SEPPO’S TURNING THE WHEEL

The wisest of men
when asked at what time
it is best to pursue the Way
will answer when a thousand stars
have made their presence known.
The wisest student will say
when cleaning myself
by bathing in the mud.
This will become clear
when the frog
consumes the dragon.


A reflection on Case 38 of Dogen’s Shobogenzo

WALKING

Like the Anasazi’s sudden
departure from his cliff dwelling
I too snuck away, with hardly
any trace from a life no longer
in clear recollection, only faint
images survive, of hours
in the City Lights Bookstore
reading Corso, Ferlinghetti
and Ginsberg, then buying
the slim volume “Gasoline”
not because it was my
greatest desire, but its price.
Now the worn volume sits nestled
between Wilbur and Amichai,
a fond memory, like an afternoon
in the park in Salt Lake City
the tarot spread out before me
whispering their secrets
for the slip of blotter,
the small blue stain
bringing an evening
of color and touch
and that momentary fear
that nothing would again be
as I knew it to be.
The Anasazi knew
the arrow of time had flown,
had passed the four corners
where I lay in the street
another senseless victim
of a senseless war, while Karl
held the placard
demanding peace,
until the police urged us
to move along, and offered
the assistance we
were sworn to reject.
Now the corners seem
older, more tired of the life
that treads on them daily,
on my path to the Federal Courthouse
to argue a motion
where once we spilled
the red paint
the blood of our generation.
Now there is a wall
with their names,
a permanent monument
while we, like our Anasazi
brethren, are
but faint memories.


First Appeared in Ellipsis Literature and Art, Issue 35, 1999.

FROZEN

At 4:53 this morning, all of the clocks stopped.
Time simply froze although we kept moving,
going on with our lives.
But time ceased to matter at all.
That was fine with us.
For the first time in memory, we
did not grow older,
for no time had passed.
It was a strange feeling,
one we hadn’t had since we
were babies and unable
to comprehend time.
At some point the clocks
began moving again, we
began aging, and soon
we awoke from our dreams.

WALKING

Like the Anasazi’s sudden
departure from his cliff dwelling
I too snuck away, with hardly
any trace from a life no longer
in clear recollection, only faint
images survive, of hours
in the City Lights Bookstore
reading Corso, Ferlinghetti
and Ginsberg, then buying
the slim volume “Gasoline”
not because it was my
greatest desire, but its price.
Now the worn volume sits nestled
between Wilbur and Amichai,
a fond memory, like an afternoon
in the park in Salt Lake City
the tarot spread out before me
whispering their secrets
for the slip of blotter,
the small blue stain
bringing an evening
of color and touch
and that momentary fear
that nothing would again be
as I knew it to be.
The Anasazi knew
the arrow of time had flown,
had passed the four corners
where I lay in the street
another senseless victim
of a senseless war, while Karl
held the placard
demanding peace,
until the police urged us
to move along, and offered
the assistance we
were sworn to reject.
Now the corners seem
older, more tired of the life
that treads on them daily,
on my path to the Federal Courthouse
to argue a motion
where once we spilled
the red paint
the blood of our generation.
Now there is a wall
with their names,
a permanent monument
while we, like our Anasazi
brethren, are
but faint memories.


First Appeared in Ellipsis Literature and Art, Issue 35, 1999.

BASHO DOES NOT TEACH 鐵笛倒吹 八十

There is a woman
who asks no questions,
who fears neither birth nor death.
What can you teach her?
The wise man offers no lesson
but observes closely
and gains great wisdom.

What can you teach
one who already knows.
What can you learn
with a fully open mind.
In a clockless world
there is no time.


A reflection on case 80 of the Iron Flute Koans