THE WEIGHT OF MOURNING

The weight of mourning defies precise measurement,
and all of the rules of mathematics fail in an attempt.
Grief rejects being placed on scales, there is never
a moment of pure equilibrium, only a teetering
that always threatens to bring it all down in a heap.
A million who are nameless and faceless is an agony
and yet eighty thousand with names on white walls
of the ancient synagogue in Prague seem
to weigh as heavy or heavier on the heart,
and the youngest of those taken are the heaviest
a burden almost too great to bear,
no lighter for our freely flowing tears.
And yet a woman, nameless, faceless
and dead a dozen years, who I knew as my mother
but nothing more, save odd facts that insured
it would be all I would ever know, that woman
was a crushing burden, but one I had to bear alone
and did, if barely, until the moment
when by twist of fate and DNA, she had a name
and soon thereafter a face, and as I stared at her,
as I stared, too, at the mirror, the hole she left,
that emptiness grew vast and heavy, and I
must now struggle not to collapse beneath it.

First appeared in Peacock Journal, February 2017
https://peacockjournal.com/louis-faber-three-poems/

OF A WOMAN

I wasn’t born a woman,
I cannot bear a child,
I cannot carry a fetus nine months
I cannot feel the morning sickness,
I cannot nurse a child once born,
I cannot cease to be who I am
because I had a child,
I cannot be raped and made pregnant,
I cannot be subject incest
making me pregnant,
I cannot go through the pains of labor,
I cannot have an emergency c-section,
But as a man
I can sit in judgment on women
I can try and control their bodies,
I can try and eliminate their choices,
I can do all of those things
but I refuse for I was born
of a woman, and I honor
her right to choose what is best
for her as I reserve the right
to choose what is best for me.

A MOMENT

It is 1952, April, and I
am handed to the woman.
I am wrapped in a thin blanket,
the tall man is standing beside her.
I do not recall this, but this
is how it must have happened,
she finally a mother, he
a father despite infertility.
I do not recall her, the woman
who perhaps never held me
once I exited her body, who
hid me for nine months.
I mourn her now, knowing
she acted out of love, with hope
for me, but only the headstone
is her touch on my hand.

First appeared in Constellations: A Journal of Poetry and Fiction, Volume 12, Fall 2022

MACHISMO

He was fond of saying
that men need to toughen up,
show more fortitude, take
time for serious male bonding.

He would prattle on about
how so many men were
not true men anymore,
warped by modern society.

I tried my best to avoid him,
to quickly end our encounters and
when I could not, for he would
inevitably complain of loneliness.

Still, I would much rather be
in the kitchen, knives in hand
preparing a fine meal beside
the woman I so deeply love.

CASSANDRA IN FLORIDA

She is large, and largely immobile
and occupies the bench by the road
that encircles the property like a noose.

She does this each day, a crust
or more of stale bread tucked away
in a pocket of her always floral

housedress that envelopes her
and the bench she occupies
as a monarch on her throne.

The ibis see her coming and gather
at her feet like acolytes awaiting
words from their sage and goddess.

She doesn’t disappoint them, telling
them a tidbit of the world, more often
who was taken sick overnight, who

died yesterday, always a shock
she says, then whispers conspiratorially,
but actually expected, of course,

for everyone here has numbered days,
and then tells them stories of her life,
real and imagined, the veil between

her truth and her fiction now diaphanous.
They grow impatient, but a good queen
reads her subjects and reaches

into the pocket pulling out the crusty
bread, smiles at her flock, says see, I bring
manna and together we cross the desert.

First Published in Chantarelle’s Notebook, March 2019
https://chantarellesnotebook.com/2019/03/22/

SOPHIE

She maintained an aura of what she
imagined was elegance, a carefully
constructed persona carried out
in the most careful details.

Her furniture had slipcovers, lest
someone spill and mar the fabric,
a tea cart always at the ready
although I never saw her serve tea.

She spoke with carefully chosen
words, certainly not the vernacular
of the city, perhaps of London
where she had been born.

Those she met would never guess
that this was the same woman, who
on the death of her husband, wielded
a baseball bat in the liquor store
she operated in the heart of downtown,
one she had used on one occasion
once enough that the word got out.

MINDFUL

I saw the sun
rise this morning
over Mt. Hood, the
glow that announced
to the horizon its approach.
There should be
in the life of every man,
every woman, that moment
when seeing dawn
lift, peel back the shroud
from Mt. Hood causes the sudden
intake of just that much extra breath.

Publshed in As Above, So Below, Issue 9, August 2022
https://issuu.com/bethanyrivers77/docs/as_above_so_below_issue_9

STET-US QUO

The mind can be
a brutal editor, revising
history, rejecting memories
without a substantial rewrite.

My step sister, many years
dead remains five, that
young face engrafted
on the woman ravaged
by unrelenting cancers.

My first wife of 30 years
is mostly faceless, the
mental pictures and dreams
edited until only she
is unrecognizable.

And in moments of reflection
I am no longer adopted,
the step-siblings were,
but they are now
just like family, almost.

STARING

She sits demurely on the step
staring off at something.
You want to know what but
her face isn’t saying, her eyes
soft, revealing nothing, her smile
enticing, teasing, and out of grasp.

You want to sit with her, see
what she looks at, what has captured
her thoughts, and there is room
on the step for you to join her,
but you have never met, you
cannot sit next to her, she
there half a century ago, and
you know she will only be
the stuff of dreams one night.

ETERNAL SPRING

Spring has arrived, however begrudgingly,
and the young woman pushes
the older woman’s wheelchair
along the paths of the great park.
Neither speaks, but each knows
this could be the last time they do this.
That shared knowledge paints
each flower in a more vibrant hue,
each fallen petal is quickly
but individually mourned for,
its beauty draining back into the soil.
The older woman struggles hard
to fully capture each view for she
knows that it is possible
that it will have to last her an eternity.

First Published in Beautiful in the Eye of the Beholder, Sweetycat Press, 2022