ANTWERP

It is seven in the morning
Antwerp arises slowing in winter
the small bar along seldom
used quays of Schelde
is almost empty, one old man
tottering on his stool
swaying to breath
head pressed on the counter.
Young couple, she brown haired
pale white skin against white
sweater, he long blond
woven into a ponytail
draped over the faded
denim jacket.
Her fingers
entwined in his, they stared
now, again sipping , she
Stella Artois, he Duvel.
He would paint,
when there was light
and when not, his fingers
would play across her belly
her breasts and mons
as they had in darkness
slowly receding, touching
canvas mind filling
with images cast in oils,
she would cast words
as ancient runes, telling
of times gone, to come,
and in night he would rise
into her, interlocked
sweat running across
his chest, pooling
in his navel.
She touched
his lips, sucked her finger
and put match
to cigarette, drawing
deeply of the morning
carried on river breezes.


First Appeared in Coffee and Chicory, Vol. 5, 1997.

RIVERS

I have never been
particularly one for rivers.
Like everyone, I’ve walked
along their shores, listened to them
gurgle under remote bridges
but otherwise never
paid them much attention.

There’s an old Buddhist saying
you can’t step into
the same river twice,
but that presupposes you
step into the river the first time.

I remember city rivers most
no banks, concrete walls from which
you cannot step
so much as fall.

Once rivers were different
they sounded different
calling out clearly
if you would only listen
but we were all
Siddhartha then.

Rivers are borders
easily crossed, the Genesee
walking the railroad trestle over
the Upper Letchworth falls
the girls faces frozen in fear
until we stopped, mid bridge,
and looked down
at the water careening
over the rocks, carrying off
the bravado and childishness.

The Schelde, with
great ships down stream
at its receding docks
leaving only Antwerp’s
waterfront bars
where it is easy to stumble
one drink or many
on the cobbled streets, where
the ancient words muttered
in the old Synagogue
are mummified, placed
in sarcophagi of religious fervor.

The Sumida, four blocks
from Senso-ji, and the incense
burner from whose joss smoke
I rubbed my heart,
bowed before the temple
and, at the saffron robed
monks urging, wrote her name
on a thin paper copy
of the heart sutra which
he folded into a crane
and dropped from the bridge
watching it drift slowly
toward the sea.

 

The Afon Dwyfor, more creek
than river, where I sat
next to Lloyd George’s grave
outside, barely, Llanystumdwy
overlooking the churchyard
and we’d laugh
at the absurdity of it all,
he long dead, I in love
with a woman whose lips
I could taste from a single kiss
on a second date, and
the river whispering “tell her.”