CORAGYPS ATRATUS

They sit on the barren tree staring at what we cannot fathom. They are strangely beautiful creatures and utterly odd looking as well. Their black plumage is entrancing, more so when put on display by extended wings. But inevitably it is their head and neck that draws the eye. Gray against the ebony of their bodies, and wrinkled as if wearing a chain mail balaclava. We can only imagine how strange we must look to them. And with the mutual nod we retreat to the house as they lift into the waiting sky.

WHITE BREAD

He was nondescript, innocuous. He named his dog Dog. His cat was called Cat. He grew daring with his parakeet and named it Wings. He wore beige from head to toe. Even his Sunday best, his “weddings and funerals suit” he called it, was beige. People wondered if his underwear was beige. He swore that it was, but with just enough of a smirk people couldn’t be certain. His house was painted beige as were his roof shingles. His car was beige inside and out. All his furniture was pine or a light oak. When he died, they found a note with instructions on the funeral, the burial, every detail, on beige paper, of course. And they found the beige suit bag in the closet with the rainbow colored suit that he was to be buried in.

BUSINESS SUITS

“What do you think is the likelihood
of success in the long run,” she asks,
and I watch the fly land on my forearm,
perched on hairs that barely

bend under his inconsequential weight.
His wings are a perpetual twitch,
almost unseen, and felt only as a faint
breeze in my imagination, while a world

is created, a reality collapses, a butterfly
is born and dies, and the fly stares at me
a thousand faces the same, each processed
in turn, digested and stored in

a finite space, overwritten by
the next face, flower, while
his tongue unfurls, flicks and sucks
on a bead of sweat at my elbow.
“Not very good,” I respond.

First Published in the 2005 Scars Publications Poetry Wall Calendar

ODE TO PATIENCE

The jetty is replete today
with tourists, pale as the sun
bleached concrete, stopping
to gawk at the fishermen
who ignore them intent
on watching the sadly still line.

The pelicans sit on the rocks
grooming and posing, talking
loudly on occasion before
spreading wings and flying off.
Out on the jetty a pelican waits
patiently for the fisherman
to pack up for the day, knowing
he will dump his bait bucket
on the concrete and the pelican
will be rewarded for his patience.

FIVE HAIKU

The dawn cedes slowly
to the impinging sunlight
birds greet the new day

The great egret lifts
her wings embracing the cloud
the winter sun smiles

on the barren branch
the red-shouldered hawk awaits
her mate and the sun

sandhill cranes wander
along the shore of the lake
looking for nothing

the moon is a cup
waiting for night to fill it
venus sits empty

EDGE OF THE ABYSS

He sits on the edge
peering down, shaking
in the breeze, knowing
the abyss below waits
for a misstep, a slip.

He stares up, waiting
for her return, hoping
she will soon arrive
bringing the meal, never
enough always wanting more.

He knows he will
someday soon have
to leave, but for now
all he can do is spread
his wings, flap them,

until it will seem natural
and then, only then
when he is strong, can
he lift up and become
one with an infinite sky.

HEAVEN KNOWS

His extended wings
momentarily block the sun
setting his feather tips ablaze.
His vermillion talons grasp
the waiting branch threatening
to break it from the tree
unless is bends to his will.
His curved beak arches
against an orange sky
holding tightly to
the retreating sun.
I can only watch
a majestic moment
and believe that somewhere
the must be a God
for nature alone could not
conceive of a creature
of such beauty, such passion.

LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

Blue Note, pardon
our construction
black painted
plasterboard
a hanging
air conditioning duct.

Grady Tate
sneering at the skins
growling at a high hat
hands shifting
deftly reaching in
picking a beat
and sliding it
over the crowd.

Jimmy Woode
blind to the lights
slides his fingers
over strings
and talks to the bass
resting on his shoulder.
It sings back
begging , pleading
demanding as his head
sways with an inner vision.

Junior Mance
sways slowly fingers
tentative on ivory plates
crawling through the alley
scurrying for cover
and strutting down Broadway
ablaze in neon
dancing through Harlem
and sliding into the East River.

Pete Candoli
white against the night
smiles as his horn
cries out, a siren
piercing the dark
reaching up grabbing
your throat, throttling
then caressing your face
until you fall
into your seat, spent.

Harry “Sweets” Edison
wrinkled jowls suck in
the city, smooth ebony balloon
shouting from balconies
to revelers below
and mourning a love,
crying in the streets
dashing out of a basement
flat, a child crying
mother screaming in birth
a young man
groaning in orgasm.

Benny Golson
hair tied back
swaying, runs up the stairs
pauses, and leaps out
into the air
and flies off
laughing at the city
huddled below
its collar turned
against the wind
off the river.

Frank Foster
sits on the stool
and strokes
his sax, coaxing it
peering out around
a corner, slipping inside
then running down the street
dancing between taxis,
then striding down
Bourbon Street
the pall bearers
strutting behind.

Al Grey, stands
arm waving, a manic
conductor, it whispers
beckoning, then hums
droning, then slowly
it moves the fan
giving a glimpse
dragging the boa
drawing all eyes
as she passes into the wings
sticking her head out
smiling at the cheers.

Hampton leans
on the vibraphone
seeking balance,
and old man bent
from age, lost amid children.
Mallets slowly rise and fall
gaining speed
rushing out
glissando of sound
his hands flashing
the crowd rises
and there comes
silence.

First Appeared in Pointed Circle, Issue 15, 1999.

EMERGENT

When I least expect it, one
may unfurl wings and lift
into a clouded sky searching
for the hidden sun, or

it may wander off, a child
momentarily free of parents
off to discover the real world, or

it may retreat back into
the pen, unwilling to be seen,
objecting to its misuse, or

it may sit in front of the TV
and watch soap operas
and game shows, not caring
what is on the screen, just
escaping from the damned page, or

it may sit still, be tucked away
and hope one day to be accepted
for all the world to see.

EMPTY SACKS WILL NEVER STAND UPRIGHT

There are nights
when the song
of a single cricket
can pull you away from sleep.
She says that she has heard
that not all Angels have wings
and neither of them
is sure how you would know
if you met a bodhisattva.
He searches the mail
every day, for a letter
from unknown birth parents
but none of the credit cards
he ought to carry
offers to rebate his dreams.
Each night they lie
back pressed to back
and slip into dreams.
She records hers
in the journal she keeps
with the pen, by the bed.
He struggles to recall his
and places what shards he can
in the burlap sack
of his memory.

First Published in Where Beach Meets Ocean, The Block Island Poetry Project, 2013