The most important lessons he taught were in those moments when he was absolutely silent, the smile across his face shouting across the background din of everyday life, his eyes wide with a sort of childish awe that I had long since given up as adolescent.
The child sees everything for the first time regardless how many times she has gazed at what we adults are certain is the same scene, a pure iteration, hears each call of the cardinal as a never-before-heard song, not the now boring chorus of a too long repeated lyric, its melody now painful.
His lessons too easily slipped away, as he did a few years later, mourning a poor substitute for memories that eased into the damp ground with him, but the smile of my granddaughter at seemingly everything and nothing, her laughter at the squirrel inverted from the crook arm of the bird feeder defying the shield below to stop his constant thefts, the giggles at the clouds filling the sky with characters I could not hope to see, brought him back, and with him the joys of my childhood long suppressed.
She asks innocently, listening to the wind whispering through the bare branches of the oak, “How long have you lived in this poem,” pointing to the page of marked and remarked typescript. He looks at her as if discovering she’d grown another head, peeking out from between her well-polished teeth. “I have no idea what you mean,” he says, “I write the poems— it is up to you to furnish them.” She grimaces, “That’s so wrong,” a third head appeared, grinning, “if you build poems on spec they are sterile little boxes that you foist off on the unwary. Plant all the flowers you want around it, it will still have the antiseptic smell should we dare step into it. That’s just the difference between us,” she adds, “I can see the song of the wind played by the trees, but you, you see only the blankness of the unadorned walls.”
It is hard, looking back, to recall just how many hours I spent searching with a fair amount of diligence for just the right song to express my love. Most often I would find it, but only after that love had been replaced by another, demanding a new song — you cannot use the same song for two different loves, that crosses well over into tacky. I have to admit I’ve given up totally on that quest, even as the number of available songs has grown exponentially, or so the various streaming services suggest. I have only a single lover now, have for twenty years, and as her hearing has slipped away it is her lips that read mine, and that is all the song we need.
Mockingbirds greet the morning
Great Blue Herons stare
imagining their voices
night sweetly welcome the dawn
The great temple bell
awaits the morning, the monk,
its daily purpose
cast deep within the metal
always verging on release
Smoke of incense too
prostrates itself to Buddha
soon a morning breeze
or the freedom of the sky
The finches sweep from bush to feeder in a gentle inverted parabola appear head high with a pride reserved for those who fly. The chain link fence is for them no barrier but a honeycomb of perches, full on a warm February afternoon, their song threatening to silence the heart of winter.
The question of the day is would you rather be a turtle or a snail, not to be sung to any melody by Paul Simon. Think carefully, for one day the question will have real impact and you will get your answer with a permanence that merits the most careful consideration. Today may or may not be that day. And please note, your choice is snail or turtle, not a land tortoise, so longevity shouldn’t come into play at all. So, yes, it all comes down to this, some child may try and grab you and put you in a glass terrarium and try to make a vegetarian of you or people will moan, seeing your tail and imagine you served with shallots In a small pond of melted butter.