RINZAI’S ENLIGHTENMENT 正法眼蔵 二十七

 

If you ask your question
you will find an answer
but ask another and the stick
will respond each time.
If you seek another teacher
will you change the question
or the answer, and does it matter.
Take up the stick, who
will you strike, your teacher
or yourself, and is there
any real difference?


A reflection on Case 27 of the Shobogenzo – Dogen’s True Dharma Eye

KANNON’S STATUE 鐵笛倒吹 語十八

If you meet the Bodhisattva,
you don’t ask someone
to carve the image from your mind.
To the carver, she weighs but an ounce
and can be carried
on his fingertip
but try to lift her
and you will not be able
to move her from her place.

All Buddhas
are one Buddha
but his Buddha
will never be
your Buddha.


A reflection on case 58 of the Iron Flute (Tetteki Tosui)

ISAN’S QUESTION 鐵笛倒吹 二十九

Gather each single leaf
from the stones of the garden
and place it neatly in a bushel.
It will take weeks or months
to gather them all
even if you have windless days,
but this is important work.
When the last leaf is gathered
take up the bushel
and throw the leaves
into the garden,
this is important work.

If you tie a gold ribbon
carefully around your neck
it is nonetheless a leash.


A reflection on case 29 of the Iron Flute (Tetteki Tōsui)

KEMBO’S TRANSMIGRATION 鐵笛倒吹 六十七

 

Awakening in the morning
when you first see the sun
and the dew resting on thee leaf
which eye are you using.
When you stare into the mirror
through what eye do you see,
and what eyes stare back at you.

When you see the deer
lying in the road
which eye do you use.
In a nightmare, when you slip
into the deeper, darker world,
what eye is used then.
When a friend fades into death,
what eye sees his departure.
Think carefully on this
for only one eye can see
the answer lying within.


A reflection on case 67 of The Iron Flute (Tetteki Tōsui)

NANSEN’S REJECTIONS 鐵笛倒吹 四十四

 

If you come before Master Nansen,
will you come holding the posture
of a monk or a lay person,
and when Nansen turns you away,
how will you exit the room?

Nested hands
and gassho hands –
both are so easily manacled –
why leave the room at all?


A reflection on case 44 of the Iron Flute (Tetteki tōsui 鐵笛倒吹)