The village of my grandfather
still stands amid the fields

adobe walls stained
by soot from the fireplace

birds nesting in the summer
warmed chimney singing.

The ancient scythe leans
against the wall, its blade

embedded in the crusted soil
as the old tractor idles in the field.

Armies have trod this ground
ignoring the small house

smoke curling from its roof
stew bubbling in the iron pot,

for the city hills away,
its brick walls beckoning

the spoils of war hanging
in its galleries and vaults.

My grandfather lies
in the parched soil

roots of plants wrapped
around his fingers.

First appeared in Alchemy Online Literary Magazine 2000/2 Fall-Winter and later in Legal Studies Forum Vol. 32, No. 1 (2008)


It is just that sort of summer day
when the sparse clouds crawl ever more slowly
across the city, peering down, as if wishing
they could end their journey, knowing this won’t happen.
On the fields of Falkirk and Culloden Moor
stained with the blood of ancestors who, only now,
claim me as one of them, allow me to wear the tartan,
the clouds build and flee without ever pausing
to peer down on the carnage below.
They want only to move on, continue the passage,
give endless chase to the sun, certain
they will fail and fall, only to take up
the chase again onward into eternity.


He lies on the steam grate
under a thin blanket and plastic
garbage bags, sleeping soundly
lulled by vibrations of a passing car,
back to the Ellipse and grand white house,
oblivious to footfalls of tourists and joggers.
Steam seeps upward through his tattered clothes,
he is back in-country, lying at the fringe
of the jungle, awash in sounds, neat
cast up from furnace earth, cutting
through fatigues and the heavy canvas
and steel toes of the boots, into skin,
to pool on muscles held taut, twitching
at the first heard whoop of chopper blades
or stirring of branches and flora
in still summer air which hangs, a shroud.
Sun rises slowly, bathing the obelisk
in a faint peach glow, he rolls, crushing
the fading, wrinkled photo of three boys
lost, from a different world, standing
in beer soaked mirth, leaning on rifles.
One night, trees oozed forth
shadows, black angels, and his hand
resting in a pool of blood and viscera
with whom he had roamed the bars
of Saigon and Bangkok, invincible knights
before their armor turned to rust.

First appeared in Luna Negra, Spring: 1997


When they asked him
what did you do during the war
he said “I just stood guard.”
When they asked him where
he said “A station, just
a station, like most others,
I just stood guard.”
When they asked him
did you see the trains
carrying the bodies crammed
into cattle cars
he said “I saw many trains,
it was just a station, but mostly
I looked at the sky, wishing
for the sun, but mostly it was gray
and there was smoke
from the chimneys.”
When they asked him
why did you wear
the lightening bolts
he said “I was a ski instructor
but I broke my leg
so I stood at the station,
just a station like most others.”
When they asked him
did he know of the ovens
he said “They made bread
which we ate each night
when there were no potatoes.”
When they asked him
about the Jews
he said “I knew no Jews;
there were none in the town
where I stood guard
at a station, just
a station like most others.”
When they asked him
what he did after the war
he said “I prayed, just
prayed for my sins,
sins like those
of so many others.”


What do you say
to those who turn their backs
on those broken in battle,
or broken at the sight of battle,
who were left to clean up the collateral damage,
or who were collateral damage,
were pierced by IED’s,
or shaped charges,
who had inadequate armor,
or no armor at all,
who were left in moldy rooms,
were dropped on the street,
who don’t want to go back again, and still again,
who see clearly with their eyes closed,
who cannot find shelter in a maelstrom of thoughts,
who did what was asked
and wish they hadn’t,
who asked for leaders and found only followers,
who asked why and were told “just because,”
who never came back, or
who were left here.

Previously appeared in SNReview, Vol. 9, No. 2, 2007 and in The Right to Depart, Plainview Press (2008).


Early this morning
as I drove through the mist
that clings to Portland in March
like a child’s yellow slicker,
I thought of you, home,
asleep on our bed, my side
tidy, no faint indentation
of life, and I thought of
the thousands who have died to date
in Iraq, who never again will leave
a faint indentation in any bed.
It is far easier thinking of you,
of regretting the miles between us
at this moment, but knowing
that I will shortly bridge
those miles and we will tonight indent
our bed, that two thousand miles
is little more than an inconvenience,
while many of them are no more
that a dozen miles outside of
countless towns; but the effect
of that short distance is infinite
and they can only indent the thawing
earth beneath the granite stones.

For a while, I will be using Thursday’s posts to feature poems I previously had published. Today’s, Early Morning previously appeared in The Right to Depart, Plainview Press, (2008).