MOVING DAY

In my dream last night
I was moving a matress, queen sized,
probably with box springs but
it was wrapped, from my parents’ home
to my apartment, but not using
a vehicle, just pushing it
along the streets, obeying
all the traffic signals, using
my turn indicators, although
don’t ask why a mattress had
turn lights, just accept that it did.
It was arduous work, and I
hoped I’d soon get to the hill
that led down to my apartment,
for it would make the end
of the journey easier by far.
Unfortunately I never did
get there, I woke up first
wondering what the dream meant.
So if you can help me, I would
greatly appreciate your insights,
and you should definitely know
it was a Serta Perfect Sleeper
for I’m sure that makes a difference.

CURFEW

We sat in the cramped kitchen
huddled around the stove
the open oven door spreading
a faint warmth that barely
slid through the winter chill.
The bare bulb in the ceiling
strained and flickered
fighting to hold as the generators
were shut down, and darkness
enveloped our small world.
The sky was lit by the flares
and the odor of exploding shells
seeped through the towel
sealed windows covered
in the tattered bedsheets
too thin to afford warmth.
Ibrahim had been gone two weeks
sneaking out of the city
to join his brothers in Gorazde
or Tuzla, or wherever it was
that they were struggling
to save what little was left.
We huddled under the small table
and dreamed of the taste
of fresh bread, or even pork.
In the morning he would run
among the craters in the streets
in search of the convoy
and the handouts, which we
would raven as the sun set
over our war torn hell.

First published in Legal Studies Forum, Vol. XXX, No. 1 & 2, 2006

LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

Blue Note, pardon
our construction
black painted
plasterboard
a hanging
air conditioning duct.

Grady Tate
sneering at the skins
growling at a high hat
hands shifting
deftly reaching in
picking a beat
and sliding it
over the crowd.

Jimmy Woode
blind to the lights
slides his fingers
over strings
and talks to the bass
resting on his shoulder.
It sings back
begging , pleading
demanding as his head
sways with an inner vision.

Junior Mance
sways slowly fingers
tentative on ivory plates
crawling through the alley
scurrying for cover
and strutting down Broadway
ablaze in neon
dancing through Harlem
and sliding into the East River.

Pete Candoli
white against the night
smiles as his horn
cries out, a siren
piercing the dark
reaching up grabbing
your throat, throttling
then caressing your face
until you fall
into your seat, spent.

Harry “Sweets” Edison
wrinkled jowls suck in
the city, smooth ebony balloon
shouting from balconies
to revelers below
and mourning a love,
crying in the streets
dashing out of a basement
flat, a child crying
mother screaming in birth
a young man
groaning in orgasm.

Benny Golson
hair tied back
swaying, runs up the stairs
pauses, and leaps out
into the air
and flies off
laughing at the city
huddled below
its collar turned
against the wind
off the river.

Frank Foster
sits on the stool
and strokes
his sax, coaxing it
peering out around
a corner, slipping inside
then running down the street
dancing between taxis,
then striding down
Bourbon Street
the pall bearers
strutting behind.

Al Grey, stands
arm waving, a manic
conductor, it whispers
beckoning, then hums
droning, then slowly
it moves the fan
giving a glimpse
dragging the boa
drawing all eyes
as she passes into the wings
sticking her head out
smiling at the cheers.

Hampton leans
on the vibraphone
seeking balance,
and old man bent
from age, lost amid children.
Mallets slowly rise and fall
gaining speed
rushing out
glissando of sound
his hands flashing
the crowd rises
and there comes
silence.

First Appeared in Pointed Circle, Issue 15, 1999.

ALIVE IN THE NIGHT

I walked the city
in the heart of the night,
street lights casting the shadows
of ghosts of those long gone
to bed, unknowing
that the city has been
given over to ravening winds
that find no shelter.

I step into an alcove
and the fading light
of the flickering bulb overhead
urges me to move on
lest she bury me
in the darkness of her grave.

By day, this will all
be gone into hiding,
finding shelter we cannot see
and we forget that
when night again returns
the ghosts will dance
wildly in these streets.

THE GOVERNMENT OFFICIAL 鐵笛倒吹 六十九

Standing at the window
looking down on the street
is the passing man enlightened?
Call out this question to him.
If he looks upward and says yes
what do you know of his enlightenment?

Looking at a flower
is it different than its seed.
If you hold a seed in your hand
what can you say of the flower
that may some day appear.


A reflection on Case 69 of the Iron Flute Koans.

Please visit my new site: https://bird-of-the-day.com for a daily dose of avian beauty.

FESTIVAL

They ebb and flow
like tides down the half-empty street
from venue to venue,
many with that lost look
of years in the desert, driven
on by promised
the land of honey notes,
the mother’s milk of jazz.
The event passes flap in the breeze
created by their wake, some
checking programs, their
personal map to the festival.
We stand on the corner
watching humanity engage
in the ritual we, after 14 years,
have chosen now only to observe.

NATURE SPEAKS

Along the shore, this morning,
the clouds piled up, refusing entry
to the promised sun, which hung back forlorn.

The waves charged onto the sand
like so many two-year-olds
in full tantrum, banging against
all in sight and retreating,
only to charge again, pushing away
any and all in their path.

The wind pummels the sand,
and as we walk along the street
the wind-borne sand tears against our skin
urging us to take shelter,

reminding us that nature does
not bend to the weatherman, and will
from time to time play havoc
with their forecasts because
nature speaks, she never listens.



First appeared in Active Muse, Varsha 2019 Issue

ADDRESSING THE PROBLEM

It’s the little things,
she says, that bite you,
and while he truly
doesn’t want to believe this,
for it ought to be the big things
that cause the problems,
he knows she is right.
He recalls that a simple thing
like an address everyone
knows is 123 3 X Street is true
for all save the power company
which says it is still 98 Y Street,
although they cannot hope
to explain why this is so.
How many other addresses
for this place are there,
how many things go wrong
because someone wants it
to be this while everyone else assumes that.
So you sit and wait for the power company
to bring light into your world
and warmth into your life
with winter closing in rapidly.

MORNING AT THE SHORE

Along the shore, this morning,
the clouds piled up, refusing entry
to the promised sun, which hung back forlorn.
The waves charged onto the sand
like so many two year olds
in full tantrum, banging against
all in sight and retreating,
only to charge again, pushing away
any and all in their path.
The wind pummels the sand,
and as we walk along the street
the wind borne sand tears against our skin
urging us to take shelter,
reminding us that nature does
not bend to the weatherman, and will
from time to time play havoc
with their forecasts because
nature speaks, she never listens.