• RULES

    I learned from John Berrymanby way of W.S. Merwin that as a poetI should paper my walls with rejection letters.I thought this a good idea whenI lived in a small apartment, butall too soon the walls appearedto be growing ever smallerand I was papering over paper,like the latest in a too longline of tenants who…


  • RULES

    W. Somerset Maugham suggestedthat there are three rules for writinga novel, but no one knows what they are.I suppose the same could be saidfor writing poetry, with a twistfor there are three rules for thisas well, but everyone knowsprecisely what they are not.Writers and poets must be rebels,writing what must be saidand damning the consequencesfor…


  • TY NEWYDD

    In the gently aging house,replete with writersthere are endless roomsin which the muse dartsdispensing her soul.I prefer to sit with the catcurled in an overstuffed chairher head risingand falling imperceptiblyour breaths harmonic.We commune in unspoken dialoga language of silencebespeaking volumesof our shared existence. First published in The River, Sandy River Review, March 2024https://sandyriverreview.com/2024/03/30/seeing-you-again-next-stop-riding-ty-newydd/


  • THE KEY

    “The key,” he said, “is to imbueyour work with poetic energy.”Those of us still botheringto pay attention at allto that empty husk of a oncewell-regarded, honored poethad no freaking idea whatthe hell he was talking aboutand we guessed he didn’t either.He was an easy A English courseand a few of us imagined ourselvesas successful writers,…


  • WORDS, WORDS, WORDS

    They can have sharp edgesthat wound on contact, some cutsso deep they leave lasting scars. They can get stuck in the throatuntil you feel you can no longerbreathe, no longer cry out for help. They can lie there, anaggregate always acretingand yet rejecting any meaning. Or they can, carefully chosenpresent great beauty, offerhope, promise freedom.…


  • CHATTER

    The cat tells me thatlong after we have goneto bed for the night shehears the argumentsof the authors of the bookslining our living room shelves. The poets, she says, quibbleover rhyme and meter, claimthis one is academic, thatone merely skilled in doggerel. And don’t, she adds, get herstarted on the Buddhistauthors, who argue endlesslyover their…


  • WORDS, WORDS, WORDS

    The room is awash in words, they pile up in corners, form untidy stacks that perpetually threaten collapse, strewing consonants like shards of ill broken glass. It might not be this way, for words need order, a rubric in which they are forced to operate. But here, in a room of poets, anarchy is the…