LACKLAND

They marched us to the middle
of nowhere, sweat running down
our backs, our olive drab uniforms
now three shades darker.

They handed us a rifle, an M-16
they told us in class, with a 5.56
round, it would tumble after
it hit its target, good for killing.

We lay on the ground, shouldered
the weapon, aimed it at the
target, a bottomless torso and as
instructed, gently pulled the trigger.

Nothing happened, which is what
the Air Force wanted this day
for we were here to know our gun
to befriend it, to cradle it.

Another day we would come back
to the range, take our weapon, assume
the firing position and hopefully watch
the round tear a hole in the target.

And on this day, our sergeant said
we had finally become warriors, then
he quickly took the weapon away,
never for most of us, to be touched again.

First Published in Half Hour To Kill, August 2022
https://halfhourtokill.com/home/lackland-by-louis-faber

STRING QUARTET

The violinists’ laughter and tears
are flung from her flying bow,
drip from his elbow,
and wash over the stilled audience –
we can taste the sea
as we threaten to capsize.

The viola is the older brother
now steadying, now caught
in the wave, riding
its dizzying course,
dragging us in its wake.

The cello is a torso, the cellist
a surgeon, her hands
plucking small miracles
from stretched gut,
shouting for, then at,
the still stunned gods.

Somewhere, Brahms
must be smiling.

First Published in The Right to Depart, Plain View Press, 2008.

SEOUL

The Han river, gray to green
hinting at mud, but roiled
this day, is a keloid scar
across the torso of Seoul,
its suture bridges struggling
to hold the halves together.

Soon it will be dark, the Han
then a no-man’s land, separating
the two Seouls, each certain
it is its own whole, neither
looking north to an always
foreboding step-sibling.