an old writer and his words

  • SUZY

    What do you sayon the loss of a child?We sat in the loungedrinking a vile potionfrom a hollowed pineapple,giggling insanelyfor no reason.We wandered the tunnelsfaces painted,clowns in bedlam.We lay togetheron a mattresson the floor and listenedto Aqualungmy arms around youboth, but sleepcame slowly and we talkeduntil night ran fromthe encroaching sun. I can feel her…

    Lou Faber

  • AIRPLAY

    I heard several people say thatif you were under 30 and livedin Boston or Cambridge and weren’ta student at Harvard, Brandeis or MITyou were either in a band or managed one.I went to college in upstate New York,but I was quite capable of managingtwo turntables, the microphone andan ancient tape cart machine,always timing my intro…

    Lou Faber

  • MIX TAPE

    There is an artto creating a mix tape,more so to day, whentape is usually onlyfound in museumsand antique stores. Then you chose carefullyaware of the sonics,aware of the limits on time,weaving a musical tapestry. You can do a mix CDbut everyone knowsthat with tape you listenedall the way through,for fast forward was onlyfor getting to…

    Lou Faber

  • FIRST TRANSCRIPTS FROM THE TAPE RECORDED JOURNALS OF YETTA GOLDSTEIN

    ENTRY:  July 30, 1970 So, is this fakokteh box doing anything?  Hello, HELLO?  Buttons, now I’m a button pusher.  Some kind of secretary now.  Hello?  Oh, hell, if it’s on it’s on and if not that’s Saul’s problem.  So yesterday I tell my Saul, “You wouldn’t believe, we’re pregnant!”  And Saul says, “you mean you’re…

    Lou Faber

  • MANUAL LABOR

    (Instructions for Mourning a Marriage) It didn’t come with an instruction manual,no simple, poorly translated diagramstelling me to “be inserting Tab Ainto the Slot B,” none anywhere to be found.But I was young, and didn’t worry,despite entreaties to get help firstbefore beginning the intricate task of assembly.I laid out all of the parts carefullyuntil it…

    Lou Faber