BECAUSE

“Poets are the unacknowledged legislators of the world.”-Shelley

I write
                                                                    because words must be said
words must be said
                                                                    because they eat at my tongue
they eat at my tongue
                                                                    because they recall the flames of the ovens
they recall the flames of the ovens
                                                                    because they were forced to shower
they were forced to shower
                                                                    because they were Jews
they were Jews
                                                                    because they embraced Torah
they embraced Torah
                                                                    because they walked through the desert
they walked through the desert
                                                                    because they followed the trail of manna
they followed the trail of manna
                                                                    because it led to freedom
it led to freedom
                                                                    because I saw it in a dream
I saw it in a dream
                                                                    because a voice whispered it to me
a voice whispered it to me
                                                                    because I write

CACOPHONY OF SILENCE

There is one thing a poet hates
more than a page
that refuses to be filled –
it is coming across words
that profess
or are sworn
to silence.
I had a pen
I truly loved
until it announced
early one morning
it was taking
a vow
of iambic celibacy.
Poems once pregnant
with possibility
grew cloistered
and habitual.
As I turned
from Erato’s altar
she called after me,
“Your pen
is out of ink.”

AN INKLING

Writing is an art form
that very many never see
but the unseeing of the work
is what elevates it to art.
This is what you often hear
from the unpublished, or even
from the denizens of small
press purgatory, the one
the Vatican will never acknowledge,
for the poets corner of heaven
is so deeply hidden away.
The words on the page
know better, they see the beauty
as they tumble from the pen,
and need no confirmation.

HAVING WRIT, MOVED ON

She says she sees
the whole book
in her head
before she kills it
putting pen to paper.
It is there, she says
where it dies
immovable on the page.
I invite the words
onto the page as well
and hope they take a life
of their own
expressing my intentions
if not my thoughts
which evanesce before
they quickly evaporate.

AN INKLING

 

He says he has discovered that the best
way for him to write is to ignore the pen
totally, to just let it lie on the desk doing nothing.
It should be in close proximity to paper,
for pens need that to complete their existence
or at least to give them purpose to go on.
He also needs to avoid the siren’s call
the emanates from the keyboard
far too frequently for his taste.
No one is willing to believe him, “Just write,”
they say, but he knows that words
are merely that, and meaningless without
the context only a reader can provide,
even if that reader is he, and so he stares
at the pen and page and in time
he becomes aware that the pen is ready
and then, and only then, does he allow it
to move his hand across the paper.