MORNING

In that moment
when the gentle chirping
of a small bird
resounds as a pounding
spring deluge, washes away
the creak and thrum
of passing cars, when she sings
only to you, her small voice
drawn in to your ears, your
mind, until it fades
slowly like the bell
and you wait for it
to strike again, to feel
it seep down your spine,
ooze into your fingers
and toes, pool in bent
knees and elbows, folded hands.
In that moment
the gentle chirping
is your voice, and you
are perched in the weeping
cherry tree in the garden
preening in the morning sun.


First published in Creatopia, Issue 5, Spring 2022
https://creatopia.studio/creatopia-collection-magazine/spring-2022-renewal-magazine/

SPRING

She says her favorite month
is May, when spring’s grip
is tightest, but most of all
she cherishes the rain.
She is intimate with the rain,
there is a privacy that only
she can concede, if she wants.
She can take a drop of rain
and it is hers alone, she need
only share it with the sky,
it is always clean on her tongue.
She may borrow rain
from the trees, catch it
as it slides from leaves,
or watch it slowly tumble
from the eaves of the house
she remembers from childhood.
She loves walking barefoot
through fresh fallen puddles
as it washes bitter memories
into the willing earth.

First published in Creatopia, Issue 5, Spring 2022
https://creatopia.studio/creatopia-collection-magazine/spring-2022-renewal-magazine/

LAMBERT FIELD

The gravestones, in random shapes line the hill
the morning chill
creeps between them and onto the runway
until washed away
by the spring sun slowly pushing upward
as the jet noise washes the hill unheard

He passed away quietly in his bed
ending his dread
of the cancer slowly engulfing him
his vision dimmed
by the morphine that pulsed through his veins.
He paused to remember the first spring rains.

She selected the plot on the hillside
she would confide
to friends, so that he might see the valley
at long last free,
to see the flowers bloom in early spring,
the land that was his home and he its king.

One summer the caskets were carried out
while the devout
cursed the sacrilege of the master plan
of the madman
who decided that the airport must sit
on the hill, his valley forever split.

The jets rush over the cemetery
February
snows blown across the gravestones in their wake
as one snowflake
melts slowly on the ground, a falling tear
which, unheard, marks another passing year.

First Appeared in Candelabrum Poetry Magazine (UK), April 2002.

ETERNAL SPRING

Spring has arrived, however begrudgingly,
and the young woman pushes
the older woman’s wheelchair
along the paths of the great park.
Neither speaks, but each knows
this could be the last time they do this.
That shared knowledge paints
each flower in a more vibrant hue,
each fallen petal is quickly
but individually mourned for,
its beauty draining back into the soil.
The older woman struggles hard
to fully capture each view for she
knows that it is possible
that it will have to last her an eternity.

First Published in Beautiful in the Eye of the Beholder, Sweetycat Press, 2022

TODAI-JI

The snow capped mountain
stares at the December sky
shredding laughing clouds.
I sit by the fire dreaming
of the slow approach of spring.

There is a moment
when all is only silence
the zendo in stillness.
In that moment I can hear
the entirety of Dharma

The temple bell tolls,
the deer assume their posture,
afternoon zazen,
I walk around Todai-ji
in futile search of Buddha.

JANUARY

It is an odd feeling, in the middle
of January, to no longer consider
becoming a bear, choosing
to hibernate until Spring arrives
demanding an awakening.

I did that for years, never
grew the heavy fur coat needed
and wasn’t much for digging dens
in the snow, so I sat inside
and dreamed of bearishness.

Living now among the birds
where we shiver when it is
in the 40’s, and I sweat and
complain when it is 90, I try
occasionally to remember

once wanting
to become
a bear.

THEN, NOW

It was easier then, so let’s
go there, the spring of 1970,
the location is less important,
so long as it’s a coffee house
where those barely old enough
to drink, or barely short of that
age congregate, waiting for
something to happen or, I
seriously hoped, someone,
someone with little hair, but
who carried James Joyce in
his jeans pocket, Portrait of
the Artist the only Joyce to fit.

I had thought of Ginsberg or
Corso, a better fit, but too
intelligentsia for this audience,
and literature was not my purpose,
although I hoped they did
not know that, or if so, would
not hold it against me, at least
until after a first date and sight
of me in my Air Force uniform.

I did succeed that spring, so
my efforts did bear fruit, but
50 years, and a failed marriage later,
let’s instead go back twenty
years, to an Indian restaurant
where being a poet fit neatly
into the hip pocket of my jeans.

First appeared in the South Shore Review (Canada) Issue 2, Spring 2021

MELODY

The melody arose from the most unexpected place.
They heard it deep within the woods
and even the birds fell silent
peering around, searching
for its unrevealed source.
It carried on for several verses
and then, as quickly as it came
it was gone, the final note
carried off by a spring wind.
No one entered, no one left
the woods that day
and though many searched
no instrument was found
and the trees of the woods
grew silent at the searchers’ approach.

NOTING WEATHER

The weather, he announced to no one in particular,
ought to be musical or at least
incorporate some jazz.

Spring is bebop, Trane and Parker,
the sudden clash of Blakey
the downpours of Dizzy

and the hint of what’s to come
on the fingers of Monk, and
Kenny and Milt.

Summer brings the slow easing
as early Miles slides in, and we
sink into Chet and Stan.

Bebop returns as summer fades
but turns harder, with Dexter
Sonny and Benny and we know

that winter approaches, with its
disconcert, the sun an ever
more infrequent visitor,

Ornertte and Pharaoh reminding us
that the dark cold was our share
until Sun Ra appears on the horizon.

UTEKI ASKS BUDDHA 鐵笛倒吹 四十語

While out for a walk
on a sun filled Spring day
if you happen across the Buddha
how will you recognize him?

If you offer gassho
to Buddha surely
it will be returned, but
is it he or merely
your reflection off
the surface of a still pond?
Does this matter to you?

A reflection on case 45 of the Iron Flute Koans