There are those occasional moments
of clarity that appear without warning
and are, as quickly, gone.
We expect them less as we age
and they oblige us by staying away.
Children assume them, and are
rarely surprised, as though
they see them coming, need no warning
and have no expectation
anything will come of them.
Expectations grow proportionally with age
and patience diminishes apace.
The child understands all of this
with the same fascination she has
for a soap bubble, as she watches
each float away on the breeze of time.
My mother used to say, about
most anything, “Stop, you’ve had your fill.”
It was something she did by rote,
dictated I was certain then, by
some timer buried deep within her
that brought forth the phrase
like the beep of an oven timer
to indicate whenever she was baking
was certain to be just slightly underdone.
I didn’t listen to her, of course,
just paid the lip service of which
children are the acknowledge masters.
I still hear her voice echoing the phase
as i walk through the park each morning
stopping to gaze at whatever new
has come into bloom, the patterns
of the clouds over the hills to the south,
the conversation of the birds
who only think i don’t understand, but i
never get my fill of the beauty before me.
I was honored to have this recently published in Arena Magazine: A Magazine of Critical Thinking, Issue 162 from Victoria, Australia
This river has
for endless time flowed
from the distant hills
on its winding path
to the waiting sea.
The river has
no need of clocks,
cares little whether
the Sun, Moon or clouds
shimmers on its surface.
The river counts seasons
as passing moments
ever new, ever shifting,
and our lives,
and our dams
are minor diversions.
I sit along the banks
and watch the clouds
flow gently down stream
seeking the solitude
only the ocean will afford.
My grandson has a smile
that is as old as time itself,
as young as the mind
of a four-year-old
and in this moment,
beaming, I am left
to guess which it is,
for he won’t say,
I smile with him
and time has no meaning,
no beginning, no end.
This time when we move
the question could be asked,
are we moving to somewhere
or away from somewhere
or, you fear asking, away from someone.
That may be a truth left
unsaid, saying requires
an explanation, a ripping open
of a wound just scabbed over
or still raw around the edges.
And there is a hidden risk
in the question, for an honest
response might hold up a mirror,
one you never imagined might
show the world your face.
It may be that it is the right
time and the right place,
nothing more, so we offer that
and you may grasp it if you wish,
it might even be the truth,
but you’ll never know, will you?
Ambrose Bierce walked into Mexico
one day, and was never seen again.
That was surprising enough, but
more so, he left no epitaph, the least
you would expect from a writer.
In retrospect, perhaps he was
the smarter one, for I know othersl
who have spent countless hours
trying to devise the perfect epitaph,
knowing they never quite got it right.
I almost fell victim to that trap,
but avoided it the moment that
I realized that regardless of what
I might so carefully select, it is
my heirs who will have the final say.
It was a short questionnaire,
and he wasn’t sure why they
had chosen him to answer, or
for that matter, who they were.
He was one to follow rules, so
he sat down to complete it,
they, whoever they were, said
it would only take fifteen minutes.
“Who is the one poet you would
want to be forced to spend
an entire day with, and why
did you select that person?
In true High School fashion
I skipped it, went on to the next:
“who is the real person you would
gladly spend a day with and why?”
As a poet myself, it was easy now,
and I filled out the answer
and wondered why I paused, then
froze: did I know any real people?