I stooped and spoke to a stone, asking the question. I was here before you arrived and I will be her long after you leave. I held the sand in my hand warm from the sun, asking the question. I came after your arrived and I will leave long before you are gone. I held the winter wind on the tip of a finger, asking the question. I am not here now and I have never been here. I touched the waters to my lips, asking the question. I was above you when you came and I will be below you when you go. I saw the flames dance before me, asking the question. You were ashes once and you shall be ashes again. I stood mired in the clay clinging to my legs, asking the question. It is of me you were formed and it is to me you will return. I sat at the foot of God blinding light, asking the question. You cried to me at birth and you will cry to me at death.
The melody arose from the most unexpected place. They heard it deep within the woods and even the birds fell silent peering around, searching for its unrevealed source. It carried on for several verses and then, as quickly as it came it was gone, the final note carried off by a spring wind. No one entered, no one left the woods that day and though many searched no instrument was found and the trees of the woods grew silent at the searchers’ approach.
When a leaf leaves the tree it falls precisely where it should. When a flower petal is carried off on a strong wind it comes to rest in the proper place. When you smell the sweet aroma of next summer’s roses use the nose you had before your parents were born.
A reflection on case 32 of Dogen’s Shobogenzo (The True Dharma Eye) Koans
As I stare out the window and watch the snow slowly build on the limbs of the now barren crab apple, painting it with a whiteness that bears heavily, giving the smaller branches a better view of the ground in which their fruit of the summer lies buried.
I am forced to wonder if the tree continues to watch me, if its vision is clouded by the snowy blanket in which it wraps itself this day, and if it does, what must it think of someone so sedentary when it, bearing its winter burden can still dance gently in the morning wind.
She asks innocently, listening to the wind whispering through the bare branches of the oak, “How long have you lived in this poem,” pointing to the page of marked and remarked typescript. He looks at her as if discovering she’d grown another head, peeking out from between her well-polished teeth. “I have no idea what you mean,” he says, “I write the poems— it is up to you to furnish them.” She grimaces, “That’s so wrong,” a third head appeared, grinning, “if you build poems on spec they are sterile little boxes that you foist off on the unwary. Plant all the flowers you want around it, it will still have the antiseptic smell should we dare step into it. That’s just the difference between us,” she adds, “I can see the song of the wind played by the trees, but you, you see only the blankness of the unadorned walls.”
What are words of wisdom from the mouth of the ancient ones. I tell you these are such words. You may accept or reject them as you will. Better still, tear this page from its binding crumple it and cast it to the four winds. Let it be carried off in ten directions.
On the map are neatly etched lines drawn by a fine stylus in a skilled hand separating blue from yellow. This soil is cinnamon there tending to mahogany no line, only a post here, one there and a gun emplacement to deter those who cannot see a line writ on water. In the wind the dust dances across and back dodging the post or caressing it it tastes the rain which falls both here and there. High above the buzzard watches the lizard scurry through the shadow of the sign seeing neither blue nor yellow. Halt, you cry are you of this land or that? I am of neither I am the ocher of the land from which I rose into which I will recede I am the mote of dust that lodges in the corner of your eye and in the corner of his until neither can see the line that is not.
First Publshed in Peacock Journal Anthology, 2017 V. 1 No 2
As I stare out the window and watch the snow slowly build on the limbs of the now barren sugar maple, painting it with a whiteness that bears heavily giving the smaller branches a better view of the ground in which their fruit of the summer lies buried.
I am forced to wonder if the maple continues to watch me, if its vision is clouded by the snowy blanket in which it wraps itself this day, and if it does, what must it think of someone so sedentary when it, bearing its winter burden can still dance gently in the morning wind.