do not look surprised
for he has been there
merely a second
and from time before time.

If he picks up his bow
flee quickly
for his aim rarely
misses his mark.