Laertes was supposed to visit me
in my dreams last night,
but Iago texted that they both
were suddenly otherwise engaged.
There is a strong possibility, of course
that this was just another instance
of Marlowe trying to wreak havoc
with my ever more precious sleep.
Tomorrow I will recall none of this
for the day ereases my dreams
much as the sun banishes the moon,
as one reality replaces still another.
And each time I prepare to welcome
Morpheus’ sweet song, wondering who he will
have in tow, it is Miles who reminds me
it is the space between dreams that matters.
The sun rose this morning,
as if the day were not in any
way out of the ordinary, day
number far too large to count
for those with finite capacity.
The birds begin, their harmonious
cacophony, though they think
it their lauds, matins of reflection
burned off with the dew under
the gentle glare of a morning sun.
They watch us begin to stir,
imagine how it must be to live
cocooned in oddly symmetrical
boxes, venturing out but retreating
as though the sky was to be feared.
They do not ask how we could
so easily, remorselessly, lay waste
to our shared home, for they
have moved past mourning,
as we remain mired still in denial.
First appeared in The Poet: A New World, Autumn 2020
It is easier to think about death
on a wintery evening, when so much
of life slips into stasis, and there is
nothing to do but concede your mortality,
and with good fortune, then slip
into sleep before being lost
in a sea of depression.
I must be thankful for my dreams
for they keep the night from becoming
the little death of the ancient philosophers,
and on awakening in the morning,
the mantle of snow that has painted
the world in a glittering white, does
not demand the shovel as yet, but
celebrates the world’s rebirth,
and with a nod to the sun, my own.
Do not imagine yourself
Shravaka or Boddhisatva
nor ask the Master
if his reflection is
the fullest moon or bright sun.
Both stick and slap
and clear your sight.
The Master’s eyes
are blind to you
and your reflection
can only be seen
by looking within.
A reflection on case 34 of the Iron Flute Koans.
It wasn’t exactly what you wanted, but
you probably wouldn’t have been all that upset.
It was all about you, but not for you, that
comes later, and we know you’ll be pleased.
This one was for some of us who needed this
to be able to keep going, to keep from looking
only back, into the darkness that is our shadow.
He said it was a celebration, and it was that,
and we put on our best faces, hid our tears
as best we could, and as we stood in the cold air
in the cemetery, we only wished it over,
and when the sun appeared suddenly, we knew
you wished that as well, but in your case,
it was more likely that you wanted us working
on the party we will soon throw for you
and that one, too will be for us, but
among the things we miss you for,
was your willingness, you desire to share.
Several things you need to understand. First, and foremost, a waterspout is a term no one around here has used in centuries, unless you mean a tornadic columnar vortex of water, and trust me, we spiders avoid those like the plague. Shocking, I know, but with eight legs we cannot swim. At best some of us can skitter across the surface for a bit. Another thing, while my family, the Arachnidae come in many sizes, and while I am far from the largest, I am also far from the smallest. . So let’s stop with the itsy bitsy, shall we. But most importantly, it wasn’t a damn water spout, it was a water slide, and I went up the stairs and rode the water down. That is what you do on a water slide. And at a water park, no one really cares about the rain, we are all wet already. Though I must admit, riding the slides in the sun is certainly more pleasant.
In the end, it always comes down to night,
regardless of the moon, if any, it’s faint light
drowned by the city’s oppressive glow,
headlights, streetlights and once,
spotlights painting the sky, traceable
down to that new place we don’t wish
or can’t afford, would never dare to go.
Death is omnipresent, his shadow is at least,
but at night he has greater freedom of movement
his reaches longer, less random
and we claim not to fear the night, the sun
assumes we mourn its absence, and this
is true at some level beyond our comprehension,
but it isn’t the dark, that is their origin and
destination, it’s the hour at which we
cede control, and that, like the roller-
coaster in freefall, is what we so deeply fear
We hunted him as a trophy
stag across his fields.
We called him red man,
color of Ares, gods
sacrificed on our altar.
His rivers run with his spirit.
I am white
bereft of color,
barren, a glare,
a dessert stripped of life.
It is I who wears
Cain’s mark, plucked
from the garden
the sweet taste fades.
My lips are dry.
You are black
an amalgam, green
of the grasses in summer field,
orange of sun
singing an ocean,
surf ablaze, blue
of a crystal sky,
purple of robes
of Nubian kings,
brown of the soil
fertile and yielding.
Your eyes see all.
First published in The Right to Depart, Plainview Press, 2008
You ask me how
I know when to begin my sitting
so it will be the right time.
It is easy to watch the sun and stars
for they clearly know.
You ask what I do
when the sky is black
with impenetrable clouds,
it is easy to watch the clouds.
Water from the stream
or water from the sky
both slake my thirst.
A reflection on cse 26 of the Iron Flute Koans.
We can sit for a time, and speak
of our pains, how they cause us
to stop and look inward while the world
proceeds on it’s axis, in a slow march
through time and space, and we
share the anger and anguish
of our too fallible bodies which
time reclaims in slow progression.
We do not pause and cast eyes
on the egrets, heron and ibis returning
for the night as the retreating sun
paints the clouds in colors known
best to flames consuming all,
to wings flapping as perches are
taken adjusted, as conversations
are continued while night settles
slowly over the preserve, the birds
marvel at how we allow ourselves
to be absent from the simple
beauty of the world that surrounds us.