I was born the same day, in a much later year as Thornton Wilder, a fact that had no impact at all on my life, since I discovered our common birthday long after my life’s path was half tread.
I read him in my youth, and must admit I can recall nothing of what I read, which I attribute to all that I have read since, and not as any criticism of Wilder’s writing, for his talent is beyond question.
But what was disconcerting was to learn that Nick Hornby was born five years to the day after me and has penned works that I love but cannot hope to equal despite my having lived longer if not more fully than he has.
It was a plain white envelope quite large, laying in the mailbox, a name and return address, nothing out of the ordinary until I realized there were no stamps, just a marking, Postage Paid Melbourne Vic.
Inside was a magazine and within two poems with which I was familiar but which were now being read on the opposite side of the globe and I had to wonder what the Aussies would think of a crazy, aging Yank poet.
Tonight, if all goes well, I will be a monk in a good-sized Buddhist temple. I am hoping it will be in Nara, at Todai-ji perhaps, or Asakusa at Senso-ji, or better still somewhere in Kyoto, although it might well be in the Myanmar jungle or somewhere deep within the Laotian highlands.
One problem with that world is that I have no control over it, which, come to think of it, leaves it like the waking world which has never hewn to my direction.
I’ve had this desire for weeks on end, and I suspect tonight will be no different, and I will spend eight hours sorting files, writing cease and desist letters and trying to convince myself that even that is a form of mindful meditation and abiding kensho will arrive in the next rapid eye movement.
I admit I am an odd duck, odder for not being a duck at all. But the expression has a certain je ne sais quoi to it, as does that expression and I am all about language. All that is a long round about way of acknowledging that I have always wanted to use the word antiphonal in my writing. I’m not terribly religious, and what faith I had has long been shaken by a world gone mad. Or at least a country gone mad. And even when I had some faith, I subscribed to the syllogism that religions music was to music, as military food was to food. We won’t even mention military music, that is an abject oxymoron.
It has a certain heft that says something substantial lies within, waiting to be freed. It glides easily, suggesting an effortlessness you know is a tease, that labor still waits. Still, it does said comfortably, is appealing to the eye, has the deep jade green along its barrel, the knots interwoven top and bottom that say what lies within cannot be easily unraveled. As you draw it across the page you hope that somewhere in Neamh old Robbie will look down on you, smile and share a thought or two, but that you know, is for another day.