• PLACE NAME HERE

    Among all of the so-called artswriting does stand alone.How often have you seen arthanging on gallery wallsand look at the card next to itto see what the work is calledand find that all too uniquitous title,UNTITLED, as if the artist’s powerof language escaped into his brushes.And let’s not talk about composer’swhose work is later numberedand…


  • ON THE CUSHION

    The day has slipped away,or mostly so, as they often doas if nature provided a hiddengrease that lets them outof our grasp no matterhow hard we try and hold them.It is little consolation, laterin life, that nights demonstrateand equal unwillingnessto remain very long, as ifour dreams must be hurriedas are our days and nights.Sitting on…


  • ROSO FACES THE WALL

    When you approachthe teacher what is itthat you expect from her?If you ask herto show you the wayshe will sitand face the wallin silence.What will you learnfrom this?If you arefacing the wallin silenceyou shoutyour answer. A reflection on Case 23 of the Book of Equanimity ( 従容錄, Shōyōroku)


  • MID MORNING SONG

    He leans against the walloutside the Prêt à Mangerwitting with his dogon the old Mexican blanketsthat look uniquely out of placeon a cool London morning.He sips the now fetid coffeein its Styrofoam cup,its Burger King logoand temperature warning.His hair is long, mostlygray with streaks of white,his beard whitewith swaths of blond, helooks as though hejust…


  • EGGMAN

    When I was a child . . .God, how many times have youheard something prefaced by thoseever frightening words, notscary themselves but whatpainful story they promised. When I was a child we hada milkman who broughtthe glass bottles twice a week,took the empties and envelopewith his payment from theshelf built in the walljust for deliveries.…


  • SAY CHEESE

    The meeting drags on. Time is frozen. The space between a smile and a grimace is the edge of a fine blade and the width of a canyon. And you maintain the smile hoping it is not seen as the rictus you feel. Politeness requires a smile, your heart requires a fast escape. So you…


  • Bodhidharma’s Mind 無門關 四十一

    Walk slowly up to Bodhidharmabut do not pull him awayfrom the wall before which he sits.Keep your arms close about youlest you cannot graspwhat he will ask. Hold tight to your mndfor it will grow still onlyas it slips through your fingersWhen you see it fade awaySamadhi bathes you. A reflection on Case 41 of…


  • THE WALL

    The wall is black granite, highly polished be an unseen hand and the fingers of countless thousands present but each unseen by the others. At first glance you want to count the names, but you lack fingers enough for the task and others are quickly withdrawn as are their eyes. You know where the names…


  • WALLS

    It is one thingto build a wallthat othersstop and admire,yet make ithigh enoughthey don’lt thinkof climbing over it. Walls are meantto keep, inor out is neverclear, and actuallyit is always both,for a walltakes no sides,a silent sentinel. And no wallis impenetrableand unscalablesave that surroundingthe heartless oneswho are destinedto die alonein anger.


  • GYOZAN CAN’T SAY IT

    The true artist,when askedto draw a perfect tree will lead you to the gardenand have you situnder the great maple.The true masterasked to speak of Dharmawill silentlyface the wallin zazen. A reflection on case 118 of the Shobogenzo, Dogen’s True Dharma Eye Koans