I can still recall the day my mother was ecstatic on learning that everything grew out of a primordial soup. It was proof, she was certain, of a Jewish God, even if he didn’t do it all with his own hands. And, with a broad smile she said, I’m fairly certain at the soup was chicken, maybe with kreplach on the side.
She sat us down this morning for a heart to heart conversation. We had mentioned the neighbors’ new dog, their second, this one little smaller than a pony. She smiled at us, but we could tell it was a false smile, something was hiding about to be set free. “That is the problem with dogs,” she said, “they come in all sizes and temperaments. You never know what to expect, except that in any weather, but mostly the kind you hate, you have to walk them, or they walk you. And loud, they all seem to come without volume controls. So be thankful you have me. Now excuse me, my litter pan beckons.”
Today in odd places, at the most unexpected moments, a child will smile without reason, a young girl will laugh, the young boy will stroke the neck of a wandering cat, and in that place at that moment there will be a simple peace. Only the children will notice this, though it gives lie to those who deem peace impossible. A child knows that it is only preconceptions and attachments that blind adults to the peace that surrounds them.
The most important lessons he taught were in those moments when he was absolutely silent, the smile across his face shouting across the background din of everyday life, his eyes wide with a sort of childish awe that I had long since given up as adolescent.
The child sees everything for the first time regardless how many times she has gazed at what we adults are certain is the same scene, a pure iteration, hears each call of the cardinal as a never-before-heard song, not the now boring chorus of a too long repeated lyric, its melody now painful.
His lessons too easily slipped away, as he did a few years later, mourning a poor substitute for memories that eased into the damp ground with him, but the smile of my granddaughter at seemingly everything and nothing, her laughter at the squirrel inverted from the crook arm of the bird feeder defying the shield below to stop his constant thefts, the giggles at the clouds filling the sky with characters I could not hope to see, brought him back, and with him the joys of my childhood long suppressed.
Of course, she’s sitting there, calmly, staring off onto space. She has to know something is amiss, no one has come to visit her in days, but she knows that whenever, if ever, whatever it is that is happening is finally over, that they will once again return, stare at her, wonder aloud and silently why she is smiling, and she will as always say nothing, for she was once told that it is better always to leave them wanting more.
Tomorrow Paris will count its newest dead, and the hospitals will pray the tide of bodies has been stemmed, or diminished and none of those in the battle will pause and consider DaVinci’s lady imprisoned forever in her sterile room, an eternal prisoner.
First published in Dreich, Issue 20, Autumn 2020 (Scotland)