GET A ROOM

You feel like a voyeur, staring
as the red-shouldered hawks
mate in a tree mere yards
from where you are standing.

Still, you cannot take your eyes
away from them, your camera
tightly focussed, an avian
pornographer perhaps, or maybe

just a lucky soul given the chance
to witness a ritual denied to most,
and you know with luck their offspring
will repeat the show for you next year.

CELESTIAL RHYTHM

It was a certain rhythm that he loved,
one he felt it in total silence, yet it faded
in the presence of sound, a doumbek
of the soul he would describe it.

He remembered how it was before
their one god rendered him and his kind
mere mythological creatures fit only
for poetry and dusty library shelves.

He would have his revenge some day,
would condemn their God to a corner
of the heavens, an eternity to reconsider
the rashness of his narcissism, but

in the meanwhile he would continue
to rest in the heart of this constellation
hoping to go unnoticed, happy just
to listen to the rhythm of the universe.

ON ARRIVING

They arrive after a long flight
from tyranny, from oppression
from the nightmare of endless
fear, from hunger, from faith
denied, from the bottomless
depths of poverty, scarred
memories etched in their souls,
hoping for an ending as much
as wishing for a new beginning.
They have been here, a new
generation, raised on the stories,
versed in the painful history,
still residual anger born
of love for those who fled,
without the pain of experience,
who can forget when it is
others who now wish only
to arrive to the freedom they
have known since childhood

First appeared in Circumference, Issue 5, June 2022
https://poetryatpi.wordpress.com/

ANCESTRY

Children have an innate sense
of their ancestry.
I was a child of the city
it’s streets my paths, always
under the watchful eye
of my warden – mother.

Dirt was to be avoided
at all possible cost,
so I never dug my hands
into the fertile soil of my
village in the heart of Lithuania,
or tasted the readying harvest
that dirt would remember.

I never stole a nip of poitin
only the Manischewitz which,
in our home, masqueraded
as wine fit for drinking. It is only
now in my second childhood
that the ancestry very deep
in my DNA has finally found
purchase in my mind and soul.

A SMALL REQUEST

If those in the camps
knowing their fate,
the inevitability
of their impending death
could call up music,
for orchestras, play
or sing with
their final breaths,

is it too much
their ghosts silently
ask, for you
to pause and
remember us,
and sing
a dirge
for our souls.

FAMILY

You ask me to define what family is
and I tell you that I may be
the last person you want
answering that question, I
an adoptee who felt like
an orphan supplanted
by siblings who knew her womb.

But I do have an answer,
family is that insane person
who will drive six hours
to spend an hour with you,
family is the joy and aching
of your heart as they leave,
a bit of themselves remaining
deeply within your soul.

DUST AND ASHES

Between Scylla and Charybdis
they cower amidst the ruins
fearful to look skyward
lest they encourage
the rains of hell.

Now and then they visit
the corpses, hastily buried
grief drowned by the sound
of the laugh of the gunner
peering down from the hills.
It is always night for the soul
and lookout must be kept
for Charon, who rides
silently along the rivers of blood,
that flow through her streets.

In the great halls,
far removed from the horror,
self-professed wise men
exchange maps
lines randomly drawn,
scythes slicing a people.
They trade in lives as chattel,
reaping a bitter harvest,
praying there may only be
but seven lean years.

They offer a sop to Cerberus,
three villages straddling the river,
but the army of the hills
knows they will take that and more
and waits patiently for the winter
when the odor of sanctity
no longer arises out of the city
to assail their nostrils
and Shadrach is
no more than a ghost.

First Appeared in Living Poets (UK), Vol. 2, No. 1, 2000.

DEFINE-ITELY

It takes only moments for someone
to ask for a definition of poetry.

That task is at once terribly
simple and equally impossible,

a poem is many things
but not now or ever:

a paean to a self-aggrandizing
leader without soul
or sense of direction,
moral and literal;

a rant on how
all are conspiring
against you despite
your stable genius;

a Jeremiad decrying
facts contrary
to what you wish
them to be;

any attempt you
make or condone
to rewrite
“The New Colossus.”

SOUL MUSIC

The first time I heard Mozart,
I swore I was in a biblical garden
and I was content to sit and listen for eternity.
The serpent came along, as they do in such gardens,
as I recall, with the face of Beethoven, though now
I am convinced it was just Mahler trying to pass.
I still stop and eat from the fruit of Mozart on occasion,
but once the food was there for the taking, but
now it has to be purchased, and even here
you pay and never know until you bite into it
just how fresh and juicy it might be.
And lately, so much has been overpowering
that I cannot digest it,
and my growing deafness makes
each purchase agonizing, even though
I know if I went without, I
wouldn’t starve, save for my soul.

VLADIMIR

Krevchinsky froze
his ass off on the Siberian plain.
The gray concrete box
was traded for concrete gray skies,
the whistle of the truncheon
gives way to winter’s blasts.
It was in many ways easier
when the beatings came
neatly marking the days
dividing days between pain
and exhaustion, all under
the watchful eye
of the meek incandescent sun
dangling from the ceiling.
In the camp day and night
are reflections of an unseen clock,
seasons slide
from discontent to depression.
The prison of the body is finite
built block on block,
the prison of the soul
is vast, empty, dissipating life.


First appeared in HazMat Review, Vol. 1, No. 2 (1996) and later in Legal Studies Forum, Vol. 30, Nos. 1-2 (2006).