• OR

    I can safely say I don’t miss the dayswhen they wheeled you into the operating room,smiling you assumed behind the masks,as you shift from gurney to table, your open gownflapping about like some wind driven flag.You would lie there staring up at the massive lightsthankfully were turned on, blinding you, watchedas they placed the mask…


  • WORDS, WORDS, WORDS

    They can have sharp edgesthat wound on contact, some cutsso deep they leave lasting scars. They can get stuck in the throatuntil you feel you can no longerbreathe, no longer cry out for help. They can lie there, anaggregate always acretingand yet rejecting any meaning. Or they can, carefully chosenpresent great beauty, offerhope, promise freedom.…


  • LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

    Blue Note, pardonour constructionblack paintedplasterboarda hangingair conditioning duct. Grady Tatesneering at the skinsgrowling at a high hathands shiftingdeftly reaching inpicking a beatand sliding itover the crowd. Jimmy Woodeblind to the lightsslides his fingersover stringsand talks to the bassresting on his shoulder.It sings backbegging , pleadingdemanding as his headsways with an inner vision. Junior Mancesways slowly…


  • REAL TIME

    Reality is clearly something to be avoidedto be dressed up in tattery, tied in ribbons,perfumed, yet its fetid stenchis always lurking in the backgroundwaiting to pierce your nostrilsin an incautious moment until you retchand bring up the bile that marksthe darker moments of your life,the kind that lingers in the throatwhich no chocolate can erase.Reality…


  • YAKUSAN’S DISCOURSE

    When the master takes his seatwhat do you expect of him?Do you watch his postureor how his hands are set.Do you stare at his lipsand what do you hearwhen they move, but no soundcomes from his throat.Listen carefully, for herethe dharma unfoldslike the first chrysanthemum. A reflection on Case 79 of the Shobogenzo (Dogen’s True…