MARVEL

We are, after all, merely human
so we are fraught with questions
and lacking answers, willing
to take things on faith on occasion.

Take God, for example, although
some say He is uniquely exemplary,
we want to know if God is a he,
a she, or to cover all our bases, a they.

And when we ask for a sign we
often look to the heavens as if
God only operate locally, even
Moses knew a bush would suffice.

Actually we hunger for signs now,
in a world gone mad, cursing free
will, wanting proof, when all we
need do is marvel at nature around us.

THE LOBBY BAR AT MIDNIGHT

Ann Arbor a certain diffidence
Butte born of three rum Collins
Carmel the Gucci show windows
Duluth darkened, foreboding
Erie escalator rattle
Fairbanks a sound coffin
Grapevine grand piano
Hilo the restaurant empty
Ithaca seeking diners
Jacksonville by the exit signs
Kalamazoo conventioneers drool
Lincoln and slobber
Memphis over the ankh necklace
Natchez girl cross legged
Oakland engulfed in smoke
Providence the ficus droops
Rehoboth in the shade of the bar
Salem laughter turning
Toledo into controlled sobs
Urbana highball glass slips
Vidalia off the table edge
Wausau and falls
Xenia dropping slowly
Yuma through the night
Zanesville into sleep.

ZHAOZHOU’S “LOSING THE MIND IN CONFUSION”

Be forewarned
the greatest wisdom
is written on water
on a cloud –
the sun reads it clearly
so why are you
so blind to it?

A blind man will not
be mislead by signs
a deaf man cannot
fall victim
to the siren’s song.

A reflection on Case 11 of the Shobogenzo Koans (Dogen’s True Dharma Eye)

THE OFFICE

Step into a hotel elevator
and you will see the sign
“Elevator certificate is located
In the General Manager’s Office.”

If Einstein were to come back
to life and see this, would he
inquire as to where he could find
the Special Manager’s Office?

And George S. Patton would
no doubt bellow out a demand
that the Corporal Manager
stand front and center.

But as a lawyer, now retired
I am far more interested
in learning the precise office
location of the Specific Manager.

HOLDING ON

There comes that one moment for each who lives
when he steps out onto the silent stage,
speaks such of the lines as he recalls, gives
a half-intended bow, and in his rage

curses his lost youth like over-aged wine,
that is now a shadow of its promise
and he knows that somehow this is a sign
not of what he was but what he now is.

In the evening mirror he doesn’t know
the white bearded face that stares back at him,
a far older man who hates the coming of night.
He searches in vain for a way to show
that the spark that once burned did not grow dim
but holds even more tightly to the light.

First published in Grand Little Things ,Vol. 1, No. 1l, July 2020
grand-little-things.com/2020/07/21/two-poems-by-louis-faber

GENSHA’S BLANK LETTER 正法眼蔵 四十八

If you wish to find the Way
follow the signs that read
“This Is Not the Path” or
at least some of them.
If you ask me directions
I will hand you a blank sheet
and ask you what
does it contain.
You may say it is void
and you would be correct,
or you may say it
is a thousand dharma texts
and you would be correct.

A reflection on Case 48 of The True Dharma Eye (Shobogenzo)

IN SOLITARY

A solitary lentil
wrapped in its sauce mantle,
having escaped the fork
for the duration of the meal,
stares up at me, perhaps defiantly
my wife suspects it is merely
bored at having been moved around so.
I stare back at it in what I hope
is my most threatening look
as the waiter hovers by the bar
watching us both, waiting
for my fork to come to rest on the plate,
the universal sign his tip
is then immediately impending.
our stares go on several minutes
(until my wife finishes her meal)
and I shrug, say to the lentil
“I’m in a compassionate mood, I
let you live!” And place my fork down.
The waiter swoops in and carries
both plate and pardoned legume
to the dishwasher in the kitchen.

NOT OVER THE RAINBOW

It seems odd now, that he is here,
a place he never intended to be,
as it was a place he could not imagine,
yet he most certainly was here.
If you asked him why he was here,
he would answer that he had to be
somewhere, and here is where it was,
just as your being here is just
as it had to be, for you are here.
He points to a sign over his palette bed,
which simply reads “You Are Here,”
and says, I take it everywhere I go
and it has never been wrong yet.
The bell rings for the evening zazen
and as he assumes his place on the mat,
the Buddha seems to smile and say
to us both, You are where you should be.