ON THE TENTH PLAGUE

Mark your doorpost with the blood
of the lamb for this may be the night
when God’s emissary arrives for the killing
of the first born. Will he be a night bird
half raven, half vulture or an aged man
concealing his weapon in shabby robes.

Mark your doorpost and check it
often for if your neighbor wipes
the blood away, you will be visited
and no amount of pleading will
deter him from his task. There
are no interim plagues remaining to buy
you time, if he chooses to come tonight.

Put your ear against the window
and listen for him. Will he come
on cat’s paws or the rasp of lungs
slowly drowning?. Will coins jangle
in his pocket, to pay your fare
to the ferryman?

But if you do not believe,
perhaps he will forget to come.

First published in The Right to Depart, Plain View Press (2008)

ASK OF THE SEA

When you ask me of the sea,
living, as I do, fifteen miles
from the nearest ocean, it
is not the sandy beaches
of Hutchinson Island I recall,
nor the crowded sandbox
that is Fort Lauderdale’s beach.

If you ask me of the sea,
it is perched on the horizon,
far in the distance, looking
out of the kitchen window,
or perhaps that of the library,
over the yard, with its
deflated soccer ball,
the fence, and finally
to the Irish Sea, cloud
shrouded at the horizon.

This is what Lloyd George
saw each day, so it is
little wonder eschewed
burial in London or even England
for this hidden estate in his
beloved Ty Newydd in Wales.

First published in Dreich, Issue 10, Autumn 2020 (Scotland)

ABIDING

The dawning sun brings forth the birds’
morning chorus, their song glides
through the windows, no words
are needed, their meaning heard
and through it all, morning simply abides.

We are left to shelter within, to gird
ourselves against the unseen tide
that has washed over us undeterred,
rendered all once normal absurd
and through it all, morning simply abides.

We cannot change what has occurred,
our faith has ebbed, been cast aside
in this battle, our lives deferred
yet certain we will get the last word,
and through it all, morning simply abides.

So we turn to you, dream ourselves birds,
with the freedom of flight, to glide
above it all and sing, move forward,
and pray for a blessing to be conferred
and through it all, morning simply abides.

First Published in Dreich, Issue 10, Autumn 2020 (Scotland)

WINDOW VIEW

He knew she had a special
meaning for him the first time
he saw her, from his usual seat
by the window in the diner, waiting
for his bagel and cream cheese,

and she at the table along
the window of the Starbucks across
the street, which might as well
have been an ocean, so unlikely
was either to make a crossing.

By the third time she had noticed
him, and offered a polite wave,
which he gladly returned, each
assuming it was an act of civility,
each, at least he, hoping it could be more.

He thought, briefly, about dashing
across the street and meeting her,
but he was no fan of coffee, less
by far of what Starbucks served,
and their bagels, well enough said.

So they went on with waves and nods,
until the day he looked and she
wasn’t there, and he knew she had
moved on without him, left him behind
or found a place with good coffee.

Publsihed in Mehfil, #8 August 2020
https://medium.com/mehfil/two-poems-2f60ad081ee7

IDEOGRAPHING MIND 鐵笛倒吹 四十六

If you will mark your gate
what word will you use,
what for the door, what
for the window?
The gate knows quite well
what it is, as to door and window
and need no marking.

Even the fool knows
through each you
may enter the house,
but even the wise man
cannot tell you
how the house may enter you.

A reflection on case 46 of the Iron Flute Koans

THE GOVERNMENT OFFICIAL 鐵笛倒吹 六十九

Standing at the window
looking down on the street
is the passing man enlightened?
Call out this question to him.
If he looks upward and says yes
what do you know of his enlightenment?

Looking at a flower
is it different than its seed.
If you hold a seed in your hand
what can you say of the flower
that may some day appear.


A reflection on Case 69 of the Iron Flute Koans.

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WINTER MEMORY

As I stare out the window and watch
the snow slowly build on the limbs
of the now barren sugar maple, painting
it with a whiteness that bears heavily
giving the smaller branches a better
view of the ground in which their
fruit of the summer lies buried.

I am forced to wonder if the maple
continues to watch me, if its vision
is clouded by the snowy blanket
in which it wraps itself this day,
and if it does, what must it think
of someone so sedentary when it,
bearing its winter burden can still
dance gently in the morning wind.

As a young child I recall my mother
justifying all manner of disasters based
on miscommunication, mostly hers, by
saying, “Does Macy’s talk to Bloomingdale’s?”

I didn’t care, no one did and the excuse
never worked as far as I can tell, and I now
know from experience, that of course they
talked to each other, and today they are
owned by the same corporate overseer.

So why is it that I spent the better part
of my day trying to get my old iPhone
to speak nicely to my new Samsung phone?

I wasn’t asking much, just to share contacts
and photos, but they weren’t having it,
no how, now way, not never, so I
was left to turn to a mediator, and it
pained me to call in Microsoft, but they did
have a window on a solution, so they
thanks to their outlook got to have the last word.

SETTLING

Settling into perfect
stillness, each of us
in our brown robes
on brown chairs, benches
cushions, note his entry
is somewhere between
the thundering of a forgotten
storm or the garbage trucks
crawling slowly down the street.
His gray-blue shirt and jeans
flash by. He is large
in every dimension,
even his breathing
nice and even
is large, but regular.
No breeze, only a large moth
comes through the open windows
and dances around
the rice paper light shades.
The incense hangs
over the burner on the altar
waiting to be carried into the room.
You return to thoughts
of thoughtlessness
invite ideas to come
and quickly leave.
You grow heavy
sinking into the earth
your weight and his
equally heavy.
The moth grows bored
and slips out the window.


First Published in Recenter Press Poetry Journal Vol. 2, Fall 2019
http://www.recenterpress.com/issue-two-fall-2019.html