SENBAZURU

10,000 origami cranes
floated down over Tokyo
each bearing the soul
of one gone in nature’s recent fury.
Each crane cried freely
the tears flowing into the Sumida
forming a wave that washes
back to the sea, replenishing its loss.
We, too, shed our tears
and look skyward
sad in the knowledge
that with each passing day
still more cranes
will fill the sky
more tears seep back
to the still angry sea.

ERSE WHILE

Growing up, I never imagined
that I was Lithuanian, I mean I
might have as easily been from Mars.

And it was only in my dreams
that Gaelic was an ancestral tongue,
not one my ancestors spoke,
at least those who hadn’t yet
made the unthinkable move
to Norfolk and the frigid sea.

Now I am all of those, and I know
that blood is a bond that is strong
even if it lies dormant half
a lifetime, for when you find it
it ties you to a world which
you imagined only in your dreams.

ASK OF THE SEA

When you ask me of the sea,
living, as I do, fifteen miles
from the nearest ocean, it
is not the sandy beaches
of Hutchinson Island I recall,
nor the crowded sandbox
that is Fort Lauderdale’s beach.

If you ask me of the sea,
it is perched on the horizon,
far in the distance, looking
out of the kitchen window,
or perhaps that of the library,
over the yard, with its
deflated soccer ball,
the fence, and finally
to the Irish Sea, cloud
shrouded at the horizon.

This is what Lloyd George
saw each day, so it is
little wonder eschewed
burial in London or even England
for this hidden estate in his
beloved Ty Newydd in Wales.

First published in Dreich, Issue 10, Autumn 2020 (Scotland)

AROMA

What I want, no, need actually,
is to remember the smells of youth.
The images I can recall, but they are
aged pictures, run repeatedly through
the Photoshop of memory, and
cannot be trusted only desired.

The old, half ready to fall oak,
in the Salt Lake City park had
a faint pungency that lingered
even as I departed my body as
the acid kicked in, and drew me
back from the abyss hours later,

and my then wife, cradling our
first born in the hospital bed,
the scent of innocence and sterility
that neither of us dared recognize
as a foretelling of our denouement.

Those moments are lost in the sea
of time, washed away from memory’s
shore, but the smell of a summer oak
still promises a gentle return to self.

COUNTING TIME

I was honored to have this recently published in Arena Magazine: A Magazine of Critical Thinking, Issue 162 from Victoria, Australia


This river has
for endless time flowed
from the distant hills
on its winding path
to the waiting sea.
The river has
no need of clocks,
cares little whether
the Sun, Moon or clouds
shimmers on its surface.
The river counts seasons
as passing moments
ever new, ever shifting,
and our lives,
and our dams
are minor diversions.
I sit along the banks
and watch the clouds
flow gently down stream
seeking the solitude
only the ocean will afford.

SENTENCE

The hardest prison to escape
is the one whose walls are built
by the mind with fear and trepidation.
It is like the open gate you dare
not enter, fearing that you are leaving
and will not be allowed to return.
Atop a pole there are
an infinite number of directions to go
and only one is straight down,
but you dread selecting any, for gravity
is a fear as great his death
yet you know you can feel neither.
The prison of the mind is impregnable
for there, fear and pain live in concert
and you are a small boat
on an angry sea, staring
always at the roiling waves.

TOZAN’S NO GRASS

As the seasons change
I will stand
with one foot
on the highest peak
and the other
at the bottom
of the deepest sea.
But do not ask
that I stand
in a place where
there is no Buddha,
or my feet and legs
shall fall away
into the void.


A reflection on Case 68 of the Shobogenzo (Dogen’s True Dharma Eye) Koans

LA MER

Next week we will walk along the beach
and periodically stare out on the ocean.
The waves will wash in and out, and one
will look much like the last and the next.
If we get out early enough, perhaps we will
sit outside a café across the road from the beach
and drink our wet cappuccinos and eat our bagels
while watching some 20-something
perform yoga poses on the sand, poses that we
can remember, uncertain how our bodies
ever assumed those postures, certain
to do so again would cause breakage
that would put medicine to an unfair test.
We watch the elderly drivers, question
why they still have licenses to drive, and
to the extent possible, avoid looking in mirrors.

TOKUSAN SPEAKS OF TEACHERS 鐵笛倒吹 二十

Why do you seek old Masters,
they have no special gift.
Your lineage is
the surface of the sea
never still, all waves.
Your teacher has no answers,
his silence instructs
close your ears and listen,
is that his breath you hear
or only your own?
In is out, out is in
depending on where you sit.


A reflection on case 20 of the Iron Flute Koans.