an old writer and his words

  • ENSO IT GOES

    I spent much of yesterday trying to draw perfect enso. You would think it easy to draw the simple circle, one easy stroke, but my efforts suggest otherwise. It is my Western mind, my teacher once suggested, always linear, this moment next to that, and then the one that must naturally follow. If not a…

    Lou Faber

  • ULTIMATE TRUTH 鐵笛倒吹 四十三

    When the stick is raised a truth hovers nearby, will you accept it? When the student is struck does truth leave the polished wood, sinking into the student’s shoulder or does it rise up within the student to meet the falling stick? Sitting zazen do you ask directions to the zendo? A reflection on Case…

    Lou Faber

  • WORLD HONORED ONE ASCENDS THE SEAT

    If you sit patiently enough, and sit long enough, just perhaps the teacher will acknowledge you. If he holds out his arms and offers you the heart of the Dharma, will you grasp it and hold it closely? If you try and grasp it it will slip through your fingers, disappear from sight, lost forever.…

    Lou Faber

  • CZERNY IN HELL

    Mrs. Schwarting lived in a small cottage. Mrs. Schwarting taught piano in her living room. Mrs. Schwarting had no first name, even checks were to be made payable to “Mrs. Schwarting.” Mrs. Schwarting grew suddenly old, some said, to fully fit into her name, no one could remember her ever being young. Mrs. Schwarting said…

    Lou Faber

  • TEACHING AND NOT TEACHING

    When you find a teacher what is it you expect from him? Do you walk carefully in his footsteps insuring you do not stray an inch from the path on which he leads you? A true teacher will ask that you turn away from him and give you a shove that has you stumbling forward…

    Lou Faber

  • THE WORLD HONORED ONE ASCENDS

    The student may comment, “Hillel was asked to sum up all of the teaching while standing on one foot and did so.” If this student asks the teacher to provide the essential nature of Dharma in one sitting, what choice does the teacher have but to rise and leave the room. The teacher may comment,…

    Lou Faber

  • DOGO’S GREATEST DEPTH 鐵笛倒吹 六十六

    If you walk into the room and many are meditating, how will you know which is the teacher, which the students? If one sits on a higher platform will you assume him teacher and ask the depth of his Zen? If he comes down to you and says he has no depth to offer do…

    Lou Faber

  • ABIDING

    Do not look behind you to see if the Emperor is following, for if he is, he will not see you. If he asks nothing, tell him that there is no truth, that everything is true. He has no teacher and looks at each passing person to find one. You should not be worried because…

    Lou Faber

  • TE SHAN CARRYING HIS BUNDLE

    Enter the room slowly and look carefully, since you are here to find something. There is much within this room, but you can see nothing save the old man, sitting calmly, staring at nothing, staring through you at nothing in particular. You know he is the teacher, the one for whom you have been searching,…

    Lou Faber

  • HYAKUJO’S SECOND VISIT 正法眼蔵 語十四

    You may come asking questions, and perhaps the teacher will answer you with a discourse. If you go deaf and hear nothing, if the words flit like so many mayflies just as soon gone, if no word finds purchase, you will have grasped the heart of the Dharma. A reflection on case 54 of the…

    Lou Faber