INTO THE TIDE

The woman at the next table
stares at her fork
with eyes which appear
bottomless pools of sorrow.
She picks at the noodles,
raises and lowers
the glass of wine
without sipping.
She is lost within herself
and even the waiter
approaches with trepidation
for fear of falling in
and drowning
in her sadness.
In her eyes
are pools of cabernet
spilled from glasses
cast aside
by retreating lovers,
the blood of a mother
who died in her birth,
tears of a father
hopelessly alone.
You see him returning
to the table
and a smile of faint hope
crosses her lips,
lingers a moment
and is drawn
into her eyes.
She watches him
finish his wine
and with a nod
of his head, hers,
and she sinks back
deep within herself.


First appeared in Erothanatos,  Vol. 3, No. 3, July 2019 at Pg. 41

STARING

She stares at you, unwavering.
You find this strange, wanting to see
something more in her looks,
but you get nothing from her,
as you have gotten nothing
from so many others before her.
You know men are as capable
of such stares as she, but you
don’t tend to see them, your own
gender blindness perhaps, or just
that men are less interesting
and more seldom seen
in these surroundings, usually
standing, posing, looking away.
You want to know what she
is thinking in this moment, what
she sees in your face, transfixed,
but the artist didn’t reveal that,
and so she will stare as well
at the next viewer throughout
the gallery’s open hours.

STARING

If you stare at it long enough
it is certain to become familiar,
as though you have seen the very thing
in the very place and time before.
You know this is not possible, but
it allows you to conceive of the future,
even though that cannot exist, any more
than the past can now exist, and if it
once did, was it as you remember it?
The mind is ponderous, and grows more so
when it tries to grasp what does not exist,
and in the accretion, it subtly
curves space-time around it,
so that what is real and what is not
cannot be distinguished, and if
you stare forward long enough, you will
likely stare into the back of your head.

NAMASTE

If you stare at it
very closely and carefully
you will soon see that deep
within it there is silence.
You may take it with you,
it will go along willingly,
but if only you
don’t try and grasp it.
It is soft to the touch, certainly,
and has a sweetness that settles
gently into the heart, it shimmers
as it should, so enjoy it, for it,
unlike you or I,
is truly immortal.

AROUND IT

It is remarkably simple, really,
a single circular brush stroke
in a monochrome black on rice paper,
always nearly perfectly round,
never is the circle complete,
always some small thing left wanting.
You stare at it, more
at the small gap, imagining
it filled, hoping it cannot be
for it holds out the promise
that this moment is all
that matters, that you are,
at any moment, where you
ought to be on your path,
that thoughts of tomorrow
is no more than an illusion ,
nothing other than 
the enso’s blank space.