COUNTING TIME

I was honored to have this recently published in Arena Magazine: A Magazine of Critical Thinking, Issue 162 from Victoria, Australia


This river has
for endless time flowed
from the distant hills
on its winding path
to the waiting sea.
The river has
no need of clocks,
cares little whether
the Sun, Moon or clouds
shimmers on its surface.
The river counts seasons
as passing moments
ever new, ever shifting,
and our lives,
and our dams
are minor diversions.
I sit along the banks
and watch the clouds
flow gently down stream
seeking the solitude
only the ocean will afford.

SENTENCE

The hardest prison to escape
is the one whose walls are built
by the mind with fear and trepidation.
It is like the open gate you dare
not enter, fearing that you are leaving
and will not be allowed to return.
Atop a pole there are
an infinite number of directions to go
and only one is straight down,
but you dread selecting any, for gravity
is a fear as great his death
yet you know you can feel neither.
The prison of the mind is impregnable
for there, fear and pain live in concert
and you are a small boat
on an angry sea, staring
always at the roiling waves.

TOZAN’S NO GRASS

As the seasons change
I will stand
with one foot
on the highest peak
and the other
at the bottom
of the deepest sea.
But do not ask
that I stand
in a place where
there is no Buddha,
or my feet and legs
shall fall away
into the void.


A reflection on Case 68 of the Shobogenzo (Dogen’s True Dharma Eye) Koans

LA MER

Next week we will walk along the beach
and periodically stare out on the ocean.
The waves will wash in and out, and one
will look much like the last and the next.
If we get out early enough, perhaps we will
sit outside a café across the road from the beach
and drink our wet cappuccinos and eat our bagels
while watching some 20-something
perform yoga poses on the sand, poses that we
can remember, uncertain how our bodies
ever assumed those postures, certain
to do so again would cause breakage
that would put medicine to an unfair test.
We watch the elderly drivers, question
why they still have licenses to drive, and
to the extent possible, avoid looking in mirrors.

TOKUSAN SPEAKS OF TEACHERS 鐵笛倒吹 二十

Why do you seek old Masters,
they have no special gift.
Your lineage is
the surface of the sea
never still, all waves.
Your teacher has no answers,
his silence instructs
close your ears and listen,
is that his breath you hear
or only your own?
In is out, out is in
depending on where you sit.


A reflection on case 20 of the Iron Flute Koans.

AMONG ELDERS

I sit outside, on the mesa
having watched the mauve, fuchsia
and coral sky finally concede to night.
The two orange orbs sit
twenty yards away, staring back
and in this moment coyote and I
have known each other for moments,
and for generations, and we are content.
Coyote tells me he was once
an elder living in the old adobe
buildings, how he was a shaman,
still is, with his magic, and I
tell him of how I walked for years
in the desert, food appearing
from heaven, of how I crossed the sea
and some thought it parted for me.
Coyote and I are both old
and we know we each have stories
that no one would believe, and
so we are left to believe each other
and tell our stories to the sky gods.