AUTHORSHIP

If birds could write, which bird
would write like which author.
The Osprey would clearly be Hemingway
knowing the sea, but with no need for an old man.
The common Gallinule might become
Billy Collins, an easy laugh and always entertaining.
The crows could be so many writers
attending workshops, all still looking
for a voice to express themselves without
causing their audience to turn away.
The great egret could well be Alice Munro
creating beauty without need for intensity
her audience content to watching her do little
and the cattle egret would be David Sedaris
mining that the detritus of the world for that
short, ever pithy humorous twist.
The Sandhill Crane, Murakami
always with a strange tale, and
as are all cranes, ever so Japanese.

EULOGY

In a perfect world it would be
a requirement that every person
upon reaching the age of 40
would be compelled to write
a draft of a eulogy in the voice
of each lover or partner whose
relationship he or she chose to end,
one that the spurned lover
would deliver at his or her funeral.
The task would come
with the caveat that one or more
such exes would be asked
to deliver a eulogy,
and it would be their choice
to write their own or read the one
the departed had prepared for them.
It wouldn’t take all that long
to realize how interesting
these funerals will likely be.

SHEEPISH

As a child, when I
had trouble falling asleep
my mother would trot out
the ancient saw and tell me
to just count sheep.

I tried to point out
to her that we lived
in an upscale suburb
and there were no sheep
for miles for me to count.

This hardly deterred her
and she repeated her
directions, in a stronger
tone of voice that she thought
brooked no argument.

I did try counting sheep
but still couldn’t sleep
given my congestion
and sneezing from what
I learned was a wool allergy.

WHAT WOULD YOU SAY

I am just wondering
what you would say
if you were called
to testify about all
that you had seen,
all that had disgusted you,
all that you condemned
but did and said
nothing while it occurred.
What would you say
if you had no choice
but truth, no shading,
no mincing of words,
just the harsh light
and you in a chair
in an empty room,
a disembodied voice
asking endless questions?
It is best that you
remain silent, say
nothing at all,
for we have already
judged you, and you
know your own guilt.

First appeared in Literary Cocktail Magazine, Fall Issue 2022, Volume I Issue II
https://drive.google.com/file/d/1VEgeWfNp5SFGSm8nW8QegM1WuNUa_s99/view

AT FIRST

The first time
I heard it
I knew
that voice
came from a place
I had never visited,
would never
be able to go.

It penetrated me
reverberated
within me
a harmonic
that shook
me to my core.

She reached
and grasped
what I thought
I had kept hidden,
and as I danced
with my
new bride,
I knew Etta
had led me
to love
At Last.

A PRAYER

Last night, as I sat poised
on the edge of sleep, I asked
God for continued blessings,
for I have been blessed more
than I likely deserve.

I heard Her reply that I
would always have Her love,
on earth and heaven, and I
knew my request, selfish
for certain, had been answered.

But now I wonder if it was
truly She or your voice I heard
in that moment, but I know
which voice would not matter
for you are the blessing I sought.

WORKSHOP

Grace settles into the chair,
less an act of sitting than
of floating down onto the seat.
She has borrowed my grandmother’s
smile, kind, gentle, inviting.
She pulls a book from her bag,
its pages or most of them
dog eared, and I glimpse
some annotations in the margins.
We sit around her like children
awaiting presents on a holiday,
as acolytes seeking knowledge
from a font of poetic and prosaic
wisdom, or so we think.
She reads in a voice that is
at once soft and loud enough
to reach the back of the room,
opening the book to a random
page and diving in, then after
what seems like a minute and
an hour, she stops and asks
for questions. We sit dumbstruck
for a moment then fire at her
like machine gunners on the range.
She answers each, claims she is
a simple grandmother who writes
but we know better, know we
are in the presence of a true master.

MORNING

In that moment
when the gentle chirping
of a small bird
resounds as a pounding
spring deluge, washes away
the creak and thrum
of passing cars, when she sings
only to you, her small voice
drawn in to your ears, your
mind, until it fades
slowly like the bell
and you wait for it
to strike again, to feel
it seep down your spine,
ooze into your fingers
and toes, pool in bent
knees and elbows, folded hands.
In that moment
the gentle chirping
is your voice, and you
are perched in the weeping
cherry tree in the garden
preening in the morning sun.


First published in Creatopia, Issue 5, Spring 2022
https://creatopia.studio/creatopia-collection-magazine/spring-2022-renewal-magazine/

ON THE MESA

On the mesa you can step outside
and look up at the sky,
clouds building mountains
that threaten to eat the sun,
swallow the moon whole.

On the mesa you can step outside
and feel incredibly small,
listen to the coyotes with
the ears of scared children,
unable to run like the jackrabbit.

On the mesa you can step outside
and look up at the sky,
more stars than are possible,
and listen as the wind
whispers in the voice of God.