STRING QUARTET

The violinists’ laughter and tears
are flung from her flying bow,
drip from his elbow,
and wash over the stilled audience –
we can taste the sea
as we threaten to capsize.

The viola is the older brother
now steadying, now caught
in the wave, riding
its dizzying course,
dragging us in its wake.

The cello is a torso, the cellist
a surgeon, her hands
plucking small miracles
from stretched gut,
shouting for, then at,
the still stunned gods.

Somewhere, Brahms
must be smiling.

First Published in The Right to Depart, Plain View Press, 2008.

SOTO

If you are able to speak
maintain silence,
If you can bear the silence,
listen to the song the sea sings.
If you can sing with the sea
count the grains of sand
that wash in on the next wave.
If you lose count, begin again
before the wave recedes.
If the wave recedes before
you finish counting, bid it farewell.
After you bid farewell
return to your cushion
and listen to the silence
which is the body of the dharma.

First Published in The Poet: Faith Vol. 1, Spring 2021
https://www.thepoetmagazine.org/spring-2021—faith

HEAVEN, UTAH

We would sit around the small park
as evening made a hasty retreat
to somewhere, anywhere more lively
than Salt Lake City in the heart of summer.

We’d pass a jug of whatever was
cheapest at the state package store,
usuall Gallo this or that, and roll joints
which made their way around our circle.

The cops would drive by every once
in a while, and wave, and we’d
politely wave back and yell thanks
which brought a smile as they drove off.

In Salt Lake City, in 1969, there was
no drug problem, and you only drank
in private, or smirked at those who did
in this boring little corner of Mormon heaven.

SENBAZURU

10,000 origami cranes
floated down over Tokyo
each bearing the soul
of one gone in nature’s recent fury.
Each crane cried freely
the tears flowing into the Sumida
forming a wave that washes
back to the sea, replenishing its loss.
We, too, shed our tears
and look skyward
sad in the knowledge
that with each passing day
still more cranes
will fill the sky
more tears seep back
to the still angry sea.

WINDOW VIEW

He knew she had a special
meaning for him the first time
he saw her, from his usual seat
by the window in the diner, waiting
for his bagel and cream cheese,

and she at the table along
the window of the Starbucks across
the street, which might as well
have been an ocean, so unlikely
was either to make a crossing.

By the third time she had noticed
him, and offered a polite wave,
which he gladly returned, each
assuming it was an act of civility,
each, at least he, hoping it could be more.

He thought, briefly, about dashing
across the street and meeting her,
but he was no fan of coffee, less
by far of what Starbucks served,
and their bagels, well enough said.

So they went on with waves and nods,
until the day he looked and she
wasn’t there, and he knew she had
moved on without him, left him behind
or found a place with good coffee.

Publsihed in Mehfil, #8 August 2020
https://medium.com/mehfil/two-poems-2f60ad081ee7

SEKITO’S GREAT AND SMALL CANON 正法眼蔵 語十三

This wave touches the shore
just as it should,
that wave touches the shore
just as it should.
You may wait
an eternity
for a wave that touches
but not as it should
or you can sit
and let the waves
wash over you.


A reflection on Case 53 of the Shobogenzo (Master Dogen”s True Dharma Eye)