IN THE BEGINNING

You so very want
there to be no ending
but there must be, just
as there had to be a beginning
and you had no say about that.
Endings are hard, they remind you
of small deaths, all but one,
but each is also a birth of sorts,
and like you know, they arise
and you have no say about them.
These few lines will
soon enough draw to an end
although that may be one
you don’t so much mind.
But as you put them away
they are the beginning of a thought
you never imagined would arise.

VERITAS

Denial grows easier with practice
until you get to the point
were even the existence
absolute proof is little more
than an obstacle to be skirted.
They know it is easy, a facile task
to an audience that wants to believe.
That is the key, for wanting
to believe is enough to make
the false true, and even beginning
to step deeper into the swamp
will not stop them, for even
as the water rises about them
they see what might be
and ignore what is, and
what will be, for a promise believe
is always enough, until it isn’t.

ON THE BORDER

It always seems odd how the dual veils that separate day from night, wakefulness from sleep, seem impenetrable in the moment. Yet they both fade, now pellucid, permeable with the simple passage of time. Now dreams are a reality, such as that purports to be, and the worlds intermix, one ceding it to the other, the other flowing back. It is in that moment It is then you realize both are real, both dream states and you exist only because you imagine it so.

AS IT SHOULD BE

Day gives way to night.
Life gives way to death.
Truth gives way to truth
and falsity to falsity.
Nothing moves, nothing
cedes, all is constant.
This is enso, one stroke,
complete and incomplete
and this is mu.
You may enter freely,
but will never leave, and
once captured you have
never been here
and cannot enter.
If this seems confusing,
it is precisely what
it should be and you
have seen clearly.
Welcome! Now leave.

IN THE BREACH

There is little you can do about it,
less that you want to do,
although they are not pleased
with your decision.
Remind them that they
are the ones that left the decision
to you, mostly in the hope you
would do what they hoped, taking them
off the hook, but they now realize
they have been hoist
with their own petard
and the walls, gates they wanted
breached still stand
with you on the sideline
watching their farce unfettered.
They will not ask again
and you laugh, for if they did it
you would give it a try
just to see the look on their faces.

PLATFORM

They said it was essential
for a writer to have a substantial platform,
one built high enough to be easily seen
by those passersby who might just give
a passing glance, even if it was a typo
landed them here, updated, regularly
changing with time, tide, and fashion
always ready, always accommodating.
It must be a composite, the better
to handle storms, ill winds lacking
the ennui of winter, curse of summer.
It was no small task to build,
everyone offered plans, templates,
none ever quite right, but he built it,
and when the time came, like most
writers he knew, it would suffice
where they put the noose around his neck
and hung him by his words, his
truth that they came to hate.

THAT DOES NOT COMPUTE

The key, he knows is to eliminate the impossible. Once you do that what remains, no matter how improbable must be the truth. Holmes, as it comes out might have been right. Oliver Wendell was, but how can you know when you’ve eliminated all impossibilities? Doyle (Roddy perhaps) would note that improbabilities can look a great deal like impossibilities, but may nevertheless prove to be the truth. We could enlist Watson’s superb mind, but we know just how possessive Gates can be, and it could swing shut on us at any moment.