an old writer and his words

  • THE FINAL SCENE

    For far too long he had beena marionette dancing to a tunehe could not hear, always staying silent,lost in a kabuki theater of the absurd.But he had grown tired of performingat their every demand, his life livedperpetually on call, no time truly his.He was drained by them, empty,not that they cared for they knewthe adulation…

    Lou Faber

  • ACT 1

    His life was a collapsing theaterof the absurd and he was holding on tightlybut it was slipping through his fingers.It was not supposed to be this way,this was not the play he envisioned, yethe was here, in a cold table read, andnone of the assembled were certain wherethe evolving script might take them.He had imagined…

    Lou Faber

  • MEMO TO MEMOIR

    I will recitemy absurdist life,and do so without coercionsave my need to tell it.Imagine a new wave filmin French, perhaps,directed by Dali and youmay approach my truth.If this is beyond you, Idon’t care, do you?In the end it is youthe listener who writesmy story, my life,and I am merelythe pen and paper,the prompt, so pleasehelp…

    Lou Faber

  • SO, WHAT DID YOU THINK?

    In a few momentsgive or take, the story will end.If you haven’t been paying attentionthe ending will makeno more sense to youthan the rest of the story.You may be asked whyyou came to see it, whatyou thought of it and youwill offer some amorphous commentsif you go with the flowof the conversations around you.I will…

    Lou Faber

  • APPROACHING NIGHT

    Arising into nightthe departing suntangos away with its cloud,memories soon forgotten. Other dancers take the stage,now a romance, nowa war dance, feathers raisedin prayer to unseen gods. Night will soon bringits curtain across this stage,the avian casts’ final bows takenthe theater will darken, awaitinganother performance,a new script tomorrow,but for this solitary momentof frozen grace, it…

    Lou Faber

  • THE BARD OF BROOKLYN?

    If he were to appear here suddenlyI suspect Shakespeare wouldbe running a small theater groupin Brooklyn catering to an audiencedrawn mostly from the LGBTQcommunity, alternating productionsof gays and lesbians with Transand gender fluid having free choiceto reflect their true selves and notin the roles genetics cast them. If you asked him why, he’d saythat it…

    Lou Faber

  • A QUESTION OF TIMING

    Umberto Eco, I believe,intending to or not,has found the perfect wayto bring classic playsback to life, to enable usto reinterpret theseold works, to hold theirreincarnated selves dear. All you need do is decidewhether you are onewho prefers beginningsor finds ends more satisfying. Go see Hamlet, but missthe first act or so, and museon why he…

    Lou Faber