REAR VIEW MIND

I spent too much time looking
backward, looking into the past,
looking into the mirror
to frame a dream history
of my desires and fears.
He called one morning, left
a message, “Mother died,
more details will follow.”
A mother his by birth,
mine by legal act.
I should have felt stunned
anger, I said quietly to myself
he’s cocky, has issues, and went
about momentary mourning.
That is the psyche of the adoptee who
was never family, always an adjunct.
Later my antediluvian dreams
gave way under a torrent
of deoxyribonucleic acid rain.
She who I imagined in the mirror
took name, took shape from
and old yearbook, offered
a history, a family, a heritage.
When I knelt at her grave
she told me her story
in hushed tones, or was it
the breeze in the pines on the hill
overlooking the Kanawha?
I bid her farewell that day,
placed a pebble on her headstone,
stroked the cold marble
and mourned an untouched mother.

TOO SOON

The leaves will soon begin
their descent from the small tree,
already brown, their beauty
departing before they do so.

They are bilobular, an odd word,
but one that belongs in a poem,
even this one it seems, and it is
their shape that you first notice.

The tree will all to soon be naked,
branches sticking into the air
as if searching for a breath
that refuses to arrive.

But we know that soon after
the small buds will open
and orchid-like flowers will appear
to our all too temporary joy.

GENSHA’S THREE VEHICLES 正法眼蔵 四十語

Describe this moment
without use of word or sound –
see where you are
with eyes pressed tightly closed,
hear a song with utter silence,
taste the pure mountain air
reach out and touch
that which has no shape
or form, no essence
and you sit
in the middle
of reality.

A reflection on case 45 of Dogen’s Shobogenzo Koans (True Dharma Eye)

EFFECT

The morning was indistinguishable from so many others. Lorenz was taking his morning walk around the pond or lake, it was of that intermediate size that could be either or neither, when in a break with his habit, he sat down on one of the four benches, and stared out over the water. He hadn’t seen the usual egrets or herons or ibis, which did strike him as a bit odd since they were as regular in attendance as he was. As he pondered their absence he was startled by what felt like a tickling on his arm. He looked down to find a Painted Lady butterfly perched on his forearm sitting placidly. He stared at what seemed to be the eyes on its wing staring at him. Neither moved, he for fear of dislodging his visitor, the butterfly for its own, undisclosed, unfathomable reasons. This mutual staring continued until time lost its shape, its defintion, and puddled at his feet, no longer mattering at all. But evenutally a breeze came up and it lifted from his arm, flitted about as if in some farewell and was off. He had no idea that moments later the tsunami warning sirens began up and down Fukushima Prefecture in Japan.

SNOW

At first it was just odd
to think of snow as merely
a concept, a memory softer,
more pleasant than its reality.

You can grow accustomed
to concepts, they are generally
somewhat neat and tidy, easily
filed and brought forth on demand.

The concept of snow has
its great advantages, snowmen
of perfect shape, never melting
and no one must shovel a concept.

But there are moments, a tree
decorated for Christmas, you
want to reach out and feel
the chill suddenly warm your heart.

GOING BANANAS

She examines each banana
looking at it from all sides,
looking down its shaft
as though sighting a rifle.
Each banana, in turn, she gently
places back on the pile.
My patience grows thin,
but I smile and ask her
if I might approach the bin,
grab a small bunch of bananas,
be done with my shopping.
I see five with skins
are a uniform yellow, no
dark spots to be seen.
She frowns a bit and I say,
“Did you want these?”
“Oh no,” she says, “I don’t
want those — like most
the curvature is all wrong.”