MIX TAPE

There is an art
to creating a mix tape,
more so to day, when
tape is usually only
found in museums
and antique stores.

Then you chose carefully
aware of the sonics,
aware of the limits on time,
weaving a musical tapestry.

You can do a mix CD
but everyone knows
that with tape you listened
all the way through,
for fast forward was only
for getting to the end
of the cassette to play
the B-side, and CD’s
have no B sides to play.

JUST ONE MORE HAND

My parents, well my father,
always felt is was necessary
to stop on the way to our summer home
in the Western Adirondacks
to visit Uncle Morris, who may
or may not have been an uncle
in the blood sense, it was never clear.
It was he who sold my father the cottage
near the small lake, he who now
lived in a nursing home  in Schenectady.

Morris was sweet, frail, but still
wanted my father to play 
a couple of hands of pinochle,
which drove my mother crazy,
but she loved the cottage, 
and Morris sold it to them 
for a song to keep it in the family.

I liked watching them play,
never understood the game,
and hated the name Schenectady,
but we’d always go for an early dinner
at the Chinese Buffet across
from the store Morris owned for years.

MAGIC

The money wasn’t really real then,
it came in a box with a board,
dice and property deeds, and it
was in colors, one for each denomination,
(kind of like and Canada and other countries).
It was fun having a lot of it
until the first time I snuck some
out of the house and went off
to the variety store, I’d had my eye
the magic kit they had tucked
in the front window, forgotten, now
clearly the only one of its kind.
I asked the shopkeeper how much,
he said it’s been here so long
I can’t remember, so it’s yours for a buck.
I gave him a 10, pale yellow
he laughed, said that’s foreign
so it will be 990 for the magic kit
and I can’t make change but I’ll
throw in a Mars bar if that’s okay.
It was the one and only time
that trick worked.

DISCOVERY

In a small storefront, in an older neighborhood of the city, I found it.  Sepia coated with a fine sheen of dust and neglect, it lay on the table amid a stack of others, as though a leaf of phyllo in a poorly made stack fresh from the oven.  I knew it as I looked at it, touched it gently, that it had once held a magic incantation, that if you allowed it, could take you on a static journey where stillness was infinite.  I read it though it was wordless, but clear, it was a map to the country of dreams.  Not mine, I knew. Mine had the mundaneness of Chinese menu ordering, column A, column B, or sorting socks still hot from the dryer.  I saw in it possibilities, where ties and restraints could have no meaning, where crawling and flying were coequal skills and walking was so evolutionarily regressive.  I thought of purchasing it.  The price was certainly reasonable.  I thought of framing it with archival mats, and encasing it in museum glass, hanging it on a wall, or placing it behind the mattress where it might seep through like a ferryman plying the river of night, never quite touching opposing shores.  I left it in the store that day.  I haven’t gone back to see if its patina has grown.  For me it could only be an artifact.  A map is of so little use, if you have no destination.